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Interview: Jessica Camacho Lays Down The Law

Photo credit Storm Santos

Interview: Jessica Camacho Lays Down The Law

Jessica Camacho has always had an inclination towards justice. She even considered a career in law before becoming an actress. She enjoyed the idea of fighting for what is just, something larger than herself. That makes her new roles, as LA County Public Defender Emily Lopez in CBS‘s All Rise and Police Officer ‘Pirate Jenny’ in HBO‘s Watchmen, particularly compelling.

Both shows ask compelling questions about the criminal justice system, and about the responsibility each person has to do what is right–whether or not that thing is backed up by the law. Camacho herself holds strong convictions, though she doesn’t see those convictions as political. “There are things that I just know are right,” she tells me, “that is like the pursuit of freedom, the pursuit of fairness. We all want to be treated with respect. To have a shot at a life and providing for ourselves, for our family. We all want to be free from violence. That, to me, is the hard line.”

Downtown: What excited you about All Rise?

Jessica Camacho: I get to play this incredible human being who is committed to justice in a very clear and true way. I got to really understand and explore what it is to be a public defender. That particular line of work is so heavy and burdened by the knowledge that so many lives are reliant upon the public defender as their last line of defense. The clients often have nothing and are in situations that are so dire. They are trusting in this human being to help them have a shot at the rest of their lives. I get to play somebody who is committed to something so much greater than themselves. I was very honored.

DT: Did you have an interest in the legal system before this role?

JC: Before I became an actor, before I even knew that acting would be a part of my life, I thought about going into law. It’s something that always interested me. It fascinated me: fighting on the right side of things, fighting for something bigger than yourself. I was always moved by that. 

The problem was that I could never decide if I wanted to be a prosecutor or a defense attorney. I was not very good at making decisions, so I’m like, I might not be the best lawyer. I see the gray a lot of times. I’m not a person that is more apt to see things in black and white. So it was just like, “I don’t know if this is the right pursuit for me.” And then pretty soon after that, I discovered acting. 

Jessica Camacho
Jessica Camacho

DT: Were there any issues in All Rise that were particularly close to you?

JC: I think the thing that’s closest to me in my personal life is Emily’s struggle with relationships. But also I know that the topics that we explore in All Rise–as a human being, as an American–a lot of those really resonate with me, hit home with me. So I often find myself being really, really stirred emotionally by the things that we’re exploring on the show.

DT: Did you read Watchmen or seen the movie before you, uh, audition to be part of Watchman?

JC: I had seen the movie. As I was auditioning, I started to read through the original graphic novel and I was blown away. It was dark and it was stirring and it was uncomfortable. It was talking about real fears and real anxieties, and the paranoia and the darkness within us. 

So that’s when I kinda realized like, “Oh, this is special, this is really special. This is like a different kind of look at life through the lens of the comic filter. This is something different.” So, yeah, it was very exciting.

DT: In addition to Watchmen, you were also on The Flash. Why do you think superhero shows are so popular right now?

JC: (Superheroes) speak to the possibility, the potential within us. I think as human beings, we feel limited in our lives. We feel the separation between how we want to see ourselves and how we actually see ourselves. I think the fascination with superheroes, it kind of picks up where our limitations leave us and there’s something beautiful and there’s something freeing about that.

But I think in terms of Watchman, I think this is the perfect time for Watchman because, with the constant stream of news and updates that technology brings us, we’re blown away by how much war, darkness, fighting, racism, and fear there is in the world. I think we want even our fantasies, even our heroes, to reflect what we’re experiencing as human beings.

I think people now want to see real. Yes, (Watchmen is) dealing with fantasy and yes, it’s dealing with heroes. Yes, it’s dealing with masks, but why the masks? What are the masks hiding? What are they disguising? I just think we’re just ready to delve in, even in our fantasy, to the darker nature of what is behind all of this.

When you see Watchman it’s like, Oh shit, this is not shying away from ugliness. This is not shying away from the horrible parts of American history. This is actually digging straight into that. Like, let’s address it so we can stop hating. Let’s address this. Then we can stop pretending that this is not at the core of us right now because we need to heal from it. And wounds need air to heal. I think it’s actually a really positive and beautiful thing that we’re starting to present things that are of the darker nature of us because I think it means that we want to heal.

Jessica Camacho
Jessica Camacho

DM: What’s next?

