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Dancing Between The Lines With Brooklyn Singer Lorelei Rose Taylor

Between my costumes and your heirlooms
All I’ve exhumed and your short fuse
It takes two to
Dance between the lines

“Venus with a vengeance” Lorelei Rose Taylor releases a magnificent EP, Versailles. The gorgeous, lush vocals of the Brooklyn songstress effervescently float between baroque rock, 90s alternative, and ethereal dream pop. Drawing inspiration from fellow chanteuses Jewel, Sinéad O’ Connor, and Florence and the Machine, Versailles is raw emotion buttered up with pure storytelling and rich vox.
The title track, Versailles, unfurls dark drama in a familiar landmark. ‘Versailles’ embodies a sort of cosmic dance between two people very much in love, but very toxic for each other – and everyone around them. The Palace of Versailles was a landmark in a near decade-long relationship for me, one which became a symbolic memory – a beautiful place to visit, but we couldn’t live there,” shares Taylor.
Versailles became the third demo Lorelei Rose Taylor ever recorded. After an initial spark of inspiration in the NYC subway, the single came together when Taylor joined forces with punk musician Robbie Grabowski (I Can See Mountains, Super American) on piano. The two took their time sculpting the song before presenting it to producer Stephen Kellner.

“I think it’s my favorite song,” says Taylor. “And I always stop myself before I say that, feeling guilty for loving one child more than the others. I guess I felt especially vulnerable when I wrote this; I let myself run back and forth through my emotions unhinged. I was livid and sad and proud and helpless all at the same time – but somehow, my tone is indifferent. There was a moment where I turned to the guys like, “Do I sound bored?” But I realized I was just exhausted. Exhausted and defeated – and I didn’t want to pretend I felt any other way.”

Photo: Bonnie Nichoalds
Another standout track on the album is When You’re Gone, an atmospheric, melancholy number that feels right at home in a David Lynch production. It is a highly emotional piece with gentle nods to doo-wop and uncannily evoking the mournful cries of the Cranberries’ Dolores O’Riordan.

The Texas-born songwriter grew up in upstate New York and penned her first song at just 11 years old. The precocious youngster took it upon herself to label her keyboard keys with marker and to emulate Jewel on acoustic guitar, sparking a lifelong passion for songwriting. In 2012 Taylor moved to NYC to attend college at FIT. From there, she pursued an Art History degree in Florence. By 2017 Taylor was back in Gotham, ready to write more music.

Reflecting back on the creation of the album, Taylor says: “Château de Versailles is home to one of the most electric eras of my life. For so long, everything was decadent – full of love and lust and excess. And then it wasn’t. The EP is about the party being over and the gardens being overgrown. It’s about returning to Versailles with the only set of keys and realizing the locks were changed – sure, I could break in, but would it still feel like home?”

Stream the gorgeous EP here:

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Culture Featured Music

Clan of Xymox Materializes at Le Poisson Rouge

By Alice Teeple

Photos by Alice Teeple

Eyeliner? Check. Black lippie? Check. Mesh, lace and platform combats? All present and accounted for, with a gloomy rainy night for good measure.

It was undeniably a Clan of Xymox concert down in the rumbling subterranean catacombs of Le Poisson Rouge in the West Village. The venue found itself stuffed to the gills with New York City’s goths, punks, leather daddies, kohl-eyed Gen Xers, telephoto-wielding photographers…and most wonderful of all, a genteel-looking mama jacked up on Bud Light. She was over the moon to introduce the music of Xymox to her daughter. “I’m from the South, honey!” she shrieked with delight, waving to frontman Ronny Moorings. “We make our performers feel WELCOME!” She hugged everyone within her immediate radius, bumping the enthusiasm levels right up to eleven. What a fantastically eclectic crowd at this show.

NYC’s own Pawns and Chicago’s The Bellwether Syndicate (led by William Faith of The March Violets and Faith and the Muse) riled up the crowd with their outstanding sets. Thunderous, energetic, and gothic as hell, these two darkwave outfits were terrific choices to support Clan of Xymox.

