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Analogue owners Jesse Wilson & Jared Gordon talk to Downtown

The Analogue / Photo: Michael Tulipan

Located in the West Village, Analogue is a cocktail bar that has received rave reviews from the Wall Street Journal, Gothamist and DNAinfo alike. While many Manhattan bars aim to have music playing loud so that its customers have no choice but to dance and pound drinks, Analogue takes a very different approach. Whether it has a jazz trio live or its vintage Hi-Fi setup playing, Analogue keeps the music at a reasonable volume, allowing you to engage in conversation with ease. Analogue also offers a great food menu and has a lot of artwork on the walls for its patrons to look at.

Downtown had the pleasure of talking with owners Jesse Wilson and Jared Gordon, who met as students at NYU. As noted within our Q&A, Analogue is currently in the midst of expanding, although the location of its second spot has not yet been revealed. More info on all things Analogue can be found at www.analoguenyc.com.

https://www.youtube.com/watch?v=GMMA-kd3JaA

You two met while studying at NYU. Where did the idea of opening a cocktail-centric bar come from?

Jesse Wilson: At first, the idea started when we would hang out at various bars around the Village and talk about how cool it would be to open a bar. After NYU, I moved back to San Francisco to work in finance and started to work on a business plan on the side. At that time I was also starting to notice a proliferation of cocktails and craft beers in the marketplace. I just couldn’t do it by myself due to work so kind of shelved the idea. When I moved back to New York City, Jared was ready to move on from finance himself and approached me with the idea of opening a bar. After a lot of discussion, we decided on the concept of doing a cocktail bar for a professional, grown-up crowd and Analogue was born.

Jared Gordon: We wanted to open a bar that featured the drinks we enjoy. That’s cocktails, whiskey and an occasional great beer. So that’s what we did. We pride ourselves on our cocktails and have put together an outstanding program, but we’re agnostic as to how we’re perceived or what the guest wants. As long as they’re enjoying themselves, it doesn’t matter to us whether they’re having our most complex cocktail, our rarest whiskey or just enjoying a glass of wine or a beer.

Did you have any restaurant or bar experience prior to opening Analogue?

JW: We didn’t have any experience really. Jared had a little bartending experience in the Upper East Side and had read a few books, but that was about it.  We figured with our strong business backgrounds we could run the business, but we also knew we needed to hire people we trusted with experience in the hospitality industry. 

JG: I’ll echo Jesse’s thoughts. I started tending bar to get a sense of the business, but I was pouring neat well vodkas at a few dives on the Upper East Side. Not quite the same level. We knew what we wanted and we knew how we wanted to treat our guests. The rest is putting a team in place to help execute that vision.

The Dorian Gray / Photo: Michael Tulipan

How would you describe Analogue to someone who hasn’t yet been there?

JW: I think the name “Analogue” fits the bar well. It’s a high-end cocktail lounge that is almost a throwback to Manhattan in the 1950s and 1960s. We do great cocktails and food and have a great atmosphere that promotes conversation amongst friends. It’s a throwback to a non-digital era, hence the name. I actually notice people come in and use their cell phones a lot less and just talk with each other. This was one of our goals when we were designing the bar.

JG: Jesse put it perfectly. It’s a comfortable bar in which to enjoy a great drink and a conversation.

Do you have a favorite drink on the menu? A favorite food item?

JW: My favorite drink is our signature called The Analogue. It was our first drink on the menu. It blends Havana Club Anejo Rum, Four Roses Bourbon, Domaine de Canton ginger liqueur, St. Elizabeth Allspice Dram, Velvet Falernum and bitters. When we opened, we wanted a bourbon-focused drink that was good for the colder fall weather in New York. When I tasted it I said to our bartender Nesha Korak, “Wow, if I could taste our bar that would be it! What should we call it?” And he responded, “Well that’s what it is then, call it Analogue.” And it’s been on our menu ever since day one.

JG: I’d say my favorite drink is whatever the team is working on at the moment. I enjoy the evolution of the individual bartenders and the program as a whole through time.

Jared Gordon & Jesse Wilson

Who is in charge of your cocktail menu? How does your team come up with cocktails?

JW: Zack Berger is our head bartender and facilitates the process for the team. The menu is a collective effort for all of our bartenders. They are always creating, and when we do a menu, they bring several of their best drinks to the table to try. We do a few rounds of internal tastings and then pick the winners. We then adjust the menu to put on the best cocktails and remove any drinks that are out of season or slow moving. It is a constant process.

JG: Yep!

Music is a big part of the theme of Analogue. What was your first concert?

JW: One of the first concerts I remember was U2 during the Joshua Tree tour back in 1987. My father took me when I was 13 years old. This was when U2 was at their peak and becoming a global phenomenon. The concert blew me away. I remember walking out of the Oakland Coliseum to the crowd and everyone was still singing “40” in unison. It’s cool to see them doing the 30 year anniversary tour now!

JG: My first concert was the Concert For Walden Woods, featuring Billy Joel, Don Henley and Sting. The seats were terrible but the music was amazing. Live music and music in general have played an important role in my life ever since.

