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Art Culture Events Featured Music

Morrison Hotel Gallery Launches Artist Instagram Live Series

Get ready! Sunday, March 22nd marks the day for for the new Morrison Hotel Gallery’s Instagram Live series, which will stream directly from the homes and studios of some of the music industry’s most influential personalities. It is a special treat to learn the process of these artists in such an intimate setting. Mick Rock has already made an appearance, and tomorrow iconic photographer Danny Clinch will be live streaming from his home in NJ, beginning at 5 PM EST.
From the Morrison Hotel Gallery:
Offering fans unprecedented access inside the daily lives and legendary archives of the music industry’s most captivating personalities, Morrison Hotel Gallery’s Behind The Lens format expands its reach with the unveiling of a new Instagram Live/IGTV video series. Streaming directly from a featured photographer’s home or studio, each episode merges elements of storytelling, conversational Q&A and the cultivation of a global music culture in accordance with the evolving brand identity of Morrison Hotel Gallery, the international leader in fine art music photography.

Danny Clinch has established himself as one of the premier music photographers in the music world and spanning every genre, having shot and filmed everyone “from Johnny Cash to Tupac Shakur, from Bjork to Bruce Springsteen.”

Bruce Springsteen photographed by Danny Clinch

Starting his career as an intern for Annie Leibovitz, Clinch’s work has appeared on hundreds of album covers and in publications like Vanity Fair, Spin, Rolling Stone, GQ, Esquire, and more. His music videos have garnered three Grammy nominations, having directed for artists like Willie Nelson, Tom Waits, Pearl Jam, Foo Fighters and Dave Matthews.

The Morrison Hotel Gallery originated in SoHo seventeen years ago, boasting a 1400 square foot photo gallery devoted to music. Exhibitions of fine art photography span the iconic to the esoteric, featuring guests such as Paul McCartney, Patti Smith, and Tony Bennett. Now they bring the space to your devices by offering fans unprecedented access inside the daily lives and archives of some of the music industry’s most captivating personalities, the Morrison Hotel Gallery’s Behind The Lens conglomerate expands its reach with the unveiling of a new Instagram Live series.

Follow the Morrison Hotel Gallery on their Instagram feed at @morrisonhotelgallery.
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Featured

Heavy Leather NYC Is The Right Fit For City Photography

It can be tough to navigate the city with a camera bag. They can be awkwardly clumsy, bulky, and vulnerable to bumps, scratches and sticky fingers.

Heavy Leather NYC’s Lookout camera bag addresses these concerns beautifully. Constructed of high-end cowhide leathers and microsuede, and built by American leather artisans, it is a perfect investment for DSLRs, rangefinders, and lenses.

Heavy Leather NYC is a “one-woman show,” that woman being Rachael Becker, who has built her brand from the ground up, having sold leather goods to Prince, Black Sabbath, Motörhead’s Lemmy Kilmister, and Justin Timberlake.  She keeps the production footprint as minimal as possible, with little waste and little travel.

Most of Heavy Leather NYC’s products are made in-house. The larger production is made by a small family-run factory down the street from the studio. “It’s a father, mother, son, grandfather and 2 dog team,” says Heavy Leather NYC’s website.

You can be sure that each bag is unique and created with love, care and skilled craftsmanship.

The Lookout bag is weather-resistant, generously padded and features a divider for lens and gear. Its universal design accommodates all cameras, including a DSLR with one lens, or mirrorless cameras with 2 lenses. It also serves well as a holder for other accessories, with two large pockets on the sides and an interior pocket under the flap for various sundries.

The front flap secures with a double nub closure, and the leather interior side flaps secure with a snap for extra protection. An adjustable nylon webbing shoulder strap, removable by two heavy-duty swivel hook clips, is included – it comfortably fits cross-body.

Our model Katie, an actress and visual artist in Astoria, took the bag out for a test spin in Astoria Park with a Canon 5D on a gorgeous early spring day.

“I like this bag a lot,” she said. “They did a great job designing it for working photographers. It’s really secure, it’s not cumbersome in any way. It’s comfortable to wear.”

The nubs securing the front strap are quite snug, so unbuckling the bag quickly can be a challenge. There are no reinforcements around the strapholes, which could potentially be troublesome if the leather isn’t cared for properly (leading to cracks or tears), but otherwise the front strap is quite secure.

This is a camera bag best suited for planned work and transport, not off-the-fly street photography that requires a quick grab. But its design and protection are well thought out and executed, as is its attention to detail. One feels perfectly comfortable walking around city streets wearing it. The leather is high quality and buttery smooth. The top door is solid and secures well. The bag’s sleek triangle design is chic and timeless – and it comes in black and brown. It’s a good choice for pragmatists and the style-conscious alike.

 

The depth of the bag makes up for the usual standard: Katie’s DSLR and a 80-200mm easily fit inside; there wasn’t room to store many other lenses, besides a spare nifty fifty or 35mm, or one telephoto. But as far as protection goes, it’s absolutely stellar, feels rock n’ roll, and the included strap is comfortable.