JC: Right now, we just found out that uh, all rise is getting a full season, so we’ll be shooting until about March. I think we’re just all kind of like, “Cool, all right, let’s buckle down. Let’s make this, let’s combine our efforts and make a really beautiful piece of work.” So that’s what’s on my agenda. I’m excited to see what comes next. I’m bubbling over with passion and energy. I love what I do. I am so, so excited to show up for it, to show up for every project that I get to do, and I’m just excited to see what comes next.

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Culture Featured Movies

Review: In The Shadow of the Towers: Stuyvesant High on 9/11

In The Shadow
Poster courtesy of HBO

I was ten years old on September 11th, 2001. It was a big day of firsts for me. It was, for example, the first time that I experienced a feeling of unreality surrounding an unbelievable moment. I was, however, very young and 130 miles away, watching the collapse of the towers on television at a family friend’s house after my Jewish elementary school evacuated in the hour after the first attack. 

“In the Shadow of the Towers” focuses on the experiences of students at Stuyvesant High School, a commuter school only a few blocks away from the twin towers. Through interviews, pictures, and videos, they retrace that day from the perspective of children close enough to see the planes hit the twin towers from the windows of their classrooms, and the reflections of those students who have long-since grown up. 

The documentary, which is only half-an-hour long, doesn’t expand much past that day. It spends a few minutes in the end on reflection, from the bigotry experienced by some of the students of color–many of whom were the children of immigrants–to the ways they memorialize that day. The film feels almost understated in a post-9/11 world saturated with portrayals, documentaries, and commentaries. That focus aids the narrative. It knows you know the story, so it skips the broad strokes. Instead, it offers intimate recollections and personal disclosures of how that day changed the interviewees, and the ways they saw their world change in its wake. 

It is likely not a mistake that many interviewees for “In The Shadow” were the children of immigrants. The film isn’t afraid to contrast the emotional impact of the 9/11 tragedy on these students with the otherizing they experienced after the fact. Two of the men recall a man shouting anti-muslim slurs at a classmate as they fled the destruction. She was wearing a hijab, and the man shouted at her to “go back where she came from.” One of those two men became a rapper, and the documentary ends on one of his songs. The lyrics recount the experience of his middle-eastern family shopping for American flags after 9/11, both out of patriotism and the desire to show that they belong. It’s a sentiment echoed by other interviewees, all of whom make a call for unity and an end to post-9-11 racial paranoia. 

The story of “In the Shadow of the Towers” is one of vivid recollection and resiliency. It’s the story of the last, youngest, people to clearly remember the pre-9/11 United States. These teens were as much at the epicenter culturally as they were physically– I’m sure some of their classmates signed up for the subsequent war in Afghanistan. “In the Shadow” is a perfect vehicle to share their experiences. It is an important watch for those able to reflect on such things as the 17th anniversary approaches. 

In the Shadow of the Towers: Stuyvesant High on 9/11 will air on HBO tomorrow, Wednesday September 11th, at 9:00 pm Eastern Time. The film will be available on HBO NOW, HBO GO, HBO On Demand and partners’ streaming platforms.

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Beauty Culture Dining Entertainment Featured

3 Ways to Treat Yourself “Game of Thrones” Style

Are you counting down the days until the final episode of Game of Thrones? All of NYC is right there with you, especially these three spots offering GoT specials to help you cope.

Haven Spa GoT Spa Treatments

The luxurious Mercer Street spa is offering treatments for anyone looking to decompress from the stress of remembering what happened eight seasons ago on GoT. The Mother of Dragons Pedicure includes Dragon Fruit enriched scrubs and lotions for super soft and hydrated feet. The Dragon Glass Manicure features shiny chrome gel polish that looks just like dragon glass. The White Walker Body Scrub is a CBD scrub that helps you get rid of your dry, winter skin. The Fire & Ice Facial uses medical-grade masques and anti-inflammatory botanicals to leave you with skin like Khaleesi. The Geek Massage is a combination of therapeutic stretching and deep tissue work focusing on the upper body to relieve the tension caused by dragon riding (or television bingeing). Combination packages are also available. GoT inspired services, like the show, will only be around for a limited time so be sure to book yours today!