Black Boulevardier / Photo: Michael Tulipan

What was the latest concert or music-related live event you attended?

JW: The last show I attended was The Cult here in New York. The Cult was another band I grew up listening to and they are still going strong! I like a lot of alternative, hip-hop, jazz, country, metal, pretty much any genre if it’s good.  

JG: I’ll echo Jesse’s sentiments. I love everything from old school East Coast hip hop to bluegrass, metal, and classical. The last shows I’ve seen were Iron Maiden (my second time), Dave Matthews Band (my 24th) and the Governors Ball, where De La Soul was the highlight. 

I understand that Analogue features live music a few days each week. Who are some of the artists that regularly play there?

JG: currently we have Nick West and the Westet on Tuesdays and Monika Oliveira on Wednesdays. Nick West is a funky bass-driven trio, and Monika has a beautiful, mellow bossanova sound.

When you don’t have musicians playing at Analogue, I know that you have music spinning. Have you always been so vinyl-centric?

JG: We spin vinyl on special occasions, and for that we have a fantastic vintage turntable and tube amplifier. We’re also starting an audio salon where we will feature some truly high end systems and some classic albums each month. Vinyl has played a role in my life since birth, when it was just called “music.” As I got older, I started my own collection by stealing my parent’s albums and it took off from there. I have about 7,000 albums at the moment, down from a peak of about 8,500. I enjoy the hunt — scouring yard sales and thrift stores and finding new music or forgotten gems. And I enjoy building and tweaking my HiFi system.

The Analogue / Photo: Michael Tulipan

Who chooses the music that is playing at Analogue?

JW: Usually our management team will set the music that is played at the venue. We are always on the lookout for new bands in the area. A lot of the bands we discovered were from around the West Village area playing at venues or outside at Washington Square Park.

The walls of Analogue are also lined with music-related photographs. Were those from a personal collection?

JG: The photographer is Roberto Rabanne, who has shot some of music’s best. The prints in our space are all originals, and the collages of Ray Charles and Bill Evans are each one of a kind.

I know that Analogue has a private room. Is that only for private events?

JW: Yes, we host a lot of events in the back such as private parties, corporate events, cocktail classes and wedding receptions.

When not busy with Analogue, how do you like to spend your free time?

JW: Sleeping! I work full-time and help manage the bar, so in my little free time, I like to relax. But now we are looking to open our second location, so a lot of free time is spent working on the new location.

JG: I recently had my first child, a little boy we named Jack. So free time is in short supply at the moment. Between him, Analogue and scouting for the next location, there aren’t enough hours in the day. When I do find some down time, I like to play music, read, cook, and yes sleep.

Analogue / Photo: Michael Tulipan

Aside from Analogue, do you have a favorite bar or restaurant in New York?

JW: I am really into craft beers right now so I appreciate a good selection of beers and a nice atmosphere. I liked Cooper’s when I lived in Chelsea. I now live on the UWS and like Gebhards, a new craft beer place near my apartment.

JG: I like dive bars. When I’m at a cocktail or whiskey bar, I find myself too focused on the menu, the setup and the service. I relax when I can kick back with a beer and a whiskey and not worry about taking notes. Parkside Lounge on Houston and Lucy’s on Avenue A are two favorites. 

Finally, any last words for the kids?

JW: Don’t get caught up in all of the cocktail hype! We try to focus on making cocktails that taste great and put a lot of work into that. We don’t get caught up in all of the hoopla to try and get too clever or go over the top with our creations. A lot of our drinks are rooted in tradition, the foundation if you will. The goal is to just make quality drinks that the customers will enjoy and have a good time. At the end of the day it’s all about giving our customers the best possible experience.

JG: Amen to that!


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Culture Entertainment Music

Matt Sorum on Kings Of Chaos’ Dec. 21 show at Irving Plaza, Guns N’ Roses & more

Matt Sorum
Matt Sorum

Matt Sorum holds the distinction of being the drummer in “one of the coolest rock bands out there” in three different decades. In the 1980s, Matt drummed for The Cult, which led him to joining Guns N’ Roses in the early 1990s. In the 2000s, Matt formed Velvet Revolver with Stone Temple Pilots frontman Scott Weiland, guitarist Dave Kushner and some of his GNR bandmates. And this does not factor in Matt’s work with Poe or Tori Amos, his touring with Alice Cooper and Johnny Depp in The Hollywood Vampires, his work with Motorhead, or his role as leader of Kings Of Chaos.

A true all-star rock band, Kings Of Chaos also features members of ZZ Top, Linkin Park, Slipknot, Cheap Trick, STP and Billy Idol’s band. While the touring lineup of Kings Of Chaos may change from tour to tour — its original run, which took place at soccer stadiums in South America, included Guns N’ Roses’ Duff McKagan and KISS’ Gene Simmons — the fact that KOC plays rock anthems is the constant. This month, KOC will hit the New York area for a trio of pre-Christmas gigs: Dec. 17 at Montclair’s Wellmont Theater, Dec. 18 at Long Island’s The Paramount, and Dec. 21 at Irving Plaza.

