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Design For The Ronald O. Perelman Performing Arts Center Unveiled; Barbra Streisand Elected Chairperson

1-REX-PERELMAN-PERFORMING-ARTS-CENTER-SOUTHEAST+DAY+150

Scheduled to open in 2020, The Ronald O. Perelman Performing Arts Center will serve as a vital cultural hub, bringing three flexible performance venues and community programming to Lower Manhattan.

Yesterday, the board of directors of the Perelman Center and President & Director Maggie Boepple unveiled the design for the new performing arts center, located at the World Trade Center site. The Perelman Center will produce and premiere theater, dance, music, film, opera, and multidisciplinary works while offering a range of amenities for visitors and residents in the Lower Manhattan community.

In addition to its design plans, The Perelman Center’s board of directors also announced the organization’s newly-elected Chairperson: Brooklyn native Barbra Streisand. Ms. Streisand will take her place at the helm of The Perelman Center’s board effective immediately, joining a number of respected leaders in business, culture, and government from New York City and beyond.

Designed by New York-based REX, the concept for The Perelman Center is inspired by the Center’s mission to defy experiential expectations. Its design cues were taken from The Perelman Center’s aim to foster artistic risk, incubate original productions, provide unparalleled flexibility, and deliver the most technologically-advanced and digitally-connected spaces for creative performance.

“Today the World Trade Center site stands as a monument to our nation’s ability to prevail in its darkest hour,” Governor Andrew Cuomo said. “The Perelman Performing Arts Center will highlight the values that make New York exceptional — the celebration of diverse cultures from every corner of the globe. This Center will help complete the renewal of Lower Manhattan and, on behalf of all New Yorkers, I welcome this institution and thank those who are working to make this vision a reality.

“REX’s bold, elegant exterior, and ingenious interior demonstrate a deep understanding of the very specific needs of this performing arts house,” said Maggie Boepple. “Coupled with theater consultants Charcoalblue, REX has, from the inside out, designed and created brilliant solutions for this exciting project.” Joshua Prince-Ramus, Principal of REX, said, “The Perelman Center is an immensely flexible canvas on which directors can script the patrons’ entire experience from their very entrance into the building. It is a ‘mystery box,’ a constant source of surprise for theatergoers and the community. We are honored to be involved with such an important project on such an important site.”

Considered the final piece of the World Trade Center master plan, the performing arts center has — for over a decade — been part of the vision for the renewed World Trade Center site, and today’s announcement is the result of the continued efforts of key officials on the local, state, and federal levels. It is one of several milestones in recent months, including a $75 million gift from board member and benefactor, Ronald O. Perelman, that signify strong forward movement for the long-awaited project.

Larry Silverstein, Chairman of Silverstein Properties and Interim Board Chair said, “The World Trade Center master plan successfully balanced the site’s commemorative function with the need to recreate a vibrant neighborhood reflecting the energy and humanity of New York City. The Performing Arts Center is an integral part of that plan.”

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Dining Events Music

PINKNIC, New York City’s largest rosé-themed picnic and music festival, to run Jul. 9 & 10 at Governors Island

Pinknic Baskets by Chris Santos - Photo by Ken Goodman
Pinknic Baskets by Chris Santos – Photo by Ken Goodman

Created by the founders of La Nuit en Rosé –- the world’s first event series dedicated to rosé wine -– PINKNIC will gather over 16,000 wine and food lovers for the ultimate New York City festival experience this season.

One admission ticket will treat guests to exclusive rosé wine offerings, custom picnic baskets designed by Chef Chris Santos, thousands of specially designed pink picnic blankets, and performances by celebrated international and local musicians including Miami Horror, Cedric Alexander C.M.A, Claptone, Tortured Soul, and Slow Hands, on an elevated center stage.

Sure to be an experience that finally gives meaning to the mantra, “rosé all day,” this weekend-long event will blanket Governors Island with the best wine, food and live music for escaping the chaotic, summer streets of Manhattan.

https://www.youtube.com/watch?v=5z8Z_JNNiZ4

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Culture Events Music

Next To None’s Max Portnoy handles Q&A about his October 13th show, prog-metal, growing up Portnoy

When I was 16 years old, I interned in the music business and wrote for some small-time publications on Long Island when I wasn’t at school, and people thought I was overachiever. In the case of drummer Max Portnoy – the son of founding Dream Theater drummer Mike Portnoy – he is one-fourth of Next To None, alongside guitarist Ryland Holland, bassist Kris Rank and vocalist/keyboardist Thomas Cucé. Next To None not only has a record deal, but has been steadily gigging over the past few years. Beyond playing shows on the Vans Warped Tour, they have opened for The Winery DogsAdrenaline Mob and Planet X’s Virgil Donati.

