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Storm Large is ready for 54 Below on Dec. 19, talks about Pink Martini, The Limelight & more

Storm Large / Photo: Laura Domela
Storm Large / Photo: Laura Domela

Singer, songwriter and author Storm Large first found notoriety as a finalist on the singing competition show Rock Star: Supernova. In the 10 years since her reality TV tenure, things have been non-stop for the Portland resident. Beyond touring with Pink Martini, Storm has become an in-demand vocalist with many of the world’s top orchestras, performing recent engagements with the New York Pops, Cincinnati Symphony Orchestra, Houston Symphony, RTÉ Dublin, and the Toronto Symphony Orchestra. She has also released three full-length albums and a plethora of singles since appearing on CBS.

The theatrical world also embraced her, as she starred in Portland Center Stage’s production of Cabaret with Wade McCollum. Such led to a touring version of the show playing at the Edinburgh Fringe Festival, Adelaide Festival in Australia, and Joe’s Pub in New York. Around that same time, Storm’s 2012 memoir Crazy Enough — a Simon & Schuster release — was an Oprah’s Book of the Week and was awarded the 2013 Oregon Book Award for Creative Nonfiction. Thus, success in music, theater and literature.

In support of her Dec. 19 show at Feinstein’s/54 Below, Downtown had the opportunity to do some Q&A with Storm. Not only is Storm talented and driven, but she is also very personable. Her Manhattan show is set to include holiday favorites — including “2000 Miles,” “Hallelujah” and “Sock It To Me Santa” — and, as she hinted at, some special guests. Storm can be followed on Twitter via @StormOf69 and visited online at www.stormlarge.com.

A lot of people first learned about you from Rock Star: Supernova. The aftermath of that show was said to be a disaster as far as the supergroup went, but was it a pleasant experience for you?

Storm Large: It was an insane experience, but I learned a lot in those three months. I still have a few fans — here and there — from that show, but thankfully, the fever pitch of intense TV fame I had has passed. That is some scary energy, television fame.

Since a lot people discovered you from the CBS show, but you now do a lot of work in theater and with orchestras. How did you bridge the gap from rock to a more upscale world?

SL: I had been a rock/cabaret performer for 15 years before the show –hashtag: old — so the theater wasn’t much of a leap. Symphonies were a surprise turn because of the amount of music education I lack. I cannot read music, only have an anecdotal understanding of theory, would rather listen to The Clash than Cole Porter, etc. If I had to guess, it would be my experiences on club stages, telling stories and being a natural ham type of showman gave me the gall to step in front of my first orchestras. Then it took people smarter and more talented than I — Thomas Lauderdale, James Beaton, Leonard Slatkin, Steven Reineke, Michael Feinstein — telling me I was actually great in the genre, and need to keep exploring it.

Pink Martini is said to be one of the harder gigs for a vocalist, given all the genres and languages involved. What sort of audition or test was needed to get in with them?

SL: (laughs) Audition? Thomas MADE me do it! I told him at least 17 times, “NO, I can’t, too hard, China [Forbes] is brilliant, I can NOT do what she does,” and so on. However, China had injured her vocal cords, and the band was in a serious situation. I only did it, at first, because I love China and Thomas. I did it as a favor, thinking I would be a miserable failure, China would get better, come back and we just could chalk it up to a learning experience.

So I learned…crammed, actually…10 songs in five languages in four days, for my first ever concert with them. Four sold-out shows at The Kennedy Center. Never was I more terrified as a performer. I don’t remember much, but afterwards, Thomas asked me to be a lead vocalist, swapping tours with China.

You sing, you act, you write…How do you usually go about describing what you do for a living?

SL: I usually say, “I sing, and talk a lot of shit.”

What do you remember about the first show you ever performed in New York? Where was it?

SL: Limelight, 1989, sang “Happy Birthday” onstage to my friend Tommy — who was playing that night — and the place went nuts. Afterwards the owner nicknamed me “Janis” and I never paid a cover there again.

For your upcoming show at 54 Below, what should be expected? A mix of songs from your career?