Clan of Xymox
Ronny Moorings

For the uninitiated, it was a real treat to see this new material live as well as the members in great spirits. The Dutch band, featuring Moorings, Sean Gøebel, Mario Usai, and Daniel Hoffmann, made a blessed final stop in New York, wrapping up this leg of their Days of Black Tour. Clan of Xymox was finally completing a cross-continental schedule of shows. If they were fatigued from the series of sold-out gigs, they certainly showed no signs of it.

Continuously playing in various incarnations since their formation in 1981, Xymox still sounded fresh and prescient with their philosophical lyrics and screeching synths. Xymox rolled out their old tried-and-trues like A Day, Obsession, and Muscoviet Mosquito, but introduced plenty of newer tracks as well.

Moorings, with his wonderful mop of jet-black hair, was in fine form, making wry political jokes. He mischievously taunted the audience and encouraged clap-alongs, as synth player Sean Gøebel went hog wild on a melodica. At times Gøebel appeared almost otherworldly as he serenaded the crowd, twisting and turning like a mohawked, German Expressionist Pan. Hoffmann and Usai kept up the pace, basking gleefully in the stage fog. The real surprise of the night was an inspired cameo appearance by their friend Curse Mackey of Pigface.

Xymox wound up the evening with two encores, and finally sent the children of the night off to their lairs with Going Round. The set lists were divvied out to the devoted, and the Southern mama’s daughter triumphantly snagged one of  Mooring’s abandoned guitar picks.

“This will make a nice Christmas present for Mom. Maybe a necklace or something,” she said, just before the duo tackled Bellwether Syndicate’s William Faith in the lobby with big hugs and good ol’ Southern hospitality.

Yes, ma’am!

Clan of Xymox: A Day

Vixen In Disguise

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Culture Events Music

NYC Group Sofi Tukker Talks Panorama and Hometown Performances

Musical duos are few-and-far-between in indie genres. There’s Matt and Kim, Grouplove and Shovels & Rope, to name a few, but the duo structure is certainly not the most widespread for an indie group. Even rarer is an indie house duo.

So when one comes along, we must take note; especially if they’re from New York City, and they’re playing Panorama Music Festival this weekend. This pair is Sofi Tukker, comprised of singer/songwriter/percussionist Sophie Hawley-Weld and producer Tucker Halpern. They met while in school at Brown University and soon after released “Drinkee,” which received a Grammy nomination.

Now they have a new single out, and they’re playing Panorama this weekend. Originally hailing from New York, the musicians are thrilled to be playing a home show. This fall, they’re touring with ODESZA. Read our interview with Sophie and Tucker for the full scoop.

How did you two first start making music together? Did you always know your music would have this electronic, danceable sound that channels tropical house music, or did it just evolve that way?

Sofi Tukker: We started making music together when we were still at college. At first, Sophie was making bossa-nova inspired acoustic music and Tucker was DJing house music. It wasn’t until we collaborated and made something from scratch together that we found our sound! We still don’t know how to define it (nor do we want to), we just make what we want to hear! And yeah dancing is a favorite activity for both of us, so I think that will always have a strong place in the music we make.

How did you guys decide to remix “Dark Days” by Local Natives? Were you fans of the band before?

ST: They reached out and when we heard the song, we were really inspired. It’s such a beautiful song already. And the guys in the band are the nicest! We got to perform the song with them at Coachella. Love them and their music.

Who are your biggest influences?

ST: We are each influenced by totally different people. We are both really inspired by artists such as Stromae, our experiences, family, friends. Anything can inspire us really. Our shows and festivals play a big part in inspiring lots of the new music we have been making.

 Your first EP’s title was inspired by a Mary Oliver poem. Why did you decide to call it “Soft Animals?” Does literature often influence you?

ST: She has this beautiful line that goes: “You don’t have to be good… You just have to let the soft animal of your body love what it loves.” Soph is really into literature and always gets inspired by different authors and poets’ turns of phrases! Poetry plays a large role in our songs too because the Portuguese songs are all collaborations with Brazilian poets.

Having received a Grammy nomination so early in your career (for the hit “Drinkee”), how does that affect you going forward?

ST: It doesn’t really affect us much. We are still a young band making music and building out our live performance! There are more people that see what we are doing as legitimate now though, which is always nice! It was a huge unexpected honor, but we know we have such a long way to go and hopefully we can get back there one day!