Currently signed to Inside Out Music – which has worked with progressive-rock favorites like KansasYes guitarist Steve Howe and King’s X – Next To None’s debut album, A Light In The Dark, was released over the summer. Produced by Mike Portnoy, A Light In The Dark includes cameos from Neal Morse of Spock’s Beard and former Guns N’ Roses guitarist Ron “Bumblefoot” Thal. The music video for “Fortune Cookie,” which came out two years ago, included cameos from the band Anthrax, Twisted Sister’s Dee Snider, WWE superstar (and Fozzy singer) Chris Jericho and the three hosts of VH1’s That Metal Show.

On the touring end, Next To None has a lot of touring planned for the coming months. On October 13th, they will be appearing at St. Vitus in Brooklyn. A few weeks later on Long Island, Next To None gigs at Amityville’s Revolution Bar. As the quartet is based in the Lehigh Valley, Pennsylvania, additional shows in the New York City metro area to be expected in the very near-future.

With no member currently above 16 years old in Next To None, my favorite part about doing Q&A with Max was that I was still able to get a great “last words for the kids” response out of him. For more information about the group, you can check out their official website: www.nexttonone.net.

next to none

How would you describe Next To None to someone who hasn’t heard the band before?

Max Portnoy: I would describe Next To None as an extremely heavy progressive metal band. If you are looking to heavy riffs to jam out to, or if you are into technical time changes and feel changes, then Next To None is a great band for you to listen to!

Who was the first person that inspired you to become a musician?

M: Honestly, it was my dad. [Editor’s Note: Max’s father, Mike Portnoy, also played with Avenged Sevenfold and is now playing with The Winery Dogs and Twisted Sister.] Growing up watching him play on stage to thousands of people every night was truly inspiring. I got to tour all the time with Dream Theater and watch him from behind his kit, and it really got me to want to it myself.

Was there a particular band that inspired you to play prog-inspired metal?

M: Well, my biggest band influence is Slipknot. Even though they aren’t “prog,” they still inspired me to make my own music. Slipknot was the first band I ever became obsessed with and they inspire me every time I listen to them.

Is it true that you met your bandmates in school? 

M: I did meet them in school. Ryland and I now go to a music high school but Kris, Ryland and I met in a normal public school in first grade. We were all friends since first grade and we used to jam together all the time and dream about being in a successful band. We met Thomas in about 6th grade and we totally hit it off with him and decided we would make a serious band, which has evolved into what is now Next To None.

Given your family lineage, was there any hesitation for you to try to play professionally?

M: My parents never forced me to play drums, it was something I wanted to do my whole life and thankfully they are super-supportive about it. I grew up around drums, so when they found out it was something I wanted to do, they supported me in every way possible.

Were drums your first instrument?

M: Drums were my first and only instrument. I can play bass and guitar but it’s nothing serious, I only play those instruments when we are writing new material. The drums were something I just instinctively went for,I never thought about anything else.

Your video for “Fortune Cookie” includes cameos from Anthrax, Twisted Sister’s Dee Snider, Fozzy’s Chris Jericho and the hosts of VH1’s That Metal Show. Were there any cameos you were trying to get but couldn’t make happen for the video?

M: The cameos were actually a surprise my dad did for us. After we finished the video and watched it for the first time, the cameos came out of nowhere and it was super cool!

With A Light In The Dark coming out over the summer, what’s ahead for the band? Any touring planned?

M: We actually have two tours planned currently, one in October and one in November. The first one in October is with Fates Warning, I absolutely can’t wait for that tour, it’s going to be so much fun! The second tour in November is with another local band called A.D.D., which is going to be absolutely crazy! For tour dates, go to our website at www.nexttonone.com.

What is your favorite part about touring?

M: I love touring so much, I can’t pick a favorite part! I mean, if I had to pick the best part, I guess it would be performing and then hanging out with all the fans after the show and getting to meet so many awesome new people!

Do you remember the first concert you ever went to see?

M: I’ve been going to concerts ever since I was in my mom’s stomach. I can’t remember but I will bet a million bucks it was a Dream Theater show. I grew up behind my dad’s kit!

When you’re not playing music, how do you like to spend your time?

