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Design Featured Lifestyle

Stickbulb Lights Up Long Island City Prior to Amazon’s Arrival

When it comes to serendipitous decisions, minimal lighting design brand, Stickbulb, is right on target. Earlier this fall, co-founders Russell Greenberg and Christopher Beardsley opened up their first gallery/showroom in Long Island City just steps away from MoMa’s PS1. The gallery, which forms part of 10,000-square-foot comprehensive design studio and production facility, opened a mere three months before e-commerce giant Amazon confirmed the waterfront neighborhood as one of its secondary headquarters.

Stickbulb lights

Long a creative hub for artists and designers alike, the brand is deeply engrained in the fabric of the industrially chic neighborhood. “Our roots run deep here,” says Greenberg,“because we carefully built Stickbulb around a network of local vendors.” 

founders of Stickbulb Lights

Co-founders Russell Greenberg and Christopher Beardsley.

The creative, yet in some cases neglected, laboratory that is Long Island City, beautifully intertwines with Stickbulb’s sustainably-minded ethos of creating cutting-edge lighting while preventing waste. The ideology of the brand—salvaging wood from fallen trees, dilapidated buildings, and old, abandoned water towers to build light—aptly extends into their current space. Stickbulb is housed in a former industrial factory that overlooks a metal scrapyard facing the Queensboro Bridge. When visitors enter, they are greeted by one of the brand’s most stunning examples of adaptive reuse.

Stickbulb Ambassador

Ambassador, the colossal yet fully functional illuminated archway seen above, was crafted from 300-year-old Redwood beams. The sculpture is so visually stunning it won NYCxDesign’s Best in Show in 2017. Set against the showroom/gallery’s raw space, the dichotomy exemplifies Long Island City to perfection—while also making a strong case for Stickulb’s scraps to splendor notion. Considering the changing dynamic of the neighborhood (luxury residential buildings and all) it’s quite uplifting to see brands that stick to their original intent. “We love our neighbors” says Greenberg. “There is a sense of ‘being at the right place, at the right time’ in LIC. We are dedicated to being active, engaged, and responsible members of the community.”

Stickbulb’s gallery/showroom

Just how much the neighborhood changes with the arrival of Amazon remains to be seen, but at Stickbulb, it’s comforting to know the creative culture will remain the same.

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Culture Entertainment Featured Miami

Breaking In with NYC’s Breakout Artist Michelle Fazaeli

Born and raised in Milwaukee Wisconsin, artist Michelle Fazaeli is breaking into the art scene here in the Big Apple, bringing along with her the inspiration and raw talent that made her a success in Ft. Lauderdale’s art community. We caught up with her for an inside look at her art and her transition to the NYC.

How did you get into art?

I never was the smartest kid in class but probably the most creative. I excelled in art classes all my life but never really pursued it. I always dreamed of being an Interior Designer and worked for a general contractor who saw I had talent. He pushed me to do something with that talent so I enrolled myself into the Art Institute of Fort Lauderdale where I studied residential design. That education gave me the opportunity to find a better career and I started my own interior design studio where I freelanced design projects of all kinds for over the last 18 years.

From a background as an interior design consultant, how did you make the jump to creating art?

I met my husband in 1999, married in 2002. We were both successful in our fields but when 2008 came we lost our jobs like most people I know. That was a terrible time. We tried to stay afloat for nearly two years with our savings but just couldn’t do it anymore. We nearly divorced over the financial stress. My husband came home one day and said he had an opportunity and that he was going to leave in the morning. I was excited until he told me the opportunity was in Cancun, Mexico! To make a long story short, he left for Cancun and I stayed behind. He flew me there to visit about two months later once he had established himself a bit. I missed him terribly and before I knew it I was back home packing up everything we owned into a container and headed to Cancun.

It was quite the change. We had everything and I didn’t have to work. The only job I had was to work on my tan which got old real quick. I met a Dermatologist shortly after as I was trying to get a tattoo removal. We became best friends and within a few months, I found myself the owner of Medical Spa in Cancun! My husband fronted us all the money and let me loose. Crazy I know. I had no idea what I was doing but I knew how to make something beautiful and how to make money. I found an old abandoned house and my husband thought I had lost it. He didn’t understand why we couldn’t just lease a regular old office space in a medical building like every other medical office. It’s because my vision was bigger.

