Categories
Culture Music NYC

Westfield WTC, Sing for Hope, bring piano for public playing, to the Oculus

Photo: Westfield World Trade Center

Westfield World Trade Center has partnered with Sing for Hope to display a piano in the Oculus, painted by local artist Lance Johnson. The uniquely colorful piano, titled “Evolve” will be available for anyone and everyone to play, listen, interact with, and enjoy, from March 17 to March 27. At the conclusion of the piano’s public residency, it will be moved to a permanent home in a New York City school or community-based organization, where it will inspire lives for years to come.

In addition to the piano being open for the public to play, there will also be free and professional musical performances over the two weekends of its residency. Piano Soloist, Amir Farid, winner of the 2006 Australian National Piano Award, performs on March 19 and 26 from noon to 2:00 pm. The Sing for Hope Quintet will present performances of piano, violin, viola, and cello on March 20 and 27 from noon to 2:00 pm.

Local artist Lance Johnson poses with piano he painted, Evolve, as part of a project with Sing for Hope. Photo: Sing for Hope


The Sing for Hope Pianos program began in New York City in 2010. Today, it is one of the world’s largest annually recurring public arts programs, with more than 570 one-of-a-kind piano artworks in public spaces spanning from The Bronx to Beirut, and from Aspen to Athens. In addition to Westfield World Trade Center, Unibail-Rodamco-Westfield (URW) will display pianos at Westfield UTC in San Diego, as well as Westfield Topanga and Westfield Century City in Los Angeles. 


“New York City is one of our world’s most inspiring, resilient cities, and we’re thrilled to work with URW to share hope and healing through these beautiful community instruments,” said Monica Yunus, Sing for Hope Co-Founder. Continued Sing for Hope Co-Founder Camille Zamora, “Music and art bring people together, and as the world continues to emerge from the pandemic, the Sing for Hope Pianos continue to spread vital moments of joy, connection, and arts for all.”
“We are so excited to host Sing for Hope at Westfield World Trade Center,” said Diana Grasso, Vice President, URW. “As we continue welcoming commuters, office workers, and local residents back to the Oculus, the power and joy of live music will further enhance our guests experience as they visit, shop, and dine with us.”

Categories
Culture Entertainment Featured Music NYC Theater

Downtown Q&A: Hyung-ki Joo and Ron Losby

June 21st was Global Make Music Day, and in celebration, Steinway and Sons put on a special performance from several world-class artists, including British-Korean composer-pianist, Hyung-ki Joo. The show took place in The World Trade Center’s Oculus. Joo premiered his “Chandeliers”, a hauntingly evocative piece written in memoriam of 9/11, at the site at which the tragic event occurred. The premiere also marked the triumphant return of live music in New York City, coming out of the dark times of the last year and a half. We spoke to Hyung-ki as well as Ron Losby, the esteemed CEO of Steinway & Son’s for a Downtown Q&A.

Hyung-ki Joo

Downtown: What does global music day mean to you?

Hyung-ki Joo: Ideally, we should be celebrating music every day, all over the world. Music needs to be more respected and treasured.  Since the start of the “Corona-era,” I feel as though Art and Music have been disrespected and devalued. Even before Corona hit, far too many places in the world, including the affluent Western World, had no educational classes for music in schools.  I believe that music should be a part of every child’s life and I don’t say this because I’m a musician. There are plenty of studies that show how important music is for brain growth, cognitive skills, social and developmental skills.  Music is one of the very few things that bind us as a human race. In a band, or an orchestra, you can have players of all colors, nations, and creeds, and despite their backgrounds, they can make good music together. I believe that musical literacy should be a human right, and as Nietzsche said, “Without music, life would be meaningless.”

DT: Playing your song at the memorial campus for 911 must-have evoked a profound feeling. Would you share any of how you felt with our readers?

HJ: I never imagined that “Chandeliers” would be performed at The World Trade Center, the site that inspired the piece. To see something new and positive existing in the place where so much devastation took place in 2001 is a testament to the New Yorkers and the many others who suffered on that horrible day. To me, the new World Trade Center signifies hope and light.

DT: You wrote this beautiful piece to honor the memory of 911. How did this come about, and how long did it take you to write it?