SL: Yup, plus some new holiday favorites, and some snazzy guests if I can talk them into singing on their night off…

Do you have a favorite song to perform live?

SL: It changes all the time. Right now I’m loving a French song Sean Lennon wrote for the film, A Monster In Paris. The song is “La Seine.”

Beyond the show at 54 Below, what’s coming up for you in your career?

SL: Flights, snacks, naps, SING! Flights, snacks, naps, SING! I’m taking some time off next year to write and rest a bit, reset my creative head/heart. I’m due to write another book. I am also writing lyrics and some music for a musical about a storied brothel in Chicago at the turn of the 20th Century. True story about a gentlemen’s club run by women called, The Everleigh Club.

Is there a field you haven’t yet worked in but still hope to?

SL: Politics.

When not busy with your career, how do you like to spend your free time?

SL: Get some sleep, do some yoga, get laid…Not easy seeings as my only free time happens on airplanes.

What’s been your favorite album of 2016?

SL: LEMONADE — OMG — LE.MO.NA.DE. Ungh!

Do you have a favorite restaurant in New York?

SL: Currently, I’m a huge fan of Blue Ribbon Bistro, but also love Epistrophe and Ippudo.

Finally, Storm, any last words for the kids?

SL: If you can’t be a good influence…at least be a good cautionary tale. Follow the yes, you little bastards.

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Dining

Rodenbach’s Rudi Ghequire & Fung Tu’s Chef Jonathan Wu talk food, beer, New York & more

Rodenbach & FUNG TU together
Photo: Paul Wagtouicz

Rodenbach has been producing beers since 1821, originating in Roeselare, Belgium as a small family brewery. The company remained a family-owned operation until 1998 when it was sold to Palm Brewery. However, the ingredients and quality have remained in tact all these years later, and Rodenbach continues to be one of the world’s most respected breweries. Rodenbach can also take credit for being the original creators of sour beer.

One of the places in New York City where Rodenbach is served is the restaurant FUNG TU. For three days only, FUNG TU will be serving a five-course $55 “greatest hits” tasting menu from Nov. 15 through Nov. 17. Following that comes a six-course celebration tasting for $95 on Nov. 18 and 19. Although details are still being worked out, next week is set to include a Rodenbach pairing at the bar of FUNG TU.

Downtown caught up with master brewer Rudi Ghequire and Chef Jonathan Wu to learn more about Rodenbach, FUNG TU and how their offerings complement one another. Rodenbach can be visited online at www.rodenbach.be, while FUNG TU maintains a website at www.fungtu.com.

For someone who has never had sour beer before, how would you describe it?

Rudi Ghequire: It’s going to be different and should open your horizons to what beer can be. The key to any beer is proper balance, so that no one flavor or taste profile overpowers the others. A properly-balanced sour beer will have complex flavors and can often be described more like a wine. In Rodenbach’s case, you’ll often get flavors from the oak casks — foeders — that age our beers. A bit of wood, sometimes a spiciness, but also textured layers of honey and acidity that will taste like a green apple and a sweetness on the tongue. Finally, the flavors of fruit such as sour cherries will leave a lasting impression on the finish that is very refreshing, as a beer should be.

Was Rodenbach the first sour beer you ever had?

Jonathan Wu: The first sour beer I ever tried was a Gose beer that was tart and different than what I knew beer to be. The first time I tried Rodenbach I was immediately taken by what sour beer should be: complex, flavorful and absolutely-refreshing.

Is there any ideal food or meal to have with a sour beer? Or a way to get used to it?

RG: There are many great food options for sour beers. Properly-balanced beers such as Rodenbach Grand Cru will go great with cheeses and light meats such as pork, chicken or fish. Our vintage beers, which come from a single foeder, goes very well with cheeses that are a bit more fatty, and the smokiness of the oak casks really shine when paired with smoked meats and fish.

Rodenbach started almost 200 years ago. Has the original formula of the beer changed much? Is all of your beer still made in Belgium?