I didn’t speak the language but somehow managed to pull it off. I designed everything from the actual space to all the literature and even branded our own product line. I was so proud of that accomplishment. About a year after we opened the doctor and I had a falling out. The entire situation was a nightmare and I told my husband I just wanted to go home. He reminded me that I owned a business and said if I can sell it we’ll go back. I must have had an angel watching over me because I sold it a week later!

We moved back to Miami and started fresh. Christmas was around the corner and my husbands family were coming to visit. We were trying to be conservative with the money we had as we were both trying to start up new businesses again. My husband asked me to make his sister something. At first, I was like what? I felt like a child about to do a craft project for a family member. That night we went for a walk on Lincoln Road and I was inspired by something I saw. I went to the art store and bought a couple of pastels and a newspaper. I used the comic section and my first piece of art is framed in my home studio (it’s terrible but funny) and my second piece of art is hanging in his sisters home in NC. Crazy.

I then started getting calls asking if I could draw my friends’ pets. I was doing it for free because it took my mind off of stressful things – then I smartened up real quick. I sold my first piece for $100.00. I started working again in the design industry and soon after I reluctantly participated in an art show where Designers could showcase their own art. I didn’t think my art was good enough and I was embarrassed but I was also curious. That night I was approached by an Interior Designer who loved my work. She said it made her smile and asked if I did commissioned work. I didn’t even know what “commissioned” meant. My husband kind of kicked me under the table and answered “sure she does” as I sat there. That Designer commissioned me for my very first piece of art for a client of hers who was a top executive for Coca-Cola! That changed my life and I haven’t looked back.

NYC Art Make Love Not War Jacket

When did you realize you could turn art into your profession?

After selling my first commissioned piece of art I started promoting myself on social media and participating in other local art shows & events that supported new artists.

Where do you find your inspiration?

I find inspiration in many things. Sayings and quotes, political issues and I absolutely love street art and graffiti.

When I said “I must have had an angel watching over me” when I wanted to leave Cancun, I meant that. Most of my pieces are of angels…my version of an angel which isn’t always innocent. I even tattooed wings on my back. I also love exaggerated things…the curves of a woman’s body for example. I find inspiration through life experiences both good and bad especially love.

Several years ago I had a surgery that left me scarred. It’s always been a big insecurity for me and sometimes I create pieces based on how I’m feeling about life or my body. I didn’t realize how many women I would touch by doing pieces based on my struggles and feelings. So many of us share the same issues. I guess creating art out of insecurities helps me deal with it and to find beauty in imperfections.

NYC Art Horse Painting on Newspaper

How would you describe your art?

Whimsical and edgy for the most part but some pieces are pretty deep depending on the message.

What do you think about the NYC art scene compared to the Miami art scene?

I had my own studio in a tiny little arts district in Ft. Lauderdale called Fat Village. I loved it. It was an amazing feeling to be open to the public for art walks and have strangers just walk in and buy your work. I sold a ton of prints and got noticed through local news and magazine publications. NYC is tough. The galleries here don’t give you the time of day and seem to only show European Artists. That I don’t understand when there are SO many talented artists here.

I work mostly by word of mouth and referrals anyway but I will continue to pursue my NYC dream of having a solo art exhibit in a local gallery. Who knows, maybe one day I’ll have my own gallery.

What do you think your style of art can bring to the NYC art scene?

My art is perfect for NYC. It’s edgy, colorful and definitely a conversation piece. I’ve been blessed to work with several interior designers in the city who love my work for their personal projects. Not only is my art perfect for residential projects but even more so for public spaces such as restaurants and hotels.

Learn more about Michelle and her past and current projects at Mishuart.com.

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Culture Entertainment Events Uncategorized

Street Art Gallery Graces 69th Floor of 4 World Trade Ahead of Spotify Move-In

Bradley Theodore, Coming To America

A project nearly a year in the making, 4 World Trade’s street-art inspired gallery on the building’s 69th floor is finally finished. The exhibit will feature the work of over 50 artists from New York, and around the world, in a variety of mediums.

Stickymonger, Cosmic Tower

ART4WTC is a dramatic and shift in style for the Silverstein Properties artist residency program, which they have used to decorate their unleased spaces for around the past 15 years. The idea for the art project was born when Silverstein Properties Chief Marketing Officer, Dara McQuillan, viewed a display of similar work at World Trade Gallery, and offered curator Doug Smith the opportunity to turn the 69th floor into a giant canvas.