HJ: 2001 was a year of immense change throughout the world as well as for me. After 9/11, everything changed. I was living in New York at the time and one of the things that struck me most profoundly was, despite the darkness that was towering over us all, light prevailed. I remember vigils and ceremonies aglow with candlelight and lanterns. There was a genuine spirit of solidarity that was touching to witness and experience; especially in a city where aggression and apathy are normalized. I pictured swirling chandeliers hanging from the skyscrapers and thus I began to write this musical sonnet for piano: Chandeliers.

DT: Where were you on 911 and how did you learn about this tragedy?

HJ: I was living in New York at the time. Everyone was glued to TV sets- it was impossible to miss.

DT: What was it like having your music played in our stunning Oculus?

HJ: I was honored that my new book of 10 piano pieces, under the album title, “Chandeliers”, was given a World Premiere at the Oculus. The premiere was given by 8 pianists from my Alma Mater, The Manhattan School of Music.

The 8 pianists were: Ryan Bridge, Xiyu Deng, Elham Fanous, Claudia Hu, Yan Li, Keiju Mori, Yi Zeng, William Zhang.

“Chandeliers” was performed beautifully by the marvelous pianist, Elina Christova, who also studied with me at Manhattan School of Music.

DT: What is your favorite place in downtown New York City?

HJ: Well, the Oculus is definitely one of the most stunning works of architecture in downtown, NYC.

I love the Wild Horses of Sable Island Gallery in Soho.

And one of my all-time favorite places to relax and enjoy a meal is the Olive Tree Cafe in Greenwich Village.

The “Earth Room” is also a unique place I quite enjoy.

DT: You are not only known for your music but also your comedic zaniness, we hear that it’s infectious. Where does this come from, and do you always include this in your performance?

HJ: Victor Borge said that “Laughter is the shortest distance between two people.” Classical concerts alienate audiences because the atmosphere is too elitist and intimidating. Concert Halls, presenters, and Orchestras need to find a new way to connect to today’s generation or the halls will be empty soon. It is 2021, and we are playing music that was created between 1700 and 1950. Laughter is healing, and it helps to put people at ease. I don’t always include “comedic zaniness” in every performance I do, but it is important to make the audience feel at ease and welcomed. In the time of Liszt and Schubert, there was no divide between the artist and the audience, and it is a shame we have lost this tradition. Composers like Mozart, Rossini, Haydn, Prokofiev, and many others, did not put on a comedy hat, and then put on a serious hat. Humor and Non-Humor [were] just two sides of the same coin, and those composers didn’t take their craft less seriously when they were writing humorous music. I always found that classical musicians do not take the humor in music seriously enough! When I started my duo with Aleksey Igudesman, we simply wanted to make concerts that we would want to go to ourselves. And to have the element of surprise back when we go to concerts, I think that everyone should produce concerts that they would like to attend themselves. Just think of the variety and fun we all will have!

 

Ron Losby

Downtown: How did Steinway become involved in this concert at Oculus?

Ron Losby: I heard about the event from Hyung-ki Joo, who is a Steinway Artist and a good friend. “Make Music Day” is obviously something that Steinway & Sons wholeheartedly supports, with such a noble goal of spreading the beauty and power of music to everyone. Upon hearing of the event, I let Hyung-ki know that we could support their piano needs for the event – and assist in any way needed. 

DT: Steinway has had a stellar reputation since it opened more than 150 years ago, tell us your secret?

RL: For Steinway & Sons, the secret has really been [the] continuous improvement of our piano and innovation. Since the early days, Steinway has innovated within its factory – always utilizing the best mix of handcraftsmanship and technology to build a piano that is always a little bit better than the one we built last year, the year before that, and so on. But we have also innovated with our product. The clearest example there is the introduction of Spirio, the world’s finest high-resolution player piano. Now, with the touch of an iPad, even non-pianists can listen to concert-level performances on demand, on an acoustic Steinway. And for the pianists out there it is, of course, still a fully playable Steinway.  

DT: We have worked with many celebrities who were brand ambassadors for Steinway and Sons, how are they chosen?

