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Slot Machine talk Thailand, new album & Apr. 23 at Irving Plaza

Slot Machine

Thailand’s leading rock band Slot Machine kicked off its first full North American tour on Apr. 1. Hitting the road alongside Japan’s Miyavi and Korea’s Kiha & The Faces on Live Nation’s Asia On Tour — which hits Irving Plaza on Apr. 23 — this is hardly Slot Machine’s big tour. Since debuting in 2004 with its self-titled album, Slot Machine has won numerous “Record Of The Year” and “Song Of The Year” awards around Thailand and Asia.

Spin The World is the latest album from Slot Machine, also the first full-length that the group recorded in English. Impressively, Spin The World was produced by Steve Lillywhite, a man behind major albums by U2, The Rolling Stones, Talking Heads, The Killers and Peter Gabriel. In support of Spin The World, Slot Machine has made further international waves by embarking on its first U.K. tour and playing at major festivals like Japan’s Fuji Rock and Korea’s Jisan Valley.

Downtown had the pleasure of conducting Q&A with the members of Slot Machine via e-mail: vocalist Karinyawat “Foet” Durongjirakan, bassist Atirath “Gak” Pintong, drummer Settharat “Auto” Phangchunan, and guitarist Janevit “Vit” Chanpanyawong. More on Slot Machine can be found at www.slotmachine.band.

Will this be your first time in New York?

Foet: No, this is our second time in New York. The first time was nine years ago, we performed at a small pub. Now we are back!

What led you to make your first English-language album?

Gak: After five Thai albums, we discussed with our record label ideas, on how to share our music with the world. We all felt it was the right time to cut an English album; we were ready.

Do you have a favorite song to perform live from Spin The World?

Vit: “And We Go!” This song has a lot of power to it and is great to perform live. It has a unique Northeastern Thai singing style called “Mor Lum,” which makes this song very unique on the album.

How did you wind up working with Steve Lillywhite?

Auto: We were introduced to Steve Lillywhite when he was invited to Bangkok by the label. We talked with Steve for a while and invited him to hear us play.

Foet: We didn’t know back then about Steve’s “requirements” when deciding to work with a band. Basically, if he likes what he hears, he will be more inclined to produce an album. Luckily, he liked what he heard and we were ecstatic to find out that he would help us produce our first English album.

Do you have a favorite album produced by Steve?

Auto: I like Dave Matthews Band’s The Lillywhite Sessions album.

Gak: The single “Beautiful Day” by U2.

What was the album that made you start playing an instrument?

Vit: Nirvana has been my big inspiration. The Nevermind album opened my musical mind and provided me with a lot of ideas.

Gak: Californication from Red Hot Chili Peppers.

Foet: Also Californication — I was really impressed by this album.

Auto: It’s Michael Jackson’s album, Dangerous. I watched him perform in Bangkok when I was a child.

Who’s the best Thai band our readers may not know?

Foet: Carabao — the album Made In Thailand is an epic album and one that you should not miss!

Vit: Modern Dog — they are a creative band and you should check them out.

When not busy with music, how do you like to spend your free time?

Gak: Reading comics, playing games, and watching sci-fi and alien movies and TV series.

Vit: I like to ride my motorbike to the countryside.

Foet: I will eat good food, take a good rest, play games and relax.

Auto: Cooking and planting trees.

If you have free time while you’re in New York, is there a destination or restaurant you hope to go to?

Gak: We would like to go to .

ty/best-places-music-stores?fbLoginFailed=true”>music shops, find cool stuff there.

Foet: Plus, we would like to go to Central Park, to see nature and just stay peaceful sometimes.

https://www.youtube.com/watch?v=wJ5Y0oz4cL4

What was your favorite album of 2016?

Foet: Of course Spin The World! (laughs)

Vit: Besides that, we like Judas Priest’s Battle Cry and 24K Magic from Bruno Mars.

Gak: Strange Little Birds from Garbage and Die Antwoord’s Mount Ninji And Da Nice Time Kid.

Finally, any last words for the kids?

Gak: Nice to meet you all. If you know Thai food, have visited Thailand, then you should try the “sound of Thailand.”

Foet: Thanks Downtown Magazine for this interview. It means a lot to us and we hope it makes you know us better. See you!

