Categories
Events Featured

Jonas Brothers and Ryan Tedder Discuss Collaboration at June 13th TimeTalks

Excitement is in the air with the return of the hit pop group the Jonas Brothers alongside OneRepublic’s Ryan Tedder.

On June 13th, The New York Times live conversation and performance series will be hosting a conversation between multi-platinum selling band the Jonas Brothers and Ryan Tedder, the Grammy award-winning singer, producer and songwriter.

Tedder wrote the hit song “Sucker” with Nick, Joe, and Kevin Jonas. It was the group’s first song together as the Jonas Brothers in six years. Together the group will discuss their chance meeting, creative collaboration, and musical development over the last decade, in addition to the Jonas Brothers’ exciting reunion.

This TimesTalks event will take place on June 13th at BMCC Tribeca Performing Arts Center and will be live streamed on TimesTalks.com and the TimesTalks YouTube channel starting at 8PM EST. Select media passes are available. Tickets are available at this link. This is a conversation that you will not want to miss!

Categories
Uncategorized

Andy Warhol at the Whitney: Why it Matters

If you haven’t seen Andy Warhol at the Whitney Museum yet, make sure you get there before it ends on March 31. You have plenty of time, so no excuses. Andy Warhol–From A to B and Back Again includes over 350 works, and yes, the soup cans are present and accounted for. It is, according to the museum, the “first major reassessment of his work in thirty years.”

Andy Warhol at the Whitney
Andy Warhol at the Whitney

I think it’s safe to assume that most people in the world are familiar with Andy’s work. I mean, you’d really have to be living under a rock not to be. Soup cans and coke bottles and portraits of Liz, Marilyn, Liza–icons all, captured by an icon. These images are some of the most recognizable in pop culture. Of course, just because they are universally known, does not mean they are universally loved. I know many people who don’t LOVE Andy Warhol. And, I know some people who actively dislike Andy Warhol. “I mean, it’s just a bunch of Brillo boxes,” was a thing I heard at the exhibit (standing in front of the Brillo boxes). To each his own, especially when it comes to art. Full disclosure: I love the guy. He’s a disruptor. A troublemaker. I love troublemakers.

Andy Warhol at the Whitney
Portraits by Andy Warhol at the Whitney

I’m not going to give you a screed on Warhol’s contribution to art and culture. Like the saying goes, I’m no art critic but I know what I like. But whether you love him or hate him, this exhibit is worth seeing. Why? Well for one thing, it’s rare to see this volume of work in one place, spanning so much time. The scale of the exhibit is staggering. It includes everything from his earliest commercial work, Interview magazine, film and television projects, early silk screen experiments, private sketches, and ephemera, to collaborative work with Jean-Michel Basquiat, and a huge collection of commissioned portraits. It’s exhausting to view, just imagine what it must have been like inside his head.

Andy Warhol at the Whitney
Mao Tse Tung, Andy Warhol

If you think you know Warhol, seeing the work all together like this will give you a new appreciation. If you dislike Warhol, you may find yourself inspired by the sheer voluminous output. And if you are one of those people who thinks that all he did was reproduce soup can labels, you may find yourself reevaluating your opinion. Photographs of the silkscreened flowers or the gigantic Mao Tse Tung don’t show you how “painterly” these works are. Getting up close to the lovely and delicate shoe portraits is a rare treat. (I COVET the Diana Vreeland shoe drawing.) The line drawings, some never before seen by the public, are touching and intimate.

Andy Warhol at the Whitney
Diana Vreeland’s shoe, Andy Warhol

It’s true, no matter how you feel about him, that Andy Warhol had a huge impact on art, celebrity, society, music, print media–the list goes on and on. And for that reason alone, the exhibit is a must. But it is the personal moments that most resonate–a simple self-portrait, the portrait of his mother, Julia Warhola, the Time Capsule, the special projects and collaborations that give you a small window into the artist’s interior life. Those are the moments most valuable to me. Go. Meet the artist. He’s an interesting fellow.

But those soup cans, though.

Look for my weekly blogpost, THOUGHT PATTERNS, here, and follow me on Instagram @debmartinnyc 

 

 

Categories
Culture Entertainment Living

Valerie Carmet On Art and Inspiration

Valerie Carmet designs beautiful, complex and joyful public and private spaces. Her art pieces are one of a kind, and by combining ancient and cutting edge techniques, Carmet manages to give new life to discarded materials that provoke conversation and engage the senses.

With a degree in International Policy, French-born Valerie Carmet first came to the States to work in fashion. But after 10 years in the fashion industry, she had the opportunity to follow her first love—art. And since then, she has bestowed beauty and depth upon Downtown with her pieces.

“As a child I always wanted to be an artist, but my parents were afraid I would not be able to support myself so they insisted I study business,” Carmet told Downtown.

After she graduated from college, she was offered a job in NYC to work in fashion for a French company.

“My studies brought me the good fortune of coming to the States and experience a very different way of living,” she explained.

And it’s these experiences, she uses when she creates art. She’s able to combine the traditions of European culture with those she has adopted from her new home, New York City. It adds a unique complexity to her work.

Her background shows the same combination of American and European tradition. She studied art, painting and sculpting in a number of New York schools and mosaics in Italian studios. For 3 years, she worked at the Anandamali Studio in NYC as a full-time artist.

Art and Inspiration

Carmet finds inspiration in a number of things. It always depends on the piece, however.

“I find inspiration in everyday objects, sceneries, and even situations. I see beauty in what others might dismiss and, through re-purposing, I create a new artistic life for them,” Carmet said.

“When I am working on my Mosaic/Picocassette pieces, I let the design of the antique plates dictate my inspiration. I then create a very contemporary and modern esthetic, thereby bestowing the dishes with a new life,” she said.

When working on Pop Art 3D pieces, it’s the same approach.

“I am stimulated by the beauty, color and aesthetics of discarded toys. I merely look at them and ideas pop into my head,” the artist explained.

And then of course, her inspiration has to do with her surroundings. Here Downtown plays a special part.

“Downtown New York City is my neighborhood, my home since I have been in the States. My friends live Downtown and my kids went to school here. Everything about Downtown inspires me,” Carmet said.Memorable moment

Over the years, Carmet has worked on a myriad of large-scale projects and big-name clients. These include Pfizer, NYU Hospital, Ritz-Carlton, Rockefeller Center, to name a few, as well as Manhattan Youth-Downtown Community Center in TriBeCa, which she names on her biggest and most memorable pieces.

“It was very emotional for me as I was a resident of TriBeCa for 17 years when September 11 happened. It was important for me to be part of the reconstruction of TriBeCa and to be able to create a public piece that demonstrated the support of an entire community coming together to rebuild,” she explained.

Currently, Carmet is working on some new ToyBox pieces for the Hamptons art fair this summer as well as a few projects, the one pictured above is a work-in-progress for Chanel. Some of her ToyBox pieces can be seen on display at Red Market Salon. Carmet also has a pop up show this month at Caillebotteri–a gallery Upper East Side and one at Martial Vivot hair salon for Father’s Day in mid-June.