Downtown caught up with Matt Sorum by phone to not only talk about Kings Of Chaos, but also where his entrepreneurial spirit comes from. Matt can be followed on Twitter via @MattSorum and visited online at www.mattsorum.tv.

I had the chance to see you at Coney Island do the Hollywood Vampires show last summer. What’s the status of that band?

Matt Sorum: I’ve heard rumblings that some stuff is gonna happen. It’s really quite based on scheduling, you know? We’re waiting on Johnny Depp. I’m not sure what my scene will be until they call me, because they haven’t called me yet, so right now nothing’s on the book.

Some of the members of Kings Of Chaos are the same as Hollywood Vampires. Are any of the same songs performed by both bands?

MS: We started doing “Ace Of Spades” [by Motorhead] and I sing it…I did a month with Motorhead as drummer…So people get to hear that, that’s pretty interesting.

I read that you guys were hoping to put together some EPs that will include some original music, is that something that still might happen.

MS: Oh yeah, I’m definitely pushing it in the direction of having original music that we could play live…and put it on the radio. I definitely want to really invent this into a proper group that records its own material, but I’m kind of organically letting that happen…I’m the leader in the band. I put together all the touring, hotel, airfares and all that stuff…I’d love to record some music next year, get some stuff on the radio and play it out.

You’ve always been at the center of projects at least for the past 20 years, in terms of organizing, putting people together, and you mentioned that you do a lot of managerial work for Kings Of Chaos. Did you ever ponder working in the A&R world?

MS: (laughs) Yeah, I actually have my own record label now. I’m putting out an artist next year. People come up to me and give me CD’s all the time and ask me to listen to their music…I mean, when I hear a great song, I’m like, “That song, it could be a hit.” But then there’s like, “What’s  a hit?”…I have been doing some consulting for a couple of tech companies. My life is changing in a way that definitely, it’s more business-oriented. You know I still play music, but I have to put on that business cap, which is okay, I like it, it’s exciting…Then with Kings Of Chaos, I gotta get all these different musicians from Point A to Point B…It’s a lot of challenges theoretically, but when it all comes together, it’s great and everybody has a great time. So yeah, I like that kinda work. I could do that, yeah

When did you first become business-minded, I think most people just think of you as just a touring drummer up until probably Velvet Revolver happened.

MS: I gotta say it probably really kicked in around after Guns N’ Roses in ’96 when I left. I became more of a producer. I had a Top 40 single with an artist, Poe. I started producing music, I started doing music for films, so what happened was I actually diversified because I had to as a survival technique…In ’96, when the band broke up, I actually didn’t know where my career was headed. I was like, “Wow, I was just in the biggest band in the world, now I’m not. What’s going to happen next?” It was a weird time, so I started even thinking how was I going to get to a band again…It was really a survival thing like, “How am I going to make a living? How am I going to continue in music?”…That really kind of moved me up till when I got involved with Velvet Revolver. I really put on one of the leadership cap in that band, I was an equal partner.

I said this in my last interview. I said people ask me, “Why aren’t you in Guns N’ Roses?” I said, “Well, I wasn’t a partner in the group, I was a member of the group”…Partners own the name and they own the brand and the band. As a member you get paid separately, so I was a partner in Velvet Revolver and owned the company…I realized, “Well, I could help steer this vehicle,” when we made decisions we made them together, and sure I like the way that felt and we had success. We won a Grammy, we looked certain ways in the videos we had done, I was very involved in all of that, so I’m always a forward thinker. I like to think forward, I don’t like to go back, I like to move…I want to stay current, and obviously this band that I have is a mixture of classic heritage and a current band…It’s like being rejuvenated, it’s like a different feel, so that’s kind of my thing when it comes to music, business, the environment, fashion, everything, I’m always moving.

Does all the focus on Kings Of Chaos mean that there won’t be a follow-up to your last solo album Stratosphere anytime soon?

MS: No, I will do it. I have my own studio. It’s a kind of tough thing to do, it’s about writing a song and I started dabbling with songs. I put a lot of stuff in my iPhone and I’ve got to be careful not to lose it like Kirk Hammett (laughs), but I’ve got tons of ideas in there. Then what happens is I gotta sit down and figure out where am I going to go write the music, because last when I wrote Stratosphere, I took off for like two weeks by myself…I sat by myself and wrote songs and there was no one around. And then I went to the beach for about a week and I came out of that with an album, and I had all the words written and I really focused and…I went to the studio and produced it. I’ve got to take that time period again and to be alone and write the music.

There was a time and place for it but everything sounds great for you now. So in closing, Matt, any last words for the kids?

MS: Well hey, I just want them to come out and see our rock and roll show, because you’re going to dig it. It’s non-stop hits…It’s going to be a good time, great people on-stage and hope you come check it out. Go to www.kingsofchaosband.com, you can get tickets on there or go to Ticketmaster. Come rock with us, it’s a celebration. It’s right before Christmas, so what better way to go ho-ho-ho? It’s a Christmas present for your holiday season.