Categories
Book Club Entertainment News

The Strand’s Struggle Against Landmark Labeling

For nearly 100 years, Strand has been the most beloved independent bookstore in NYC. Boasting “18 miles of books,” it has weathered economic shifts, the rise of e-books, and competition from Amazon. It has also hosted celebrity events and made cameos in several movies. Strand’s pedigree made it a cultural hot spot. Now, the city’s Landmark Preservation Commission wants to make it official by declaring the building, located at 826-828 Broadway, a city landmark.

There’s one problem — Strand doesn’t want to be landmarked. The bookstore claims this designation would provide big trouble in the long run. At worst, they believe this could destroy their longstanding business. Could a simple act of appointment spell doom for this downtown literary mecca?

Strand Fisheye Exterior

 

Future Perils For Strand

Strand’s biggest concern is that increased regulations and restrictions will limit flexibility and increase costs for maintenance or renovations. “While well-intended, landmarking the building would make it more difficult to update and repair the building–that includes things like a fire or flood,” says Strand’s Communications Director, Leigh Altshuler. The Strand also plans on reconfiguring the store and adding a coffee shop in the future. However, they fear the extra bureaucracy will be too slow and costly.

 

According to data provided by Strand, the number of bookstores in NYC has dropped 79.5% since 1950. The rise of online shopping and e-books created a harsh environment for bookstores. In fact, as of 2018 Strand is one of 79 bookstores left in NYC.

Meanwhile, Amazon’s existence is a major threat to Strand’s sales. The planned Amazon HQ in Astoria already spells trouble for local retailers. Unlike Amazon, Strand doesn’t ask for tax breaks or taxpayer funded subsidies. Instead, they simply want to operate as usual without extra oversight.

“…Strand knows this is a well-intended effort. However, this scenario, much like this business, is unique. There are certainly businesses that would benefit from this kind of status — just not Strand,” says Altshuler.

The Ongoing Debate

While Strand frets over this potential death sentence, the LPC urges them to see it differently. “The Landmarks Preservation Commission will continue to work with the owner of 826 Broadway and the Strand bookstore to address her concerns and ensure that this cultural institution endures,” says Zodet Negrón, Director of Communications at the LPC. “LPC successfully regulates thousands of commercial buildings across the city, and we are sympathetic and responsive to their needs.”

The choice to designate Strand is the result of a survey of the area south of Union Square. Aside from being home to the bookstore, the LPC has deemed 826 Broadway as culturally significant for ties to the garment district, labor movements, and women’s rights.

A public hearing was held on December 4th to debate the designation. Because no conclusion was reached, the LPC will hold a second public hearing at the request for more time. “We were lucky to be joined by Strand friends, staff and employees on December 4th,” says Altshuler. “Now it is just a waiting game.”

If you want to lend your voice to this debate, keep an eye out for the next meeting date to be announced!

 

 

Categories
Culture Entertainment Music

The Zombies’ Chris White on the band’s Mar. 25 show at Town Hall, book event at The Strand on Mar. 15 & upcoming musical

The Zombies
The Zombies

Formed 55 years ago in St. Albans, England, The Zombies first experienced worldwide success in 1964 with “She’s Not There,” only two years after forming. “Tell Her No” followed a few months later, also reaching the U.S. Top 10. Even though The Zombies continued to release and record solid pop-rock material, no major hit singles followed over the next few years, and The Zombies quietly disbanded in late 1967, prior to the release of 1968’s Odessey & Oracle. Even though The Zombies were broken up, Odessey track “Time Of The Season” mysteriously went to #1, ultimately becoming the group’s biggest hit.

Word of The Zombies’ greatness would spread like wildfire in the following decades. “Care Of Cell 44” has been covered by Elliott Smith, Matthew Sweet, and Of Montreal, being called one of the 200 Best Songs Of The 1960s by Pitchfork Media. “She’s Not There” was on the 500 Greatest Songs Of All Time list from Rolling Stone and has been covered by Santana, Vanilla Fudge, The Doves, Nick Cave and Crowded House, to name a few artists. “Tell Her No” has been covered by Juice Newton, Del Shannon and Tahiti 80. “Time Of The Season” was named 35th best song of the 1960s by NME and has not only been covered by The Guess Who, The Dave Matthews Band, America and Scott Weiland, but also sampled by Eminem, Melanie Fiona and ScHoolboy Q. And that’s without mentioning Zombies covers from Foo Fighters, OK Go, Tennis, Ronnie Spector, Yo La Tengo, or Dinosaur Jr. Or the successes that the members of The Zombies had with solo albums and other recording projects.

