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Dining

Analogue owners Jesse Wilson & Jared Gordon talk to Downtown

The Analogue / Photo: Michael Tulipan

Located in the West Village, Analogue is a cocktail bar that has received rave reviews from the Wall Street Journal, Gothamist and DNAinfo alike. While many Manhattan bars aim to have music playing loud so that its customers have no choice but to dance and pound drinks, Analogue takes a very different approach. Whether it has a jazz trio live or its vintage Hi-Fi setup playing, Analogue keeps the music at a reasonable volume, allowing you to engage in conversation with ease. Analogue also offers a great food menu and has a lot of artwork on the walls for its patrons to look at.

Downtown had the pleasure of talking with owners Jesse Wilson and Jared Gordon, who met as students at NYU. As noted within our Q&A, Analogue is currently in the midst of expanding, although the location of its second spot has not yet been revealed. More info on all things Analogue can be found at www.analoguenyc.com.

https://www.youtube.com/watch?v=GMMA-kd3JaA

You two met while studying at NYU. Where did the idea of opening a cocktail-centric bar come from?

Jesse Wilson: At first, the idea started when we would hang out at various bars around the Village and talk about how cool it would be to open a bar. After NYU, I moved back to San Francisco to work in finance and started to work on a business plan on the side. At that time I was also starting to notice a proliferation of cocktails and craft beers in the marketplace. I just couldn’t do it by myself due to work so kind of shelved the idea. When I moved back to New York City, Jared was ready to move on from finance himself and approached me with the idea of opening a bar. After a lot of discussion, we decided on the concept of doing a cocktail bar for a professional, grown-up crowd and Analogue was born.

Jared Gordon: We wanted to open a bar that featured the drinks we enjoy. That’s cocktails, whiskey and an occasional great beer. So that’s what we did. We pride ourselves on our cocktails and have put together an outstanding program, but we’re agnostic as to how we’re perceived or what the guest wants. As long as they’re enjoying themselves, it doesn’t matter to us whether they’re having our most complex cocktail, our rarest whiskey or just enjoying a glass of wine or a beer.

Did you have any restaurant or bar experience prior to opening Analogue?

JW: We didn’t have any experience really. Jared had a little bartending experience in the Upper East Side and had read a few books, but that was about it.  We figured with our strong business backgrounds we could run the business, but we also knew we needed to hire people we trusted with experience in the hospitality industry. 

JG: I’ll echo Jesse’s thoughts. I started tending bar to get a sense of the business, but I was pouring neat well vodkas at a few dives on the Upper East Side. Not quite the same level. We knew what we wanted and we knew how we wanted to treat our guests. The rest is putting a team in place to help execute that vision.

The Dorian Gray / Photo: Michael Tulipan

How would you describe Analogue to someone who hasn’t yet been there?

JW: I think the name “Analogue” fits the bar well. It’s a high-end cocktail lounge that is almost a throwback to Manhattan in the 1950s and 1960s. We do great cocktails and food and have a great atmosphere that promotes conversation amongst friends. It’s a throwback to a non-digital era, hence the name. I actually notice people come in and use their cell phones a lot less and just talk with each other. This was one of our goals when we were designing the bar.

JG: Jesse put it perfectly. It’s a comfortable bar in which to enjoy a great drink and a conversation.

Do you have a favorite drink on the menu? A favorite food item?

JW: My favorite drink is our signature called The Analogue. It was our first drink on the menu. It blends Havana Club Anejo Rum, Four Roses Bourbon, Domaine de Canton ginger liqueur, St. Elizabeth Allspice Dram, Velvet Falernum and bitters. When we opened, we wanted a bourbon-focused drink that was good for the colder fall weather in New York. When I tasted it I said to our bartender Nesha Korak, “Wow, if I could taste our bar that would be it! What should we call it?” And he responded, “Well that’s what it is then, call it Analogue.” And it’s been on our menu ever since day one.

JG: I’d say my favorite drink is whatever the team is working on at the moment. I enjoy the evolution of the individual bartenders and the program as a whole through time.

Jared Gordon & Jesse Wilson

Who is in charge of your cocktail menu? How does your team come up with cocktails?