Poulet Sans Tête x Hill Country Game of Thrones Menu

Photo by Ethan Covey

Laurence Edelman of PST along with Chris Stark and Matt Miluk of Hill Country came up with GoT inspired menu items, available for pick-up and delivery exclusively at Poulet Sans Tête from 5-10pm every night of the week. Fans can order via Caviar, Seamless + PST’s website along with pick-up at Left Bank (117 Perry Street). The Gold Crown Chicken Chili features PST’s signature rotisserie chicken in Hill Country’s white sauce, Lord of Light Chicken pairs PST’s chicken with Hill Country’s special spiced chicken rub, and Fire & Ice Pickles add a sweet and spicy bite to your meal from sister restaurant Hill Country Chicken. Pair your dishes with White Walker BBQ Sauces for the ultimate feast.

Sprinkle’s Game of Thrones Cupcakes

No viewing party is complete without dessert! The limited edition Dragon Fruit Lemon cake is topped with Ice Blueberry buttercream frosting and Black Cherry Candy Dragon Glass and features a custom Game of Thrones decoration and sword. Bakeries will also offer dozen boxes with tons of GoT logos, including custom Targaryen, Lannister, and Stark decorations.

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Culture Entertainment LA Movies Theater

“Waitress” star Chris Diamantopoulos returns to Broadway

Photo: Randall Slavin

Chris Diamantopoulos is the rare sort of actor who 10 people would probably recognize from 10 different roles. On Silicon Valley, he has portrayed the recurring ex-billionaire Russ Hanneman. On the U.S. version of Episodes, he was the TV network boss Castor Sotto. On the Amazon Original series Good Girls Revolt he played Evan Phinnaeus “Finn” Woodhouse. And that’s without discussing turns on The Office, Up All Night, Arrested Development or 24.

Prior to finding success within the film and TV worlds, Chris was a regular in the theater world. Chris made his return to Broadway on Mar. 31 by taking on the role of Dr. Pomatter in the hit Waitress. Beyond its wonderful cast — which also includes Tony Award nominee Will Swenson — Waitress is the first Broadway musical in history to have four women in its four top creative team spots, featuring a book by Jessie Nelson, a score by six-time Grammy Award-nominated singer-songwriter Sara Bareilles, choreography by Lorin Latarro and direction by Tony Award-winner Diane Paulus.

Downtown had the pleasure of speaking with Chris via phone about Waitress, his long-standing history with New York and why he keeps coming back to our city. Chris can be followed on Twitter via @ClassicChrisD. More on Waitress can be found at www.waitressthemusical.com.

Wikipedia says that you met your wife [Becki Newton] in a New York City subway station. Is that true?

Chris Diamantopoulos: Yeah, we actually met in Times Square. It was in the middle of rush hour, she was walking from the tunnel connecting the A/C/E to the 1/9 and I was walking in that direction. We walked by each other and smiled at each other and I — for some reason that day —had the wherewithal actually do something about that. You know there have been so many times walking through New York, you sort of pass strangers by or something, I never had the balls to do anything about it. But she was just so beautiful, and so, she just seemed so approachable…The worst that can happen is she could scream and run away, but she didn’t, and we’ve been together ever since.

That’s a wonderful New York story, there’s not a lot of those out there. But in terms of projects you’ve worked on, you have done a lot of film work, a lot of TV, you’ve done voiceovers, and you’ve done a lot of theater. How much of your time is usually spent in New York?

CD: Well, you know it’s funny because I moved to New York when I was 20 years old and I was working 100 percent in the theater at the time. I had started having some national tours, Webber’s Music Of The Night and Joseph & The Amazing Technicolor Dreamcoat, then I landed in New York with Les Miserables…I did a ton of readings and workshops for new musicals. But I’d always sort of had my sort of set my sights on trying my hand at the small and big screen, and I wanted to head out to Los Angeles, so it was very shortly after meeting my wife where I’d expressed to her a little bit of starting to get a little stir crazy in New York. She suggested that we go to L.A. and try it out, so I gave my notice…and we went out to L.A.

It was a tough go for me because my entire life and career were New York-based, all the voiceover work and the theater work could only really happen while I was in New York. So when I went to L.A., the first two years, I let go of all employment and couldn’t get an agent, couldn’t get hired because…musical theater wasn’t what TV and film agents and casting directors wanted to see on a resume…Some offers were coming in for some theater work, but I really wanted to give L.A. a go, and letting all that go and I really thought I’d made a terrible mistake. It wasn’t until the third year that things sort of started to pick up. It was, just so you know, small small little bits…As soon as that happened, New York kind of stopped being a place for me to work for a good decade, and I worked you know exclusively on the West Coast and then you know in Canada or wherever else things were shooting.