The first studio reunion album from The Zombies was 1991’s New World. The next one did not follow until 2004 with As Far As I Can See. Since that 2004 release, The Zombies has toured regularly with vocalist Colin Blunstone and keyboardist Rod Argent at the helm. Now joined by original bassist Chris White and drummer Hugh Grundy, The Zombies will be playing at Town Hall on Mar. 25. In addition, in celebration of the 50th anniversary of Odessey & Oracle, the band will be appearing at The Strand Bookstore on Mar. 15 in support of the book, The Odessey. March 2017 will also bring the release of Odessey in CD-digipak form for the first time, in addition to a greatest hits compilation on vinyl via Varѐse Sarabande.

Downtown spoke with Chris White about Odessey, the band’s history with New York and what he has coming up. More on The Zombies can be found at www.thezombiesmusic.com.

Where was the first gig you ever played in Manhattan? What do you remember about it?

Chris White: That was Murray The K’s Brooklyn Fox Christmas 1964 show! Our first taste of the U.S.A. It was a fantastic experience — meeting and working with great artists like Chuck Jackson, Ben E. King, The Drifters, The Shirelles, Dick & Dee Dee, The Shangri Las, Patti LaBelle & The Bluebells, The Vibrations, Dionne Warwick and The Nashville Teens. What a time that was, and at least 6 shows a day. The Bluebells introduced us to some great records.

When was it that you first realized that Odessey & Oracle was an influential album? Or at least that its initial lack of commercial success was not the album’s full narrative?

CW: That was when other artists kept referring to it and telling others that they should listen to it — about 15 years after its release. Paul Weller used to buy it for his friends and acquaintances. He told me in 2008 that it was the reason he started writing songs, and that from a man I really respect.

For you, is it troubling that so many people want to look back on work that you did close to 50 years ago? Or is nostalgia not a bother to you?

CW: Not troubling at all. For me it is still fresh and meaningful. And we get to play it 50 years after its conception.

After The Zombies disbanded, you remained active as a songwriter. But what did you do professionally right after The Zombies’ breakup?

CW: Rod and I wanted to keep making music, so we formed a production company and put together Rod’s next group, Argent. We decided to write together and we co-produced Colin’s first three solo albums. I produced for several other artists and did the first demos for Dire Straits.

Music by The Zombies has been covered by numerous major artists. Do you have a favorite Zombies cover?

CW: Not really. Songs are like a language and I love to hear how other artists interpret the songs. There are so many good versions.

Do you have a favorite Zombies song for you to perform live?

CW: Yes, after playing the album together for the first time in 2008, I grew to be completely enthralled by “Hung Up On A Dream.” Playing it made me see how good Rod’s song was.

Nowadays, the concept of the zombie seems to be more popular than ever. Are you a fan of any zombie-related books or movies these days?

CW: No, but I am working on a Zombies musical about the year we made Odessey & Oracle, and that does involve the legend of “zombies,” but also the legend of The Zombies and the circumstances around the making of the album.

You were undoubtedly one of the first bassists in rock to have interesting bass lines that were not just focused on the root note. Was there a bassist that particularly inspired this? Did you write a lot of songs on bass?

CW: My father. He played upright bass and taught me to play it as well. But he said that the bass has to root everything along with the drums. In a lot of Rod’s songs, he asked me to try and follow his left-hand keyboard lines, which I loved. You can’t write songs on a bass though, you need the chords. But it’s nice to find some great riffs on the bass.

https://www.youtube.com/watch?v=AsZb_MmYkJA

When not busy with music, how do you like to spend your free time?

CW: Music is a way of life — can’t do anything else.

Do you have a favorite restaurant in New York?

CW: Not recently! I haven’t been long enough in New York to eat so far.

Finally, Chris, any last words for the kids?