M: I’m a huge gamer. All I ever do is play drums and videogames and watch South Park. My favorite games would probably be GTA V, League Of Legends, Portal 2, Outlast, Minecraft, Spore and I recently started getting into ARK: Survival Evolved. As it may sound, I don’t get much sunlight!

In your opinion, beyond your own, what’s been the best new album released in 2015?

M: I’ve been obsessed with Lamb Of God’s album VII: Sturm und Drang. I’m a huge LOG fan as well and this album kicks absolute ASS! Chris Adler’s drumming is so amazing and crazy, I can’t stop listening to it. Chris is a huge drumming influence on me as well, along with my dad and [former Slipknot and current Scar The Martyr drummer] Joey Jordison.

Finally, Max, any last words for the kids?

M: Find what you love doing and stick to it. If music is what you love, then pursue music no matter what anybody says. You can do anything you push yourself to do!


-by Darren Paltrowitz

Categories
Culture Events Music

Ride’s Andy Bell talks Irving Plaza shows, Oasis and old New York

ride band1

Imagine co-founding one of the most influential British bands of the 1990s, going on to inspire bands like Coldplay, Ash and Death Cab For Cutie. Then for your next band, you pump out a few more hit singles. Then you join Oasis, arguably the most successful English band of the past two decades, for 10 years. Then once Oasis disbands, its lead singer requests that you join his next band. Then shortly after Beady Eye fizzles out, your original influential band reunited. Well, such has been life for Ride frontman Andy Bell.

While Ride did experience international chart success with 1990’s Nowhere, most of their acclaim in the U.S. came from critics. But time has been very kind to Ride’s legacy since their 1996 breakup, with Nowhere finding its way onto a myriad of lists including Pitchfork’s “Top 100 Albums Of The Nineties” and Spin’s “The 300 Best Albums On The Past 30 Years.” In turn, it may have surprised many that Ride easily sold out New York City’s Terminal 5 – with a reported capacity of 3,000 – and Music Hall Of Williamsburg back in June.

Alas, Ride are back in New York by popular demand with a pair of September 2015 gigs. On September 21st and 22nd, they will be playing at Irving Plaza, as presented by Live Nation and Noisey. The billing for the show on the 22nd will come from Montreal quartet The Besnard Lakes, two-time Polaris Music Prize nominees.

In support of these Irving Plaza gigs, Andy Bell kindly entertained some questions from me for Downtown. While Ride is likely to be continuing past this tour, per Andy’s answers, plenty of other Andy-related music is the pipeline. He recently scored the forthcoming Steve Marriott biopic titled The Midnight Of My Life, produced the fifth album by Sweden’s Weeping Willows, and has worked on remixes for the likes JMRS and Penguins Rising.

However, none of this is meant to take anything away from the other three-fourths of Ride. Guitarist and co-songwriter Mark Gardener has been releasing solo albums – including a 2003 live album that was recorded at Manhattan’s Knitting Factory – beyond writing and producing for other artists. Drummer Lawrence “Loz” Colbert, sometimes referred to as “the shoegaze Keith Moon,” plays with Supergrass frontman Gaz Coombes. Bassist Steve Queralt walked away from life as a professional musician after Ride’s initial disbanding in 1996, but has been back in the fold since the 2014 reunion. Alas, you have a classic lineup set to sell out Irving Plaza twice.

ride band

You’ve always managed to work, as you jumped from Ride to Hurricane #1, then had Oasis and Beady Eye tenures with some short Ride reunions and Grapefruit solo work added in. Is this the product of luck?

Andy Bell: After Ride, I was initially going to do a solo album, but [Creation Records founder] Alan McGee persuaded me to put a band together. That was Hurricane #1. When that finished, I was taking some time out and during that time I was contacted by Oasis, which eventually led into Beady Eye. It’s all kind of flowed into the next thing. I never considered stopping. I will always make music and I have a strong work ethic.

Have you ever had interest in revisiting the Hurricane #1 period of your career?

A: I’m proud of what we did as a band, but I don’t have any plans to revisit that era. The band have recently reformed and started doing shows and I think an album is on the way.

There’s a rumor that in your early tenure with Oasis, that you were paid £85 a night. Is that true?

A: Not true. Actually I used to pay Oasis £85 a night to be in the band.

Per your upcoming tour dates, is Ride back for good? Or is the band taking it one tour at a time?

A: We are blown away by the reaction we’ve received. From an initial announcement of three weeks of gigs, it has become an eight-month world tour. Our plan is to take this all around the world and then see how we feel about stuff then.