But I sort of stepped away from New York for a while, which is why I’m so grateful for this opportunity to come back, because I just love working in New York. I love living in New York. I’m a New Yorker, I still have a New York phone number. When we went out to L.A., even though we built a house there, it was always just like “okay, we’re just here on location, we’re just here temporarily”…We got a little sidetracked with children and whatnot, but we’re still trying to claw our way back to the city.

https://www.youtube.com/watch?v=fUEIqbOthqY

Had you worked with anyone in the Waitress camp before?

CD: Well, you know I was in L.A., I was working on Silicon Valley, the HBO show that I was doing…My theatrical agent called me and said, “Hey I know you haven’t done theater” — and then at that point it had been 12, 13 years — “so I know it’s been a long time.” Oh, that’s not true, I had done a City Center production of Girl Crazy at the urging of my wife…But other than that, it had been a very long time and he said, “You know there’s this workshop of a new show Diane Paulus is directing,” I’ve been a big fan of her work, and Sara Bareilles wrote the music, and I’ve always been a huge fan of hers, and the musical director, Nadia [DiGiallonardo] is someone that my wife knows. He said it’s just 10 days in New York, any interest in doing it?…My daughter was an infant at the time, so we brought my son and my daughter and we went for 10 days and we had a ball. I did the 10-day workshop, it was very very low pressure, I had a great time, I love the role…It seemed like it was a really great way to come back, to come back again, and then unfortunately my schedule just forbade me from doing the Broadway production…Diane was quite generous…

Then of course another show came up, and it was just too hard to pass up with two kids…I took the other TV gig and it broke my heart because this was really the one that got away and I said, “Oh well, it’s not going to happen.” So when I found out that Sara was going into the company and they started sort of reaching out saying, “Hey, you know we don’t want to reach out if we know what the answer is going to be and if the answer is ‘no.’ We’re just sort of checking to see.” I wasn’t working on a TV show and I ran it by my wife and she was chomping at the bit to come back…So we jumped at the opportunity and I’m really glad I did.

A little bit ago you mentioned Silicon Valley. I think your character Russ Hanneman is a lot of people’s favorite character on the show, but you seem to be the opposite of that guy. Do you often get confused for Russ?

CD: The writers on Silicon Valley, Alec Berg and Mike Judge, are really generous with regard to how they give material to actors…I think one of the reasons is because most of the actors that they work with are stand-up comics. I’m not a stand-up comic, I’ve never been in stand-up comedy, it terrifies me. But I think that what was fortuitous about that for me was that they had a lot of trust with regard to giving me material, or even giving me just some skeletal material and letting me kind of put the flesh on the bones. So I had a lot of fun playing with that character ,and again in television it’s rare to have an opportunity to play a really broad character. It is something I actually seek out because I didn’t get in the business to play myself, I see myself every day, I’d rather be somebody completely diametrically-opposed to who I am.

So I think that it’s a confluence of me having fun with great material, working under great directors and great writers, with great actors on the show that people like…I think more than any role that I’ve done, that seems to be the catcall that I’ll get when I’m walking around the airport with my kids. It’s a really strange thing when my six-year old says, “What did he say?” and “No, no, no, he didn’t say anything.” But it’s really funny too, I had a priest come up to me and say, “Oh I love Russ Hanneman.” You know it’s just such an odd thing, but there’s something about him just being so undeniably and unabashedly-reprehensible. (laughs) He represents…how we are all wishing to be, I guess…

So do you have a favorite restaurant in New York City?

CD: I have a ton, and I’ve got a lot of nice little hole-in-the-wall places, or places you’d never find, but the one that I’m going to tell you about is in such an obvious area, and I almost don’t want to tell people about it because it’s so fucking good. It’s called La Masseria, it’s an Italian place on 48th…The chef there has created basically this prototypical authentic Italian experience, and I’m sure you can find that in hundreds of restaurants in New York. Well I haven’t been able to find, and it’s not often on the menu, they have this dish called Bottarga Spaghetti. Basically it’s the simplest thing — you know what bottarga is?

I don’t. I’ve been there, but what is it?