RL: Steinway Artists apply to be on the roster and a very interesting thing is that they are not paid endorsers, but choose to be Steinway Artists for the love of their craft and the instrument that we provide. All Steinway Artists actually own a Steinway, which is a part of the requirement to joining our roster of talented and acclaimed pianists. 

DT: What is it like to be in The Oculus as a grand performance space?

RL: The Oculus is a spectacular feat of design and engineering – creating a space that is beautiful and modern, but also very practical and usable. It has a certain look to it that is a part concert hall and part coliseum … so it seemed a very appropriate space for today’s musical performance meant to be shared with the masses. 

 For more Downtown Q&A, click here.

Categories
Business Featured News Real Estate

Mary Ann Tighe on Downtown’s Revitalization

Mary Ann Tighe has played a critical role in helping Downtown grow up, evolve, and mature into the model 21st Century community that she now gushes about it like a proud parent!

“People used to have a clear vision of Downtown a couple of decades ago,” she recalls. “They would say they roll up the sidewalks at five o’clock. Then we had perhaps the greatest tragedy that ever befell our nation happen there.But look at it now — we have reset the narrative!” 

The CEO of the New York Tri-State Region of CBRE, the world’s largest commercial real estate services firm, has been named “New York Most Powerful Woman” by Crain’s which says she has a history of “changing the face of Manhattan.” 

She has been responsible for more than 101.6 million square feet of commercial transactions, and her deals have anchored more than 14.4 million square feet of new construction in the New York region!  And nowhere is her influence more obvious than in Lower Manhattan. 

In the late ’90s, she engineered the leasing of the largest commercial building in America at 55 Water Street and then in 2005, she joined Larry Silverstein in his efforts to bring new life to the World Trade Center. 

It was a fateful meeting with Silverstein, on Downtown’s darkest day, that she credits for both her commitment to the community — and for illustrating the gritty resolve of the people of Lower Manhattan, that has lifted it to the sterling heights it has attained today. 

“On the day of the attacks, I was walking up Second Avenue to get home,” she said. “He was about to go into a place to have dinner, and I ran into him on the street on the Upper East Side,” she remembers. 

“We were standing in front of each other and I began to cry. And he put his arms around me and said, ‘Sweetheart, we’re gonna rebuild.’ That was one of the reasons I’ve felt such a commitment to the Trade Center and Downtown,” she said. “I immediately felt such an enormous emotional connection to the area.” 

Like all New Yorkers, she felt the attacks were a violation — not only of the community and its people, but our way of life. “New York has a historic tradition of welcoming people of all backgrounds and faiths,” she said. “The attacks had to be addressed with a plan that showed inclusion will always overcome terror.” 

Tighe points to the makeup of the new Downtown that has risen from the ashes of that horrific day as the most vivid proof that that is true. “The community was rebuilt because people realized, that not only was there no reason to be afraid to come down here, but that by doing so they were engaging in an act of patriotism.” 

She credits Silverstein with exactly that — particularly for his commitment to diving into the aftermath of the tragedy with a commitment without condition. 

He built 7 World Trade Center — a 1.8 million square-foot building — without a single tenant. He just knew that they would come. That’s commitment to be admired.

She credits the tax incentives that the government gave to people to move Downtown, along with the conversion of office real estate to residential as key triggers for people to realize that the community was a smart move for the future. 

People were saying, ‘Not only am I not afraid, but this is where the opportunity is.

As awful as the attacks were, Tighe says the fresh start that followed has helped define the idyllic futuristic community that has grown out of tragedy. 

“The government began to realize, ‘You know, if we invest in the infrastructure, we can make Downtown new in a way that no other part of our city is new.’ So now we’ve lived through ripping up every street and replacing the wires, redoing the subway tunnels, redoing the train hubs. It’s a whole new city Downtown! It’s the only part of New York City that has truly 21st Century infrastructure!” 

Even more ironically, Hurricane Sandy ALSO played a role as a positive change audience. “Anything that wasn’t addressed after 9/11 was then addressed after Sandy,” she said. “So everything today is state of the art!” 

Including the two transportation centers at the Fulton Street Hub and the Oculus— which has endured it’s share of criticism for being a $4.2 Billion boondoggle. 