Heavy Leather NYC’s leather camera strap, embossed with the company’s logo, was also tested during this excursion. It fit easily on Katie’s 5D, and felt secure and comfortable as well as stylish.

Photo: Alice Teeple

All in all, the $200 for the bag is absolutely worth every penny and is an investment in local artisan production.

The leather strap runs $65, and it too will last with proper care. Heavy Leather NYC’s products will long outlive your gear, and will weather gorgeously for the next generation of shutterbugs. Highly recommended.

Here are the bag’s dimensions:

  • Exterior leather: 2/3 oz top-grain cowhide
  • Interior lining: Microsuede
  • Top of bag: 9.5″ width x 6.5″ depth
  • Bottom of bag: 6″ width x 5 depth
  • 8.5″ height
  • Side pocket: 6.75″ height x 5.5″ width
  • Flap interior pocket: 5″ height x 7″ width
  • 2 lb

GRADE: A

Model: Katie Marie Frank 

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Categories
Culture Entertainment Music

Legendary photographer Bob Gruen talks downtown living

Bob Gruen
Bob Gruen

Bob Gruen is not only one of the most famous rock photographers, but one of its most prolific as well. If you’ve seen a photo of John Lennon wearing a “New York City” t-shirt, Bob took it. If you’ve seen a photo of Led Zeppelin standing in front of an airplane with their logo on it, Bob took that one, too. He has captured countless iconic images over the past five decades that we’ve grown accustomed to seeing on posters, shirts and the pages of books.

As a 50-year resident, Bob Gruen’s name is practically synonymous with downtown New York. Thanks to Carol Klenfner’s connection, I had the opportunity to conduct a Q&A with Gruen about his past, present and future, garnering a rare look at the man behind the lens. His work ethic is to be admired, and his “last words” are inspiring to all, not just to photographers. Much of Gruen’s classic work has recently been reissued, but there is a permanent display at Edition Hotel at 5 Madison Ave. [Editor Note: This article originally appeared in the Spring 2016 issue of Downtown Magazine.]

What was your first paying gig as a photographer?

Bob Gruen: I lived with a rock band [Glitterhouse] in the ’60s, and when they got a deal at Atlantic Records, they used my photos for their publicity. Atlantic then hired me to shoot Tommy James and the Shondells, when they were opening at a presidential rally for Hubert Humphrey.

 What is it that you like most about living downtown?

BG: There is less traffic, and it’s quieter, because most of the streets are shorter and smaller than uptown, and the buildings are lower, so there’s more sky. But we’re close to everything going on in the city.

When did you first move downtown?

BG: I moved to Sullivan Street in June 1965, and I thought the Feast Of St. Anthony was a great welcome. I’ve lived in the West Village since 1970.

What is it that keeps you living in Manhattan, as opposed to moving to L.A.?

BG: I’m not moving to L.A., because I’d only last a few days there! The sun is nice, but it’s way too spread out, and there is so much traffic, it takes hours to get anywhere, and when you meet someone in L.A., they say, “How are you doing?” In New York they say, “What are you doing?” I like to be doing things.

https://www.youtube.com/watch?v=CUM9pTkw1-E

Is your neighborhood on the verge of becoming another SoHo?

BG: I think the West Village is becoming another SoHo with high-priced shops and luxury condos, but I’m not ready to move. 

Do you have a favorite venue in Manhattan for photo shoots? Or at least a favorite for concerts?

BG: I don’t really have favorite venues where I take photos, but I always like to see shows at the Beacon [Theatre], because it’s such a beautiful theater, and the sound is good. Past favorites were Max’s [Kansas City], The Bottom Line, CBGB’s and Don Hill’s, all now gone. But now, I think, for a club, I like Bowery Electric.

To you, is music good these days? Or are the best days of pop and rock behind us?

BG: I usually think the best day is today. You can’t go back, and I find good music all over town.

In October, your book on John Lennon was re-released. How does it compare to the original release?

BG: The new edition of John Lennon: The New York Years has a new cover and 16 new pages with 24 photos not published before.

Do you feel that there are any misconceptions about John? Or is there something you wish more people knew about him?

BG: John was very open about his life; I don’t think there are misconceptions. If people really want to know about John Lennon, they should read the last two interviews he gave — the BBC interview by Andy Peebles and the Playboy interview by David Sheff — both available as books. John expressed himself very clearly and had learned a lot from his five years of raising Sean [Lennon].

Do you have any exhibits in the works? Or any other books?

BG: There is a new permanent installation of 45 of my photos in the Billiard Room [in the Clocktower Restaurant] at the new Edition Hotel on 24th Street. This year, I released a new book of photos of Yoko Ono, See Hear Yoko, and there was a reissue of…The Clash. Photographs by Bob Gruen….My large 500-photo monograph, Rock Seen, is now in its 4th printing. I’m currently working on an autobiography.

Is there anyone you haven’t yet photographed but still hope to?

BG: I’ve met many very interesting people, and I can’t say there is anyone special I can think of I’d like to photograph. But I go out all the time, and I’m always happy to meet new people.