CD: You’ve got to ask them for it. So bottarga is a block of sun-dried fish roe. It looks kind of like an orange block of parmesan, but it’s actually dried fish. They bring the spaghetti, with a little bit of parsley and a little bit of cracked black pepper and a little bit of olive oil, a little bit garlic and they grate this bottarga onto the spaghetti and it melts in the spaghetti. The idea is you want to pair it with an amazing bottle of a nice big red wine, and you want to take a nice little fork full of that and you want to swish around the wine after you’ve had that bite. It’s incredible, but I love the place…They make me feel like I’m family and I’ve been going there for 12, 13 years since it’s been open.

Aside from all the work, because it seems like you’re always working now, what do you like to do when you’re not working? Do you have any main hobbies?

CD: I’m pretty boring, I mean I’m a homebody. I love cooking, that’s something that I do and my family does, my wife does and my kids are into it now. Cooking kind of calms my mind. I’m also just, again, boringly a big walker, which is why I want to back to New York, because in L.A. there’s not a whole lot of walking unless you’re hiking, which I do. But I just like going wherever the road leads, even though I’d walk the streets thousands of times, finding a street I’ve never seen before…just seeing where the adventure leads. Other than that, I enjoy exercise here and there and, but I’m a relatively-boring guy.

So, finally Chris, any last words for the kids?

CD: For the kids? I would say the best advice I ever got was, “Follow the spark.” Because there’s a spark of curiosity, spark of intrigue. It will lead to something huge, it will take you somewhere. Find you’re curious about something, follow it and look into it — it’s the only way you’ll grow.

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Culture Entertainment Movies

“Banshee” actress Ivana Miličević on living in SoHo & more

Ivana Miličević
Ivana Miličević

Ask 10 people to name a role played by Ivana Miličević, and you’re likely to get 10 different answers. To many, she is Anastasia Rabitov and Carrie Hopewell from the Cinemax series Banshee, the fourth season of which premieres on April 1. To others, she was first noticed as Julia from the critically acclaimed CBS show, Love Monkey. I first came to know Ivana while she played Missy on HBO’s cult hit The Mind Of The Married Man. And these are just the television roles. Ivana has appeared in numerous big screen hits, including Casino Royale, Love Actually, Vanilla Sky, Jerry Maguire and Enemy of the State.

Prior to Ivana’s success as an actress, she was a steadily working model. The Michigander was born in Sarajevo and first came to New York in her late teens for modeling. Currently, Ivana is bi-coastal, keeping homes in both SoHo and Los Angeles. She spoke to Downtown about what’s ahead for her once Banshee wraps. [Editor’s Note: This article originally appeared in the Spring 2016 issue of Downtown Magazine.]

At what point did you realize that you were a working actress and not just a model? Was it being cast in Vanilla Sky?

Ivana Miličević: It was very “ombre,” actually. I was modeling into my 20’s, and somewhere along the way I had less and less time for modeling jobs, because I was getting more acting jobs. It was quite lucky and very seamless. I don’t remember the tipping point, though.

It was definitely around the time we were shooting Vanilla Sky. Plus, Vanilla Sky was so fun, because there were so many people cast in it for that super-fancy party scene, including my friend and co-star from Head Over Heels, Shalom Harlow.

Your show Banshee started filming in Pennsylvania this season. Had you spent much time there prior to this season?

I: This was my first time in Pennsylvania. The other years I was just pretending to be in Pennsylvania, because the show was previously shot in North Carolina! It was interesting to be in the actual state where our show takes place. I was sorry that I didn’t go to Amish areas, though. I think I would have enjoyed that very much.

How would you describe Banshee to someone who hasn’t yet seen the show?

I: Oh, man, that is always such a hard question. It’s an over-the-top roller coaster ride. It’s violent, it’s pulpy, and it explores passionate love for family, passionate love of…well, passionate love, revenge, friendship and how many ways you can skin a cat. Plus, it’s a show where we have an ex-con posing as a cop, a gangster’s daughter posing as a soccer mom, an old Cadillac dealership posing as a police station. Nothing is as it seems.

Do a lot of people confuse you, Ivana, for your character Anastasia?

I: (laughs) Um, no? But if I’m not smiling and I have a certain look on my face, I think people can be intimidated by me. I’m a tall lady.

I understand that you are bi-coastal and keep a place in SoHo. What is it that drew you to SoHo in the first place?

I: I have always regarded SoHo as a special place since I was 18 and came to New York for the first time. To me, it was the epitome of “downtown”—THE downtown.

Where in New York did you live when you first had a place here?