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Music

Garbage’s Duke Erikson on the band’s Aug. 1 Central Park show, what’s ahead for Garbage, and more

Photo by Joseph Cultice
Photo by Joseph Cultice

Within three years of forming in 1993, Garbage had sold millions of albums on the strength of hits including “Stupid Girl,” “Vow,” “Queer” and “Only Happy When it Rains.” The group’s second album yielded more radio-friendly singles with “Push It,” “I Think I’m Paranoid,” “Special” and “When I Grow Up.” Somehow, Garbage also managed to have two soundtrack hits with “#1 Crush” from Romeo + Juliet and the Bond movie theme “The World Is Not Enough” in the midst of promoting those two full-lengths. And more hits followed up through the quartet’s 2005 hiatus.

Yet Garbage’s mid-1990s break-through wasn’t the first time any of its members had broken ground in the music business. Vocalist Shirley Manson was part of Goodbye Mr. Mackenzie and Angelfish, which both had released music through the MCA-distributed Radioactive Records. Multi-instrumentalist Duke Erikson was part of Spooner, which would later include drummer Butch Vig, and later the Atlantic Records-signed Fire Town. With Butch, Steve Marker had a record label called Boat Records and co-founded the legendary Smart Studios in Madison, Wisconsin. And of course Butch produced high-profile albums for Nirvana, The Smashing Pumpkins, Helmet and Freedy Johnston before Garbage took off.

After that aforementioned 2005 hiatus, Garbage regrouped for some one-off recordings in 2007, but did not properly return until 2012. May 2012 brought the release of the fifth Garbage album, Not Your Kind Of People. The sixth Garbage studio effort, Strange Little Birds, was released last month, which debuted at #1 on the U.S. Top Rock Albums and #14 on the Billboard 200 charts. Now touring in support of Strange Little Birds, Garbage will be playing at Central Park’s Summerstage on Aug. 1 alongside Dum Dum Girls off-shoot Kristin Kontrol.

Duke kindly caught up with Downtown for some Q&A, keeping the answers concise yet honest. Garbage can be followed on Twitter and Instagram via @Garbage, while the band keeps a website at www.garbage.com.

Photo by Joseph Cultice
Photo by Joseph Cultice

Is there something you wish more people knew about Garbage?

Duke Erikson: That we are a genius. (laughs)

Prior to Garbage, members of the band had been in signed groups, like Fire Town and Angelfish. Did that make it easier to have success so early into Garbage’s tenure, since you’d known what to expect as a major label artist?

DE: We learned a little bit about the music biz in earlier bands — maybe more about what not to do than the other way around. But you can never learn it all. You’ve gotta follow your heart and your gut because there’s always something new coming down the pike.

What do you remember about the first gig that Garbage had played in New York?

DE: Being very nervous beforehand. It was New York!

You’re currently on the road in support of Strange Little Birds. What inspired this to be a darker album for the band?

DE: Just feeling a bit darker I guess. Not a whole lot to feel all shiny and happy about these days.

Do you have a favorite song on the new album? Any idea if we will be hearing it at Summerstage?

DE: “Empty” is my fave track today, and yes we will play it at Summerstage! No wait, “Blackout” is my fave track now, and yes we will play it at Summerstage.

There are three multi-instrumentalists in Garbage, yet there were outside bassists used on a few tracks. Why is that?

DE: Steve and I have played bass on a couple Garbage tracks in the past, but the bass players we work with now are actually bass players…so…

The new album was made in Los Angeles, yet Garbage originated in Madison and some of its members famously-owned Smart Studios. At what point did Garbage stop being a Wisconsin-rooted band?

DE: One-fourth of Garbage is still rooted in Wisconsin: me. We’ve recorded our last 2 albums in L.A., although bits of it get recorded in my house.

Photo by Joseph Cultice
Photo by Joseph Cultice

What’s ahead for Garbage after these tour dates? More touring?

DE: Australia, Russia, South America, Europe, Mexico, USA…Whew!

Who would you like to tour with?

DE: Kristin Kontrol.

What is your favorite album of 2016 so far?

DE: Strange Little Birds.

Do you have any upcoming production projects coming up outside of Garbage? Any projects beyond music?

DE: Been working on a TV doc about early American music.

When not busy with work, how do you like to spend your free time?

DE: Biking, painting, drawing, golfing, and sleeping in my own bed.

Finally, any last words for the kids?

DE: Be kids!