JW: Zack Berger is our head bartender and facilitates the process for the team. The menu is a collective effort for all of our bartenders. They are always creating, and when we do a menu, they bring several of their best drinks to the table to try. We do a few rounds of internal tastings and then pick the winners. We then adjust the menu to put on the best cocktails and remove any drinks that are out of season or slow moving. It is a constant process.

JG: Yep!

Music is a big part of the theme of Analogue. What was your first concert?

JW: One of the first concerts I remember was U2 during the Joshua Tree tour back in 1987. My father took me when I was 13 years old. This was when U2 was at their peak and becoming a global phenomenon. The concert blew me away. I remember walking out of the Oakland Coliseum to the crowd and everyone was still singing “40” in unison. It’s cool to see them doing the 30 year anniversary tour now!

JG: My first concert was the Concert For Walden Woods, featuring Billy Joel, Don Henley and Sting. The seats were terrible but the music was amazing. Live music and music in general have played an important role in my life ever since.

Black Boulevardier / Photo: Michael Tulipan

What was the latest concert or music-related live event you attended?

JW: The last show I attended was The Cult here in New York. The Cult was another band I grew up listening to and they are still going strong! I like a lot of alternative, hip-hop, jazz, country, metal, pretty much any genre if it’s good.  

JG: I’ll echo Jesse’s sentiments. I love everything from old school East Coast hip hop to bluegrass, metal, and classical. The last shows I’ve seen were Iron Maiden (my second time), Dave Matthews Band (my 24th) and the Governors Ball, where De La Soul was the highlight. 

I understand that Analogue features live music a few days each week. Who are some of the artists that regularly play there?

JG: currently we have Nick West and the Westet on Tuesdays and Monika Oliveira on Wednesdays. Nick West is a funky bass-driven trio, and Monika has a beautiful, mellow bossanova sound.

When you don’t have musicians playing at Analogue, I know that you have music spinning. Have you always been so vinyl-centric?

JG: We spin vinyl on special occasions, and for that we have a fantastic vintage turntable and tube amplifier. We’re also starting an audio salon where we will feature some truly high end systems and some classic albums each month. Vinyl has played a role in my life since birth, when it was just called “music.” As I got older, I started my own collection by stealing my parent’s albums and it took off from there. I have about 7,000 albums at the moment, down from a peak of about 8,500. I enjoy the hunt — scouring yard sales and thrift stores and finding new music or forgotten gems. And I enjoy building and tweaking my HiFi system.

The Analogue / Photo: Michael Tulipan

Who chooses the music that is playing at Analogue?

JW: Usually our management team will set the music that is played at the venue. We are always on the lookout for new bands in the area. A lot of the bands we discovered were from around the West Village area playing at venues or outside at Washington Square Park.

The walls of Analogue are also lined with music-related photographs. Were those from a personal collection?

JG: The photographer is Roberto Rabanne, who has shot some of music’s best. The prints in our space are all originals, and the collages of Ray Charles and Bill Evans are each one of a kind.

I know that Analogue has a private room. Is that only for private events?

JW: Yes, we host a lot of events in the back such as private parties, corporate events, cocktail classes and wedding receptions.

When not busy with Analogue, how do you like to spend your free time?

JW: Sleeping! I work full-time and help manage the bar, so in my little free time, I like to relax. But now we are looking to open our second location, so a lot of free time is spent working on the new location.

JG: I recently had my first child, a little boy we named Jack. So free time is in short supply at the moment. Between him, Analogue and scouting for the next location, there aren’t enough hours in the day. When I do find some down time, I like to play music, read, cook, and yes sleep.

Analogue / Photo: Michael Tulipan

Aside from Analogue, do you have a favorite bar or restaurant in New York?

JW: I am really into craft beers right now so I appreciate a good selection of beers and a nice atmosphere. I liked Cooper’s when I lived in Chelsea. I now live on the UWS and like Gebhards, a new craft beer place near my apartment.

JG: I like dive bars. When I’m at a cocktail or whiskey bar, I find myself too focused on the menu, the setup and the service. I relax when I can kick back with a beer and a whiskey and not worry about taking notes. Parkside Lounge on Houston and Lucy’s on Avenue A are two favorites. 