I: When I was 19, I lived in a model’s apartment on 54th and Broadway with four other girls. People were always talking about Studio 54, which was a block away. I used to fantasize that maybe in a very recent past life I had died there. Perhaps trying to get in through a vent or maybe I just passed out one night on my roller skates.

What do you like about New York that you feel you don’t get from living in Los Angeles?

I: I have been shooting a recurring arc on the Starz show Power, which has kept me in New York for much of the winter. I have seen so many great plays! I wrote a kid’s poem. I don’t do things like that normally. I also wrote an essay for New York-based start-up PYPO.com. I took an acting intensive with my Banshee babe, Trieste Dunn, with her teacher from the North Carolina School of the Arts. All of these different ways to be creative have been filling my days when I have time off from the show! I am not saying that L.A. doesn’t have its own creative energy; it’s just different.

You did theater in L.A., appearing in Greedy. Do you have any New York theatrical aspirations?

I: After spending this past fall and winter in New York, I did get a bit of the stage bug. I participated in a O reading of Women of Manhattan, at the Circle in the Square Theater, on Broadway. I kept calling it my Broadway debut! So I would love to, if the right thing came along at the right time and, most importantly, if New York theater would have me!

Is there a Croatian restaurant in New York that you can recommend to our readers?

I: Yes! Well, technically, it’s Serbian, but it’s basically the same. I’m going there today, actually. It’s called Kafana, and it’s on Avenue C. Have the cevaps, lepinje, avjar… The branzino is served whole with just olive oil, garlic, salt and pepper. Divine! Have it with the potatoes and the Swiss chard. Heaven! Oh, and grow a pair and have a shot of slivovic, but just kind of sip it. Like little kisses. That’s how you get used to it. Let it wash over your tongue and the roof of your mouth like gasoline!

https://www.youtube.com/watch?v=sqD7-mriDcM

I remember reading your name in Mary Weiland’s memoir about life with her ex-husband Scott. How did you two first meet?

I: Wow, what a wonderful question! To this day, Mary is one of my best friends. The first time we laid eyes on each other was at a casting in Los Angeles. We bonded over notoriously always “forgetting” our bathing suits when the audition might call for that. Then we lived together many, many times, including in New York.

Also on the surprising connection end, your brother plays in 30 Seconds To Mars. Did you yourself have musical aspirations growing up?

I: (laughs) No, not really. Well, I always wanted to play the harp. My second choice was playing the drums—my rhythm has always been better than my tone—but a harp was too expensive and impractical. Drums were too loud. So my parents made me play piano, which I didn’t like.

Banshee aside, what can you tell me about your work on Power?

I: It’s a great show starring Omari Hardwick and 50 Cent. I play a hotel heiress who needs a club man like James St. Patrick to help her open clubs in her new eco-luxe boutique hotels. And then shenanigans ensue.

When you’re not busy with your career, how do you ideally spend your free time?

I: With family and friends. I have a very close relationship with my parents and brothers. We cook a lot. We laugh a lot. It is very cozy. I also really love to travel. I was just in Tokyo for the first time and was floored by how much I love it there. In lieu of taking selfies, I made a trailer starring my friend’s sock as a sock puppet. You can see it on my Facebook page, if you’re interested. No pressure, of course!

You can follow Ivana on Twitter via @ivanamilicevic.

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Culture Entertainment Featured

Arlyn Broche talks “Ballers,” upcoming projects, New York and more

Arlyn Broche / Photo: Nisso Studios
Arlyn Broche / Photo: Nisso Studios

2016 has been a break-out year for actress Arlyn Broche, thanks to her role as Tonya on the HBO hit Ballers. But Ballers was not Arlyn’s first role, as she has been acting since she was a child. Beyond Ballers, the Miami native recently appeared on CBS’ The Inspectors and has roles in two forthcoming indie movies, Fallaway and Mary.

Arlyn spoke to Downtown about what is coming up in her career and how she manages to successfully juggle life as an actress while being a married mother of three. Beyond pages on Twitter and Facebook, Arlyn stays active online at www.arlynbroche.com.

Arlyn Broche / Photo: Nisso Studios
Arlyn Broche / Photo: Nisso Studios

Prior to being cast on Ballers, had you worked with any of the cast before?

Arlyn Broche: Unfortunately I had not.

Did you grow up as a sports fan?

AB: Yes! Actually my brother was an avid football and basketball fan and we shared the TV set. So I ended up understanding the games and have been hooked since then.

Do you have a favorite moment from Season 1, before Tonya appeared on Ballers?