“I can’t tell you how frustrating it is to hear anyone say that the Oculus was a waste of time and money,” Tighe said. “It’s a place where 12 subway lines come together, plus the PATH train, and it’s an active shopping mall that generates significant rent every year for the Port Authority.

To me the Oculus has already produced value up the kazoo.

She points out that the Oculus’ $4 billion price tag doesn’t look so outrageous when it’s compared to the new Number 7 line station built at Hudson Yards cost $2 Billion alone! “Please explain how that is a waste of either time OR money.”

She also is over the moon over the fact that that very transportation facility, not only serves the new 65,000 residents, 15 million annual tourists and 35,000 students who pass through it every day, but also provides them with retail possibilities that just weren’t there before!

I think people forget that Downtown was not a retail environment at all — until the World Trade Center came along. 

“I feel such pride with the companies that we’ve brought here,” she said. 

And then there are those locations that predated and survived the attacks, only to mature and come into their own nearly 20 years later. 

“All you have to do is look at the playing fields of Battery Park City and say to yourself ‘Oh, this is perfect.’” said Tighe. “I used to think it was so barren many years ago and recently I realized, it has completely grown up! 

It’s such a beautiful place for families! 

Tighe is also deeply encouraged by the redevelopment of Pier 17 at the Seaport. “South Street Seaport is Seaport is undergoing the most incredible conversion,” she remarked. “It has attracted the world’s attention. ESPN broadcasts from there. It also has this phenomenal outdoor space on the roof that has opened as a spectacular outdoor concert venue!” 

Bit by bit, they’ve attracted more and more restaurants, and high-end retail. Office space will be used by incredibly cool companies and that will change the entire dynamic of the place!

Tighe also credits the difficult economic times following the attacks as a factor in Downtown’s amazing comeback. “As tragic as 9/11 was, it also deeply affected property values Downtown,” she explained. “So, for a period of time, companies and individuals were able to come in and buy things that weren’t priced as though they were Manhattan properties. Anybody who bought property here in 2002, 2003 or 2004, looks like a genius today.”

As a result young and struggling companies found greener pastures Downtown, and young people moved down here to be near their jobs and be a part of a vibrant and growing community. 

“It’s amazing how fresh and enthusiastic this community is,” she marvels. And while there is so much that is new in the area, there is also its rich history which provides just a strong an attraction. 

“You have old and new architecture and everything in between,” she happily exclaims. “You’ve got Francis Tavern that dates back to revolutionary times. You’ve got the Woolworth building from 1913. And now you’ve got, One World Trade Center, which represents the future. So there is this delicious cocktail of architectural styles and structures that really looks like, frankly a great city. It doesn’t look anything that was all built at once.”

And she credits much of the comeback to her friend and partner in the man behind the second coming of the World Trade Center — Larry Silverstein. 

Largely due to his courage, confidence and commitment to the community, Downtown is the fasting growing community in New York City with a population that has increased by a phenomenal 98 percent, and has emerged with a diversity of people, businesses, transportation hubs, first-class hospitality and shopping options, and recreational facilities never dreamed of before that horrific moment in history.

“I shudder to think about what would have happened if Larry had not had the level of conviction that he had.

To borrow a phrase from “The Natural” he built it — and they came. 

I feel such pride in being able to have been involved and have been able to stand up in front of the nay-sayers and saying, ‘This is coming’ and now it’s HERE!

Categories
Culture Entertainment Events Featured Living Movies

Westfield WTC and the Tribeca Film Festival Announce Movies in the Oculus

For the third consecutive year, Westfield World Trade Center will roll out the red carpet for the Tribeca Drive-In: Dinner and a Movie film screening series, organized in partnership with the team behind the Tribeca Film Festival. The series takes place from Thursday, February 21st to Sunday, February 24th – just in time for this year’s major awards season!

During the four-day series, visitors to Westfield World Trade Center’s magnificent Oculus in Lower Manhattan will be able to enjoy free movie screenings of past Oscar-nominated and Oscar-winning fan favorite films:

•        Thursday (2/21, 7pm) – As Good as It Gets (1997) – Directed by James L. Brooks, starring Jack Nicholson, Helen Hunt, Greg Kinnear, Cuba Gooding Jr., and Skeet Ulrich.  When a gay artist is assaulted and hospitalized, his cranky neighbor must care for his dog, triggering a change in formerly selfish attitude.  Two Oscar wins and five Oscar nominations.