Finally, any last words for the kids?

JW: Don’t get caught up in all of the cocktail hype! We try to focus on making cocktails that taste great and put a lot of work into that. We don’t get caught up in all of the hoopla to try and get too clever or go over the top with our creations. A lot of our drinks are rooted in tradition, the foundation if you will. The goal is to just make quality drinks that the customers will enjoy and have a good time. At the end of the day it’s all about giving our customers the best possible experience.

JG: Amen to that!


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Culture Entertainment Music

Derek Oliver talks Rock Candy Records, New York City, London & more

rockcandy-logo2014
Derek Oliver began his A&R career with Atlantic Records in the late 1980s. He became Vice President of A&R at Atco Records shortly after and then Senior Vice President of A&R at Elektra Records. His next destination was Roadrunner Records’ A&R department. Notable artists that Derek signed and/or worked with include Pantera, Dream Theater, Mötley Crüe, Metallica, AC/DC, Bad Company, The Cult, and Better Than Ezra.

After leaving Roadrunner in 2007, Derek launched his own record label, Rock Candy Records. While most labels aim to discover new talent, Derek takes a different sort of path with Rock Candy, reissuing titles from other record companies that have since gone out of print. In turn, he has released hundreds of albums, including work from Sammy Hagar, Rick Springfield, Survivor, Quiet Riot, Damn Yankees, Ratt, The Babys, and REO Speedwagon. Upcoming releases include music from Mahogany Rush, Alannah Myles, Dokken, and Bad English.

Downtown caught up with Derek to learn about his music industry journey, which included plenty of years in New York. Rock Candy Records can be visited online at www.rockcandyrecords.com and followed via Facebook.

You worked in A&R at Atco Records, a New York-based label. Is there anything you miss about living and working in New York?

DO: All I miss are my friends and colleagues. New York and London share the same manic pace so the difference is minimal.

Do you have a favorite restaurant in New York?

DO: That would be Gramercy Tavern.

What about a favorite concert venue here?

DO: It would have to be MSG or the Beacon, of course.

Is there a signing from your Atco days that you are most proud of?

DO: All of them were very precious to me. Of the ones that hit big, I’d say Pantera and Dream Theater. Of the ones that got away, they would be the Mother Station and Jamie Kyle.

What led you to decide to move back to England? Did Rock Candy factor into that?

DO: I felt that I’d run out of track in New York City and there were mitigating circumstances personally that assisted the transition. Rock Candy was always in the back of my mind so yes, in all fairness it was a contributing factor.

What was the first album put out by Rock Candy?

DO: That would be Riot Narita — CANDY001. Oddly, nobody had reissued that record previously. It was a top seller for Rock Candy.

How many titles has Rock Candy put out at this point? Seems like there have been hundreds of releases…

DO: We’re up at about 325 with many more in the pipeline. 2017 will be a great year what with the U.S. expansion and some other projects in the pipeline.

As a reissue label, I’m assuming there’s criteria for what you put out to have had some success beyond being great music. Are there still a lot of titles left to reissue?

DO: If I live to be 150, I still won’t have enough years in me to reach the point where there is nothing left to reissue. There are so many great records in my collection that crashed and burnt and remain hidden from the masses. My mission in life is to shine a spotlight on every single one of them.

Rock Candy has released vinyl titles for the band Angel, but I’m not aware of Rock Candy putting out too many other vinyl releases. What is it about the band Angel that drew you to them?

DO: Angel were a unique band with a brilliant catalogue. They should have been massively-popular but they never broke through despite having everything in place, including an amazing look. Truly one of the greatest loses to mankind as far as I’m concerned.

Rock Candy started up a North American operation back in October. Does that mean that there’s an office in New York? Or you just have a distributor here?

DO: No office. I have consultants and the distributor RED handles all the nuts and bolts. Staying lean and mean is very much the way forward in this day and age.

What’s coming up for Rock Candy in the coming months? Any new releases or merchandise you can talk about?