You guys are from New York, so what does it mean to you to play a festival here? How are you feeling in the days leading up to your Panorama set?

ST: We loooove being at home! We could not be more excited. Last time we played in New York was in April and we have been excited to come back home and play ever since! We don’t get too much time at home

What’s your favorite song to perform live?

ST: We really love performing all our songs!! At the moment, our unreleased song “Batshit” is one of our favorites because we get to go especially Batshit Crazy!

What have been some of your favorite memories from touring?

ST: We have such a good time on the road. We travel with a small group and we spend most of the time laughing. One of our favorite memories was going to Brazil for the first time and getting to speak Portuguese to the audience and everyone knowing all the lyrics–probably better than we did!! Coachella was a standout couple shows as well. We love the small headline shows we’ve done as well!! Anytime people come to see us we feel excited and grateful!

For more info about Sofi Tukker, visit their Facebook page.

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Stop Light Observations Takes Rough Trade on Monday

Louis is a very important member of the South Carolina-based band Stop Light Observations. Like the musicians, manager and crew, he attends every show. However, unlike the cast of characters that normally comprises a band’s tour, Louis has four legs instead of two. Louis is a French Bulldog. Perched at the edge of the stage or resting on his pillow bed upstage, Louis is there for the whole set.

“The last three years he’s been on the road with us,” said Will Blackburn, lead vocalist for the group. “I personally feel like he kind of loves it. He’s just working the crowd.”

Louis the dog, or just “Lou” as he is more affectionately known, is the canine mate of keyboardist John Keith “Cubby” Culbreth. Their other human counterparts are guitarist Louis Duffie (not to be confused with Lou, the dog) and drummer Luke Withers. You can catch all five members of the crew at their show at Rough Trade Records on Monday in Brooklyn.

Stop Light Observations is a four man band hailing from a suburb of Charleston, S.C., called Mt. Pleasant. It’s tricky to put just one word to their distinct musical stylings – they draw on everything from southern rock to psychedelic to hip hop to indie to folk. In a world where new genres pop up every day, there’s no need to slam a label on their music, but it’s undoubtedly a style all their own.

These musicians have achieved what few have even aspired to do – they created a live album, and they recorded it in a 200-year-old plantation house in South Carolina. Their 2016 album “Toogoodoo,” named for the plantation where it was recorded, is chock full of storytelling, satire, grit and the live nature sounds of the plantation grounds, like chirping crickets (listen closely to “Dinosaur Bones,” and you might just hear them).

It’s a different route than most modern musicians take, but for Stop Light Observations, it paid off.

“I’m so proud to have done it live,” Blackburn said. “Having done that is just such a huge accomplishment. We learned a lot about what the modern listener wants to hear and what they care about.”

And they’re not done pushing the musical envelope just yet. The band has just announced a special new project – “Volumes,” which will be released in increments over several months. As will be with each volume, the first volume, which arrives on Spotify August 11, will have a digital A-side and a B-side. Typically in music, a B-side is a secondary recording that delves more deeply into the song or offers another perspective. On Volume 1, the A-side will be “Coyote” and the B-side, “The Ghost of Larry Ford.”

Each volume will also be accompanied by a recorded dialogue, which creates a storyline that will carry over across time.

This style of releasing music deviates from the norm, but gives the band an opportunity to try something completely new and express their stories in a totally different way. “Volumes” will focus on storytelling.

With this project it’s going to be a really cool way to express ourselves really freely,” Blackburn said. “We’re just stoked about a new way to release something that’s not the norm. “

As they keep challenging themselves musically, the band sticks together.

The brotherhood between us has kept us together and made it easier to fight through,” Blackburn said. “[We’re] just finding a way to be authentic every night.”

August 11 is still a few weeks away, so, in the meantime, give their fantastic and sarcastic song “Security” another listen or two. It’s both telling and relevant.

Blackburn shared his musings on the current climate in music and art, and the band is sure to keep pushing for authenticity and seeking a creative summit.

It’s an important time in art to talk about what you care about and things that mean something to you.”

For tickets to see Stop Light Observations (and Lou, the dog, of course!) on Monday at Rough Trade, visit the Bowery Presents website.