Matthew Caws from Nada Surf once told me that Ride was the loudest band he ever saw live. For those likely to attend one of your Irving Plaza shows, should the same loudness be expected?

A: We do like volume. Usually we are about as loud as the venue will take. Some places have sound restrictions — hopefully that doesn’t apply to the Irving Plaza. But don’t worry, it’s not a sound that hurts…much.

What do you remember about your first-ever gig in New York City?

A: New York was different place in 1990 than it is now. Edgier, felt a lot more dangerous to be out and about. The gig I don’t remember much about, but I definitely remember New York for the first time. I felt like Jon Voight when he arrives in New York in Midnight Cowboy.

People tend to know your discography, but little about Andy Bell the person. Is there something you wish more people knew about you?

A: I let the music do the talking, there’s not much more to me anyway!

What’s ahead for you once those Ride tour has wrapped? Any production gigs?

A: When I’m not doing Ride, I continue to work on other stuff, such as scoring for film and TV, writing collaborations, the occasional remix, very occasional DJ gigs. I still would like to put out my own record some day.

Who is the best band in the world that our readers may not currently know about?

A: Planet, from Sydney, Australia.

Finally, Andy, any last words for the kids?

A: As Phil Spector said: “Be good to rock and roll, and rock and roll will be good to you.”

 

-by Darren Paltrowitz

Categories
Culture Europe Events Music

Europe Dominates Irving Plaza with a New Album in Tow

europe the band
Photo: Courtesy of europetheband.com/Taken by: Patric Ullaeus

Whether you primarily know “The Final Countdown” as a song that went to #1 in 25 countries, for being regularly-licensed in TV and films (e.g. “Pitch Perfect,” “Arrested Development,” “Glee”), or through its dozens of cover versions, it is important to remember that Europe is still making a global impact 32 years after the release of its self-titled album. Early 2015 brought the release of Europe’s 10th studio album, “War Of Kings,” and the quintet’s first U.S. tour in quite a few years. The band packed Irving Plaza on April 30th with Black Star Riders and the similarly-named Blackfires also on the bill.

I was able to connect with frontman Joey Tempest – who will be featured in a later “Really Busy People column – between their Chicago and New York City tour stops to discuss Europe’s past, present and future. Downtown Magazine’s Darren Paltrowitz:

What do you wish more people knew about Europe?

Europe’s Joey Tempest: That we are probably the “tallest” five piece band in the world. (laughs)

How would you describe “War Of Kings” to someone only familiar with the “Final Countdown”-era of Europe?

J: “War Of Kings” is simply just part of our amazing journey. The same way “Final Countdown” was. It’s all an organic adventure for us. Nothing is really planned, apart from that we strive to dig deeper. We try and find new expressions that touch us and hopefully others.

Photo: Courtesy of europetheband.com/Taken by: Patric Ullaeus
Photo: Courtesy of europetheband.com/Taken by: Patric Ullaeus

You’ve said in other interviews that “War Of Kings” is the album that Europe always wanted to make.  As the 10th studio for Europe, does that set the bar too high for your next album?

J: Yeah (laughs), I might regret that one! Well, in a sense it really is. We wanted to make an album that had a “vibe,” an “atmosphere” and a depth that would remind us of some of the amazing records we grew up with. And it could not have been done without incorporating the thousand gigs we’ve done as a band. We are so proud of this record, it really is a record we always wanted to make and we could never have come close to this not even five years ago.

What should one of the attendees at Irving Plaza in New York City expect from your show on Thursday, April 30th?

J: Well, New York, being one of our favorite cities in the world, the whole band and crew are really up for this one! Coming off a great gig at the House Of Blues [in Chicago], we want to make sure to try and top that one. We will bring four or five new songs, which seem to be going down well on this U.S. tour. We will of course hit you guys with some well-known songs from “Out Of This World” and “Final Countdown.” There are some great live tracks from “Last Look At Eden” and “Bag Of Bones” as well. We’re having a great U.S. run this time and we want to make the New York show very special.

In having multiple platinum albums and having the international reputation as festival headliners, what is it that keeps a legendary band like Europe going?  Is there anything left to prove?

J: I guess it’s some sort of a SLOW BURNING OBSESSION that keeps the five us going. We try and keep the adventure going by constantly putting ourselves in new situations that hopefully brings the best out of us.

What’s the best thing about being Joey Tempest?

J: Being a frontman with these amazing musicians and childhood friends is simply the best job in the world. Eternal gratitude to our fans for keeping us in it!

 

-by Darren Paltrowitz