CW: Someone once said, “If you can find something that you enjoy doing, you’ll never do a day’s work in your life.” And just DO IT. Don’t be scared of asking for help or guidance — if you don’t ask, they can’t say YES! Never regret trying.

https://www.youtube.com/watch?v=ntW5J5ukn7A

Categories
Events

Trip.com’s TripPicks This Week: Monday, Jan. 16 – Monday, Jan 23

Trip.com is an innovative planning tool that tailors recommendations for places to stay, eat and play to your specific tastes. It also allows you to share your great experiences with people who have the same interests as you; people in your “tribes.”

Trip.com’s TripPicks This Week feature empowers you to discover and take advantage of great events, openings and exhibits throughout the city each week.

Here are some exciting events and sites to check out this week in Downtown New York, courtesy of Trip.com. Visit the Trip.com site or download the app for more upcoming events.

Photo: Celeste Lindell/Flickr
Photo: Celeste Lindell/Flickr
  1. Outsider Art

Metropolitan Pavilion (Chelsea)

Thursday, Jan. 19 – Sunday, Jan. 22 (check site for times)

Sometimes coloring outside the lines makes for great — and some would argue pure — art. The Outsider Art Fair brings together artists from across the world who share one defining quality: the guts to march to the beat of their own drum. Tickets start at $20.

 

Photo: Wade Simmons/Flickr
Photo: Wade Simmons/Flickr
  1. Scotch Walk

Check site for complete list of locations

Saturday, Jan. 21 from 12:00 PM to 10:00 PM

Nose, sip and savor six different scotches at six different downtown bars during NYC Scotch Walk. Whether you like yours neat, on the rocks, or with a splash of water, you’ll meet plenty of fellow scotch enthusiasts to share a drink with. $55.

Photo: Kenny Holston/Flickr
Photo: AK Rockefeller /Flickr

 

  1. TV and Society

Strand Bookstore (East Village)

Friday, Jan. 20 at 7:00 PM

We all indulge in a little binge watching, but is the entertainment industry’s fantasy world the source of our societal problems? The answer may surprise you. Think Olio presents, “Inside the Entertainment-Industrial Complex: How Guilty Pleasures Take the Edge Off Reality” with J. Ward Regan. You may want to cancel your Netflix subscription…$20.00, with complimentary drinks.

Photo: Fabio/Flickr
Photo: Fabio/Flickr
  1. NYC Vice and Murder Walking Tour

Corner of Chambers and Centre St. (Civic Center)

Sunday, Jan. 22 from 1:00 PM to 3:00 PM

Last Vegas may be sin city but the original sinner is New York. Join New York Local Tours as they take us through the streets of New York on a History of Vice and Murder Walking Tour. Explore the seedy past of Lower Manhattan and the legendary gangsters, “crooked cops” and “corrupt politicians” that shaped the city’s history and identity. Tickets are $25.

Photo: Kenny Holston/Flickr
Photo: Kenny Holston/Flickr
  1. Brunch-n-Burn

Ludlow Studios (Lower East Side)

Saturday, Jan. 21 from 11:00 AM to 3:00 PM

Trillfit’s annual Brunch-n- Burn event is a wellness party where participants sweat it out in two Trillfit classes (a“Beyonce-worthy” cardio dance class followed by a yoga class with a live hip-hop and R&B soundtrack by DJ Nick Bishop) then enjoy a complimentary spa treatment and close out with fancy brunch bites. Don’t forget the gift bag on your way out!  $50

 

Photo: Alpha/Flickr
Photo: Alpha/Flickr
  1. Hot Chocolate Festival

Ladurée Soho (SoHo) – Wednesday, Jan. 18 from 6:30 PM to 9:00 PM

Check site for participating stores: Saturday, Jan. 21 – Sunday, Feb. 5

The Valrhona Hot Chocolate Festival KickOff Cocktail party ($35) this Wednesday will preview “all of the festival’s inventive hot chocolates, along with savory bites.” After that, stop by FIKA NYC, Lafayette Grand Cafe & Bakery, La Maison du Chocolat, Mah-Ze-Dahr Bakery, BAKED, Almondine, Sugar and Plumm, Dominique Ansel Kitchen, Epicerie Boulud, The St. Regis New York and Patisserie Chanson to try out unique hot chocolate concoctions and help raise funds for Valrhona Clean Water Project.