Layer Cake + Belowkey, Joe LaPadula, Jenna Krypel, Beautiful Cleanup

Smith jumped at the chance, and since June 2016, the space’s barren cement interior has been transformed into a kaleidoscope of color propelled by each artist’s enthusiasm for their craft. The project not only seeks to revitalize the Lower Manhattan art scene and elevate street art from its humble beginnings, but also celebrate the Financial District’s progress since 9/11.

WhIsBe, Vandal Gummy Blue & Red

Some of the artists featured in the gallery include Bradley Theodore, Layer Cake, Rubin451, Logan Hicks, Stickymonger, Sonni, Cern, Hugo Bastidas, Lauren Ys, L.E.G., Itaewon and Ron English, and WhIsBe. His piece, Vandal Gummy Blue & Red, is a playful nod at street art’s past life as acts of vandalism, while Ron English’s piece, No Brain No Pain, is a powerful punch of reality and color.

Ron English “No Brain No Pain”

Fans of Hamilton can even find quotes from the hit musical in the very fabric of David Hollier’s $10 Bill, which faces the direction of the Trinity Church cemetery where the Founding Father himself is buried. Fortunately, Spotify — who will eventually occupy the space — plans to keep as many of the pieces as they can. Downtown recommends art fans of all ages check out the 3D tour available online to see the work of those keeping New York creative and colorful.

David Hollier, “$10 Bill”

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Culture Entertainment

Oy or Yo? New Sculpture at Brooklyn Bridge

Both interjections Oy and Yo make up the yellow sculpture by artist Deborah Kass. The sculpture was put up in Brooklyn Bridge Park last Monday and reads two ways; if you’re looking at it from Manhattan, it says “YO,” while if you look at it from Brooklyn, it says “OY.”

Commissioned by Brooklyn developer Two Trees Management Company, the sculpture will run through August next year. The sculpture plays on the idea of both Brooklyn and Manhattan slang, in which “YO” can be viewed as “I am” in Spanish and “OY” can be seen as a reference to the Yiddish expression.

Kass’s work borrows and revamps the art styles of 20th century male icons and gives them a feminist twist–artists she borrows from include Andy Warhol, Robert Indiana and Frank Stella among others.

To see her work, click here. For information on her upcoming gallery exhibition, click here.

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Culture Entertainment

Jeff Koons, ‘Split Rocker’ Sculpture at Rockefeller Center

KOONS 2000.Split-Rocker (Rockefeller Center) D web

JEFF KOONS. Split-Rocker, 2000. Stainless steel, soil, geotextile fabric, internal irrigation system, and live flowering plants. 446 7/8 x 483 1/8 x 427 5/8 inches. Edition of 1 plus 1 AP. Credit: (c) Jeff Koons. Courtesy Gagosian Gallery. Photography by Tom Powel Imaging.

American artist, visionary, and pioneer Jeff Koons will have his retrospective show displayed at the Whitney Museum of Art this month, starting June 27th. Koons will be the first to occupy nearly the entire space of the Whitney’s Marcel Breuer building. This art-takeover will highlight the relocation of the historic museum to a larger space in the Meatpacking District at the end of 2014.

Prior to the opening of this exhibit, on June 25th, a reveal of one of his most exclusive sculptures will take place at 30 Rock Plaza, where the Christmas tree stands each year.

In addition to being honored as the Whitney’s final act, Koons will be installing his iconic 37-foot-tall, toy-like sculpture, “Split-Rocker,” at Rockefeller Center, two days before his exhibition’s debut on June 27th. The monumental figure, weighing a whopping 150 tons, is made up of two halves. One half was inspired by a toy pony, while the other was influenced by a dinosaur figure; both of which were created by Koons’ son. These two halves form a ginormous rocker blanketed with multi-colored, fresh flowers.

The Whitney Museum has been serving the culturally hungry in its uptown home for 48 grand years, so make sure you drop by to feed your eyes with Koons’ lifelong collection before the museum relocates. And definitely don’t forget to pay your respects to the “Split-Rocker” at the heart of midtown this summer.

– Mariah Brown