RG: All of our beers are made on the property in Belgium, as they have for nearly 200 years. The methods and practices we employ haven’t changed much through the years — but when you think about it, the liquid is live and thus, constantly changing and evolving due to the aging & maintenance of the foeders. We use 100% French oak casks, and we employ two full-time coopers who make and maintain the foeders to bring out the best in the beer. Through this process, we ensure a consistent taste that is to be expected from Rodenbach.

FUNG TU's Jonathan Wu
FUNG TU’s Jonathan Wu

What is coming up for Rodenbach?

RG: We’re very excited about a new offering that we just introduced called Rodenbach Fruitage, and what brought me to New York City. It is a very drinkable beer at only 4.2% ABV. It’s a blend of 1/3 aged beer along with 2/3 “young” beer and includes cherries, raspberries and elderberries for a very fruity flavor that is highly-refreshing and easily drinkable. It’s available in bars throughout New York City now and has been extremely well received. We’re looking at putting the product onto store shelves in cans in 2017.

Do you have a favorite of the Rodenbach beers?

RG: I love all of our beers, as they are all very unique to one another. But if I had to select one, it would be our Caractere Rouge offering. It’s made from two-year old aged beer that comes from a single foeder and then aged with cherries, raspberries and cranberries. It is complex, has great depth of character and is absolutely delicious. It is as complex as a wine, but refreshing and delicious like a beer — I call it “the missing link between beer and wine.”

Do you have a favorite restaurant in New York?

RG: There are so many great restaurants in New York, and I love spending time here. One of my favorite locations is BXL Zoute, located on 22nd Street near 5th Avenue. It has a light, lively theme that makes me feel like I’m home in Belgium, offering classic Belgian dishes and terrific beers.

What’s coming up for FUNG TU? I hear the restaurant is celebrating its third anniversary this year…

JW: Yes, we’re really excited about our third anniversary, and have a lot of things planned to celebrate it. We’re constantly looking at new dishes, exploring new pairings with interesting beverages, such as Rodenbach beer. Plus, we have a few events and off-site events that we’re really excited about.

Do you have a favorite item on the menu at FUNG TU?

JW: The great thing about our menu is that it’s a culmination of flavors and taste profiles, so every dish is uniquely different and our guests are invited on a journey of tastes. It’s hard to pick a favorite dish, as there have been so many through the years, but there are some dishes that have stood out the most by our customers. The fried dates, in particular are a crowd favorite.

Other than FUNG TU, do you have a favorite restaurant in New York?

JW: There are so many — New York has so many stellar restaurants. A few that come to mind for me are Okonomi, Uncle Boon, Shalom Japan, Khe-Yo, Ippudo, and The Finch.

When not busy with work, how do you like to spend your free time?

RG: I spend a lot of time at the brewery, but when not there I’m also spending time with my family. Particularly with my son who is also brewing terrific beers of his own. I’m working with him, coaching him and helping him to make interesting and unique beers.

JW: I’m always on the go, so I like to run and bicycle when I’m able to break away, but spending time with Jane and George — my wife and son — is what it’s all about.

Finally, any last words for the kids?

RG: It’s an exciting time for beer, particularly in America. There have never been so many choices for consumers. My advice would be to expand your horizons. Try new things and experience beers from all over the world so that you can really understand different styles and brewing techniques. Seek out balanced beers that best represent the categories and continue to experiment in all that you taste.

JW: I’ve been lucky to have worked for some great chefs such as Dan Barber and Jonathan Benno. Both have taught me how to cook with integrity and passion, something I take to the kitchen every day. The point is, whatever you do, do it with purpose and passion.

Categories
Dining

MEW MEN GM Kei Oku talks ramen, music, Japan and more with Downtown

Ramen from MEW MEN
Ramen from MEW MEN

As the weather gets colder this time of year in Manhattan, New Yorkers tend to crave warmer food. One of the most popular items within the “comfort food” spectrum is Japanese-style ramen, and the recently-opened MEW MEN is a local spot on Cornelia Street worth checking out. Carrying a music theme throughout the restaurant, diners may not only notice the DJ sound system that lines its back wall, but the sheet music stand holding the menu at the entrance, the stage light fixtures adorning the ceiling, and the deconstructed music cases repurposed as legs for the dining room’s tables.