If a person were thinking of getting into photography as a proper hobby, is there a particular camera you’d recommend to start with?

BG: The camera doesn’t matter as long as you’re comfortable with it; they all do mostly the same things. It’s what you do with it that matters.

Is there a photograph or a particular shoot that you’re most proud of? Or see as your biggest accomplishment?

BG: I don’t like to list “favorites,” but certainly my photo of Tina Turner. Catching multiple images in one shot is a good one, and the world’s favorites — my John Lennon in the New York t-shirt or Led Zeppelin in front of the airplane — are pretty good, too.

When you’re not busy with your career, how do you like to spend your free time?

BG: I’m busy with my career most of the time, but I like to travel and visit with my family and grandchildren now.

Finally, Bob, any last words for the kids?

BG: I always tell people that if you take a lot of pictures, you’re bound to get a good one, and if you only show the good ones, people will think you’re good. Other than that, learn from the past, look to the future, but live in the present.

Categories
Book Club Culture Featured Living

Bon Jovi: Work

Zurich, CH • July 14, 2011

In 2009, Bon Jovi first noticed David Bergman’s work in a GigaPan, multi-shot panoramic image of President Obama’s first inauguration.

Bergman, who has photographed six U.S. Presidents, the Olympic Games, the Super Bowl, the NBA finals and many more major international events, was invited to join Bon Jovi on their official tour to document the band on stage, the audience and their life on road. The tour took place in over 30 countries and six continents.

With images described as “a work of art” by the singer, Bergman published a book that is the perfect collection of color and B&W photographs that invite all Bon Jovi fans to be a part of the tour and feel the energy in the moment of the photographs.

“Concert photos are so commonplace on the internet that the images have lost some power over the years,” he explains. “I strive to make memorable photographs that fans want to hold in their hands and hang on their walls.”

The book captures what it’s like to travel with the band and invites you to be a part of it. Weighing in at nearly five pounds, this 210-page, hardcover book is perfect to add some rock’n’roll to your coffee table.

You can purchase the book online for only $59.99. Check out some of the beautiful pictures that can be found inside one of the best gifts for the holiday season.

-Maria Zanetti

-Photography courtesy of Randex Communications

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Darien Center, NY • July 23, 2013

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Helsinki, FI • June 17, 2011

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Categories
Culture Entertainment

Flickr Announces 20 Under 20

Lissy Laricchia

Lissy Laricchia, 20 – Ontario, Canada

Photography has the power to fascinate, inspire and even change the way we see and understand the world around us. Monday, Flickr announced its first annual “20 Under 20,” a collection that celebrates twenty of the world’s most extraordinary young photographers on Flickr.

The 20 photographers were selected by a panel of influential Flickr photographers — Lou Noble, Cuba Gallery, and Rosie Hardy — and Vice President of Flickr, Bernardo Hernandez, based on creativity, technical talent and overall strength of their portfolio. The selected photos will be curated by Vogue photography director, Ivan Shaw, and showcased at Milk Studios in New York on Oct. 1.

Shaw also chose photographer Laurence Philomene to receive the 20 under 20 Curator’s Choice Award. He felt her photography offered a unique and fresh perspective and a window into a world we hadn’t seen before. As a part of the award, Shaw will mentor Philomene for a year.

Users can choose their favorite “20 under 20” photographers from the group and nominate their work, on Twitter, in three different categories: creativity, technical skills, and strength of overall portfolio. Those who rack up the most votes will win Audience Choice Awards.

Check out some of the photographs to add a little bit of magic to your day.

-Maria Zanetti

Alex Currie

Alex Currie, 17 – Buffano, NY

Brian Oldham

Brian Oldham, 21 – Los Angeles, CA

Alex Benetel

Alex Benetel, 20 – Jacksonville, FL

Berta Vicente Salas

Berta Vicente Salas, 20 – Barcelona, Spain

Chrissie White

Chrissie White, 20 – Seattle, WA

David Uzochukwu

David Uzochukwu, 17 – Innsbuck, Austria

evan atwood

Evan Atwood, 21 – Flagstaff, Arizona

Greg Ponthus

Greg Ponthus, 21 – Lyon, France

Katherina Jung

Katharina Jung, 21 – Hermeskeil, Germany

Lauren Withrow

Lauren Withrow, 21 – Dallas, Texas

Laurence Philon

Laurence Philomene, 21 – Montreal, Canada

Nicholas Scarpinato

Nicholas Scarpinato, 21 – Richmond, Virginia

Oliver Charles

Oliver Charles, 12 – London, UK

Alex Stoddard

Alex Stoddard, 21 – Sydney, Australia

Olivia Bee

Olivia Bee, 20 – Portland, Oregon

Rachel Baran

Rachel Baran, 21 – Columbus, Ohio

Silvia Grav

Silvia Grag, 20 – Madrid, Spain

Wiisa

Wiisa, Vanessa and Wilson, 19 and 20, Miami, Florida

Zev Hoover

Zev Hoover, 15 – Natick, Massachussetts