DO: Well, we are scheduling releases from a number of class acts including Mahogany Rush, Warrant, 707, Creed, Valentine, D’Molls, Alannah Myles, Malice, Shaw Blades, Dokken, REX, Bad English, Bang Tango, King Kobra and a host of others.

When not busy with music, how do you like to spend your free time?

DO: I don’t have any free time. Rock Candy is my life. Building the brand is my main concern. I have no other interests.

Rock Candy aside, do you have a favorite new release of 2016?

DO: New music is pretty much a waste of space. The frontline business, as I knew it, is over — anyone can record in their bedroom and release the tracks online. The majesty and mystery of creating and unleashing new music has been drained to the point where anything that is good is hailed by internet trolls as the second coming. I have no interest in joining in with the great unwashed.

Frankly, I grew up listening to some of the greatest rock music of all time — Little Feat, Steely Dan, Kansas…even the hair-metal was incredible. Early Mötley Crüe, Dokken, Scorpions, Iron Maiden, Judas Priest. They were artists to celebrate. It was a time when great music rose to the top by virtue of originality rather than through digital marketing campaigns.

Finally, Derek, any last words for the kids?

DO: Make every day count and listen to every piece of pre-internet age music you can possible find.

Categories
Dining

A look at Chef Stephan Brezinsky’s delightful Chao Chao

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Chef Stephan Brezinsky

Nobody knows the neighborhood better than a native.

In pursuit of his lifelong passion for French and Vietnamese food, Stephan Brezinsky — who was born and raised in Alphabet City — has recently opened Chao Chao on Avenue A, which boasts cuisine geared at those whose palates are adventurous and bold.

“Taro Tots” are made with apioca and coconut flake battered taro, fried and tossed in wasabi tobiko and finger limes, and served with fish sauce aioli. Beef Cheeks are marinated in shrimp paste and slow cooked in a lemongrass coconut milk curry with egg noodles.
Cauliflower Three Ways
Cauliflower Three Ways
The Autumn Curry is a blend of seasonal vegetables stewed in a coconut milk yellow curry flavored with turmeric and pickled Vietnamese peppercorns. Cauliflower Three Ways is made with pickled, fried, and raw cauliflower, tossed with shredded granny smith apples, chardonnay vinaigrette, and fried garbanzo bean. If you order one thing, though, let it be the traditional Thịt Kho, updated with braised pork shoulder and belly, served in a caramel fish sauce, topped with a pickled soy egg and Asian long beans.
Squid Salad
Squid Salad

Ending the meal on a sweet note, we shared Taro Jasmine Ice Cream served with kaffir lime meringue, toasted milk and coconut crumble, and a pickled turmeric espuma.

The atmosphere is trendy but welcoming, its white-washed brick walls adorned with green plants and an actual record player spinning the sounds of everyone from Marvin Gaye to Pink Floyd. If you’re nice, they’ll even let you choose the record. Fun fact about the bathroom: the Beastie Boys are played on a loop as tribute to the group, who recorded their first album in the restaurant space in its former life as Rat Cage Records’ recording studio.

Chao Chao
Chao Chao

Halfway through dinner, Chef Brezinsky’s mother made an appearance, undoubtedly to oversee the creations that she inspired. Kimxuan Brezinsky — who grew up in Saigon when it was under French influence — lives in nearby Stuyvesant Town, started her son off cooking at age two.

His journey initially took him to Hollywood as a VFX artist, which he soon left to set up shop in a popular Los Angeles Farmer’s Market, where his authentic Bretagne Crêpes won the hearts of locals.

We’re glad he’s back in Alphabet City.

Chao Chao is located at 171 Avenue A between 10th and 11th Streets. Dinner is served Monday through Sunday 6:00 PM to 12:00 AM.

Categories
Culture Music

Third Man Records announces exclusives for Black Friday

This Black Friday, Third Man Records not only offers a Record Store Day Black Friday Exclusive from The Raconteurs, but also new standard vinyl releases by The White Stripes and Yusuf / Cat Stevens:

The Third Man online store will offer Get Behind Me Satan and the Yusuf / Cat Stevens 7″, as well as 30% off EVERYTHING — gift cards, vault subscriptions, new releases, and tickets excluded — beginning Black Friday and lasting through “Cyber Monday.” No coupon code necessary.