MEW MEN was opened by Kei Oku, who not surprisingly has a background in the music industry, having worked as a recording engineer and an artist manager. He moved to New York in 2010, first working as a server at Kodama Sushi, learning the business from the ground up. Kei joined the Hand Hospitality Group in 2013, opening and managing the company’s first ramen concept, Izakaya MEW. Three years following that, Kei now oversees Izakaya MEW and MEW MEN for Hand Hospitality.

Kei spoke to Downtown about MEW MEN and plenty more. The ramen spot can be visited online at www.mewmennyc.com.

MEW MEN
MEW MEN

Prior to opening MEW MEN, you worked in the music industry. Is there an accomplishment from your work in the music world that you are most proud of?

Kei Oku: #1: Working as an artist manager is a very challenging job especially in the Asian culture. But I’m proud of the experience because it gave me the patience and understanding needed to work in the hospitality industry. #2: The musicians I represented were quite famous so I had the fortunate opportunity to work with some of the top leaders of the Japanese music industry.

What specifically inspired you to change from a career in the music industry to the hospitality world?

KO: The main reason was that I wanted to move to New York. A friend introduced me to my boss, who also used to work as an artist manager. Because of our similar backgrounds, we gained a mutual respect for one another and he became a great mentor. The reason why I am now working in New York and in the restaurant industry is because of him.

Was it an easy transition for you to move to New York City from Japan?

KO: No, it was quite challenging. I hadn’t actually even spoken or met my first New York City boss until I landed at JFK [Airport]. My boss picked me up at the airport and that’s how everything started for me in the U.S.

Are there any similarities between what you do now and what you used to do within music?

KO: Both chefs and musicians can be considered artists. Communication is also key for both industries.

MEW MEN's kara age
MEW MEN’s kara age

How would you describe MEW MEN to someone who hasn’t yet been there?

KO: MEW MEN brings a new dining experience to New York City that celebrates the balance between music and ramen. The formula to perfect ramen is not just within the broth, seasoning and aromatic oil, but within the balance of the melody, harmony and rhythm of the music played while the ramen is cooked and eaten. We offer this harmonious balance at the restaurant and only use the freshest ingredients to make the best ramen in New York!

Do you have a favorite item on the menu there?

KO: Iburigakko Cheese. When I visited Qmen for the first time — our ramen consultant’s place in Sapporo, Japan — I had it and it became my favorite dish which is why I wanted to add it to the MEW MEN menu.

Does your ramen recipe come from anyone in particular? Someone in your family?

KO: We invited an expert ramen chef from Japan to consult for MEW MEN and help create our recipes. Culinary Director Hiroshi Hiraoka comes to MEW MEN with vast experience in Japanese cuisine, having worked at Ippudo in Japan for 12 years, and opened his own ramen shop in Sapporo City called Q-Ramen. Unlike the traditional tonkotsku — pork bone broth — ramen-style that Hiraoka had mastered in Japan, Miraoka’s take on MEW MEN features a chicken broth, made from fresh, locally-sourced chickens, in-house every day.

MEW MEN's unique table set-up
MEW MEN’s unique table set-up

Who else is on the MEW MEN team?

KO: We most recently launched a lunch menu that represents the teisyoku-style Japanese lunch meal. Chef Akira is in charge of this lunch. He has knowledge of kappo-style Japanese food, which uses very traditional and authentic techniques. For lunch we serve delicious tempura, grilled cod fish, tonkatsu and more.

How do you like to spend your free time?

KO: I love to live and work in Manhattan, but spend time driving to the countryside when I want to get away from the noise of the city.

Do you have tickets to any upcoming concerts in New York?

KO: Not right now, but I’m always looking for a good concert to attend.

Aside from MEW MEN, what is your favorite restaurant in New York?

KO: Estela does an amazing job and I really enjoy their menu. But if I were to choose a Japanese restaurant, it would be Izakaya in the East Village. They also have a very good menu and change their dishes depending on what ingredients are in-season.

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