•        Friday (2/22, 7pm) – Field of Dreams (1989) – Directed by Phil Alden Robinson. This three time Oscar nominee for Best Picture, Best Screenplay, and Best Original Score, is a fantasy about a farmer who builds a ballpark in his cornfield, where long-dead Major Leaguers gather to play.

•        Saturday (2/23, 12pm) – Hugo (2011) – Directed by Martin Scorsese. A young orphan lives in a train station in 1930s Paris and tries to repair a mechanical man built by his father. Five Oscar Wins and six Oscar nominations.

•        Saturday (2/23, 7pm) – E.T. (1982) – Directed by Steven Spielberg. A lonely boy befriends a homesick alien stranded on Earth and attempts to help him find a way home. Four Oscar wins and 5 Oscar nominations.

•        Sunday (2/24, 12pm) – Finding Neverland (2004) – Directed by Marc Forster. A biography of playwright J.M. Barrie focusing on his relationship with a young widow and her sons, and the role it played in inspiring the children’s classic Peter Pan.  One Oscar win and six Oscar nominations.

Before the films, visitors attending the screenings will be able to enjoy live music performances presented by Broadcast Music, Inc. (BMI); relax in custom-designed seating lounges; explore special fashion and accessories vitrines curated by local influencer and personal shopper Samantha Brown;  take advantage of one-of-a-kind, Hollywood-inspired photo ops; and partake in exclusive food and beverage service provided by some of Westfield World Trade Center’s tastiest restaurants and eateries, including: Epicerie Boulud, Eataly NYC Downtown, Nunu Chocolates, and Sugarfina. 

“As film fans, awards season is the most wonderful time of year in Tribeca, so we are thrilled to be continuing our partnership with Westfield World Trade Center for a very special Oscar edition of our fan favorite Drive-In series,” said Cara Cusumano, Tribeca’s Director of Programming. “We hope everyone will join us, inside this time, for a look back at some of our favorite nominees of all time as we finalize our ballots for the 2019 winners.”

“Award-winning films in an award-winning setting – what better way for our visitors to enjoy all we have to offer inside Westfield World Trade Center!” said Shari Hyman, Vice President and General Manager of Westfield World Trade Center.  “We are excited that our continued partnership with Tribeca Films makes this unique experience possible.”

Screenings are free and open to the public. Tickets may be reserved in advance on Eventbrite. Admittance and seating is first-come, first-served. 

For more information on the series, including daily menus and artist information, please visit: www.westfield.com/wtc/dinner-and-a-movie.

Categories
Dining Events Featured

Where to Celebrate the Lunar New Year this February

We’re already a month into 2019, but the Year of the Pig is about to begin! Check out these Lunar New Year specials to help you celebrate on February 5th and beyond.

Westfield World Trade Center

oculus

Westfield World Trade Center is ringing in the Year of the Pig with its first annual Lunar New Year celebrations. On Friday, Feb. 8 at 7:30PM, Westfield will kick off celebrations with  a one-hour unique and dynamic orchestral performance presented by the Port Authority of NY & NJ in partnership with the Asian Cultural Center, whose Asian Cultural Symphony of the USA has participated in hundreds of performances across the United States, such as the Lincoln Center, Carnegie Hall, the United Nations Headquarters. The music performance is complemented by an all-afternoon and evening art exhibit that features local artists throughout the Transportation Hub. There will be other events throughout the beginning of the month as well:

    • Friday, Feb 1, 5:30–7:30 PM: Calligraphy at Toytoise
    • Saturday, Feb 2, 1–3 PM: Brush Painting at Sugarfina; 3–6 PM: Calligraphy at Pandora
    • Saturday, Feb 2, 2–4 PM: Contemporary Chinese Music at Longines
    • Friday, Feb 8, 5–7 PM: Calligraphy at & Other Stories, Wood Block Art at London Jewelers, 4–7 PM: Music & Moutai Tasting at Pure Liquid Wine & Spirits; 5–7 PM: Calligraphy at& Other Stories; 7:30–9 PM Asian Cultural Center Orchestra Performance in the Oculus
    • Saturday, Feb 9, 2–4 PM: Chinese Go at Toytoise
  • Tuesday, Feb 12, 4–7 PM: Chinese Business Etiquette + Live Music at BOSS Hugo Boss