Both Third Man Records physical locations will also offer 30% off orders as well as the limited Black Friday “Steady As She Goes” 7″ while supplies last.

Categories
Culture Entertainment Music

Matt Berry To Release “The Small Hours” On Sept. 16, Talks Music, Comedy & Art With Downtown

Matt Berry
Matt Berry

When the average actor or comedian starts talking about their musical aspirations, it often seems like a vanity project. In the case of Matt Berry, not only is his music great, but it makes me wonder if he is a musician that moonlights as a comedic actor. Music and acting aren’t the only art forms that Matt excels at, however, as he has written for the stage and screen and is also a painter.

Matt Berry first came into international prominence after acting on the 2004 U.K. cult comedy Garth Marenghi’s Darkplace. This led to Matt appearing on other U.K. hits like The Mighty Boosh and The IT Crowd. Roles in the U.S. ultimately followed, including parts on Community, Aqua Teen Hunger Force, Portlandia and The SpongeBob Movie: Sponge Out Of Water. Most notably, Matt won a BAFTA award for Best Male Comedy Performance last year for Toast Of London, a series which he co-created.

As a musician, Matt has completed five studio albums, beyond music written for TV and theatrical projects. His newest work is The Small Hours, which will be released through the Acid Jazz label. A follow-up to 2014’s Music For Insomniacs, Hours is Matt’s first attempt at using a live band in the studio for one of his albums. His touring in support of Hours, with The Maypoles in tow, begins in October.

Downtown caught up with Matt Berry for some Q&A over e-mail. Beyond his official website, Matt’s musical career can be followed via the Twitter account @MattBerryMusic.

Matt Berry
Matt Berry

A lot of people first found out about you through your work as a comic and actor. Do you see yourself as a musician first and foremost?

Matt Berry: I try not to see myself as anything as that would be embarrassing. But if I had to label myself, I’d probably say I was an artist due to the fact that I enjoy working within the arts on different platforms, of which comedy is just one.

Your first studio album came out in the mid-1990s, and I believe it was more than a decade until your second solo album came out. Did you have hesitation about putting out music as Matt Berry — as opposed to co-writing a musical like AD/BC — because you had become known as an actor and comic?

MB: I never cared. It’s only ever been a problem for journalist and reviewers who need to compartmentalize you. Like I said, I’m interested in different art forms and see nothing odd about working on a song one day, and then writing a script the next. This whole issue and slight suspicion of someone doing more than one thing exists only in the head of the critic/journalist and certainly not in my head, nor the audience who know my work.

Have you ever performed live in New York City?

MB: Yes, I performed at the Secret Policeman’s Ball at Radio City Music Hall and loved every minute.

Do you have plans to perform live in New York anytime soon?

MB: I’d love to.

https://www.youtube.com/watch?v=yjBgvISkvEc

Aside from your new album, what’s coming up for you career-wise?

MB: I’m writing a film with Arthur Matthews, co-writer of Toast Of London, and I also have some ideas for a new set of paintings.

Is there an accomplishment related to your musical career that you’re most proud of?

MB: Playing the Royal Albert Hall probably, but nothing really beats that first moment when you hold your first vinyl record in your hands and see your name in brackets under your song title. From that moment, it feels real.

You were very early when it came to doing a podcast and hosting Internet radio. Are you tech-oriented in most facets of your life?

MB: Not really, it’s all about ideas. If I have an idea I’ll learn the technology needed to realize it. That could involve becoming a better engineer in the studio, or learning the basics of radio.

When you’re not busy with your career, how do you like to spend your free time?

MB: I’m bloody lucky so far to be having a career that is also what I would be doing in my spare time anyway, so I never feel like I’m having time off. When I’m not working I’ll spend time with loved ones.

Is there something that you wish more people knew about Matt Berry?

MB: There most definitely is not. I feel people probably know too much as it is.

Finally, Matt, any last words for the kids?

MB: I still believe that the best art — be it music, comedy, painting, etc. — is the art that hasn’t been asked for, or is expected.