AB: Season 1 is a lot of fun, I love the banter and play between Joe and Spencer, it cracks me up. I’m a Miami girl and the show itself depicts the Miami vibe, which is up-beat and entertaining. Many have commented that Miami is a separate character on the show and I agree.

If I were to pick what I like most from Season 1, it may sound a little biased but, upon reflecting on my work on the show as Tonya, my favorite episodes are the ones that end up bringing Spencer to the pharmacy. Here he is, a former athlete and now a very successful agent who on the flip side is dealing with constant physical pain. As an actor, it is always exciting to look beyond the script and see the real-life struggles of the character and portray that. I think Dwayne does a phenomenal job of walking that fine line of the outward persona he has to show in Strasmore and the struggles he has to repress in order to do that.

You grew up in Florida, where Ballers is set. Had you done any acting work in Florida previously?

AB: Yes I’ve worked on numerous short films, some feature films and commercials.

Are you still based in Florida?

AB: Yes, my home is in Florida but, I love to travel and work provides me countless opportunities to do what I love!

2015 was your break-out year as an actress. How has it been since then?

AB: I feel very fortunate for the opportunities that presented themselves in 2015. Wow! They really have opened so many other doors and have generated so many other opportunities that I am currently pursuing. It’s been quite a ride, but I wouldn’t have it any other way.

Arlyn with Dwayne "The Rock" Johnson on-set
Arlyn with Dwayne “The Rock” Johnson on-set

Ballers aside, what’s coming up for you as an actress?

AB: Well I was just on CBS’ The Inspectors opposite Terry Serpico and Jessica Lundy, they are lovely to work with. There are several projects that I’m working on at the moment, two feature films — Fallaway and Mary — and a web series called SWAGG. I have other projects in talks but, nothing official yet.

Do you have goals for your career? Or are you more the type of person that lets things fall into place?

AB: My goal in my career is to reach people, touch them, entertain them, evoke and stir their emotions. My main goal is to reach a point where my body of work speaks for me.

Do you have aspirations beyond acting? To write, direct or produce?

AB: You know, whenever I’m on set I’m always observing and learning. I would love the opportunity to produce and direct in the future, every facet that goes into the creation of films fascinate me.

Have you ever been to New York City for acting work?

AB: I have been to New York many times but, not for work. Funny enough, I worked with a great group of people cast from New York — here in Miami on a project that was an interactive theatrical experience called Oculto Manor. It was a very different gig that I had ever done before. Many of the cast members I worked with are in Sleep No More, a New York City production of interactive work of theatre that was created by a British theatre company called Punchdrunk.

Arlyn Broche / Photo: Nisso Studios
Arlyn Broche / Photo: Nisso Studios

Do you have a favorite spot in New York City when it comes to dining or hanging out?

AB: It might sound cliché, but I love New York. It’s an impressive city, it also reminds a lot of Miami in that there is something for everybody. Last time I was there was last year during December, a friend recommended a restaurant called Buddakan. My family and I thought it was quite lovely. When I visit other cities I always like to go where the locals go, not the touristy areas in order to experience the vibe of the people from there. I love John’s Pizzeria Of Bleecker Street. It’s laid back and casual, but the pizza there is insane! My kids love to ice skate in Central Park every time we go. Again, great city, great vibe!

When you’re not busy with your career, how do you like to spend your free time?

AB: Well, for the most part I always seem to find myself working. (laughs) Funny story, this summer I was on vacation with the family in the Caribbean and my agent called me about a request for submission on an episodic that had a quick turn-around. So of course, my son and I prepped everything in the hotel room and made it happen!

That’s the nature of this business. But aside from that I’m a family girl, so when I’m not busy with work, my time is with my husband and three kids, and boy do they always have things to do!

When it comes to balancing your career and being a mother to three children, how do you manage to get that done?

AB: Well, I think balance is essential in life period. There are days I wish I had 30 hours instead of 24, but what I have learned is that quality beats quantity. There are tons of books on motherhood, but it’s kind of like riding a bike — you don’t really know until you do it. But I’m very blessed because my husband is extremely supportive of me and my career. My kids are good kids and I’m proud to say I have an awesome team. They truly are the foundation to my success.

Finally, Arlyn, any last words for the kids?

AB: Dream big and follow your passion, do what you love. In life you will fail at something, it might as well be what makes you feel alive. Anything is possible if you set your mind and heart to it.