Loosie’s Kitchen

suckling pig

henry lu

South Williamsburg’s Loosie’s Kitchen is celebrating Chinese New Year with a menu inspired by Executive Chef Henry Lu’s childhood! Chef Henry grew up in the Bronx where his family owned & operated Chinese restaurants. He’s taken that nostalgia and used it as inspiration to recreate his family traditions for a Chinese New Year feast at Loosie’s. On Tuesday, February 5th from 7:30–10:30 PM, Loosie’s Kitchen and Chef Henry are throwing a “We Are All Pigs” Chinese New Year Party with a buffet-style menu, $5 Tsingtao and house party vibes! Menu highlights include build-your-own steamed buns, pork belly stuffed suckling pig and sweet sticky rice. Tickets are $30 per person and reservations can be made by emailing sayhi@loosieskitchen.com or via Eventbrite.

Little Tong

little tong lunar new year
Photo by Emmeline Zhao

For the year of the pig, Little Tong Noodle Shop’s East Village location will be serving its take on ShengJian Bao (SJB) – crispy pan-seared pork soup dumplings served with a black sesame plum chili vinaigrette. In addition, they will offer a special mixian with wild mushrooms and sausage for the duration of the two week plus new year festival as well as festive BBQ baby back ribs.

886 x Van Leeuwen

886 lunar new year

886 (the buzzy Taiwanese-American restaurant in the East Village) has teamed up with Van Leeuwen, (Greenpoint-based purveyors of artisanal ice cream made from scratch) on a collaborative, limited edition Lunar New Year ice cream flavor. The offering is inspired by Pineapple Cake, a sweet traditional Taiwanese pastry that’s associated with celebrations and gift giving. Van Leeuwen’s caramelized pineapple jam is sandwiched between layers of housemade buttery miso shortbread, and folded into a classic sweet cream base that’s been amped up with double fold vanilla extract and vanilla bean caviar. The restaurant will serve the Lunar New Year flavor on a fried bun with spicy honey and candied bacon. Dubbed the “Year of the Pig Sandwich” ($11), the offering is available through March 3rd; it will be served on the weekend brunch menu and as a secret off-the-menu item at dinner. Scoops and pints of the Lunar New Year flavor ($5.50 single scoop / $7.50 double scoop) will be available at the East Village, LES, and SoHo outposts of Van Leeuwen through February 21st. The flavor can also be incorporated into affogatos, sundaes and other preparations.

Categories
Fashion Featured Technology

New Line of Luxury Watches Come to NYC World Trade Center in Longines Boutique

The NYC World Trade Center’s Oculus, designed by famed architect Santiago Calatrava, is home to a cornucopia of upscale brands, including the likes of Dior and John Varvatos. Joining these and other fashion and upscale staples are a very special handful of luxury watches from the heritage timepiece manufacturer Longines.

Longines, who has been in business since 1832, has become one of the most prominent names in the luxury timepiece market by producing classic, Swiss technology-driven timepieces that deserve a place in every collection. Let’s take a look at some of Longines’ distinct luxury watches and collections that are now available in their NYC Westfield World Trade Center boutique:


Longines Luxury Watch Heritage 1940

Heritage Chronograph 1940

With some handy identifiers built right into the name, this historic, reissued luxury watch takes its inspiration from one of the Longines originals and features pink indices, a silver-tone dial and a timeless black alligator strap.

Longines Luxury Watch Master Collection

Master Collection

The Longines Master Collection is characterized by its elegance and approachable price point. Introducing new, blue-hued additions to their collection, Longines is bringing bold straps and faces to their already striking assortment of luxury watches.

Longines Luxury Watch VHP Collection

Conquest VHP Collection

In the midst of the heritage and tradition that comes along with the Longines’ name, a sporty model may seem miles away – but that couldn’t be further from the truth. With their Conquest VHP (Very High Precision) models, Longines offer a more athletic silhouette, which is accompanied by some of the sharpest timepiece tech out there, with a stunning accuracy of +/- 5 seconds per year.