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Panorama Recap: Highlights From The Festival

Another NYC music festival has come and gone. This one was packed with excellent sets from some of music’s biggest names – Solange, Tame ImpalaNine Inch Nails and A Tribe Called Quest all treated us to performances on Panorama’s biggest stage, which featured stunning visuals displayed on a screen that stretched a whopping 170 feet. Local New York City restaurants, like Roberta’sEggloo and Salvation Taco, kept attendees full and satisfied throughout the three days of jamming. The elusive Frank Ocean also performed on Friday night one of only a handful of live shows since 2014. His performances are rare, but they give us just a glimpse into the breadth of his musical knack.

Frank Ocean‘s set tops our list of the best of Panorama, but his wasn’t the only impressive performance. Check out our full list of favorites below.

Frank Ocean

As mentioned above, Frank Ocean’s performances are rare, but they are a glorious treat. Instead of performing on the main stage, he performed his entire Friday night show on an extended leg that jutted straight out into the middle of the audience. Accompanied by the recently acclaimed instrumentalist (Sandy) Alex G on guitar, Frank Ocean made a festival crowd of thousands feel like an intimate gathering of friends at an indie show. He paced the skinny stage leg and performed hits like “Solo”and  “Nikes” from his 2016 record “Blonde.” While he was a bit soft-spoken when interacting with the audience, that did not diminish his mastery as a musician. His performance was gripping from start to finish.

Solange

Panorama Stage, Solange

Solange’s performance was without a doubt the most visually stunning of the festival. Reddish light bathed the stage as Solange and her troop of musicians, all appropriately clad in completely red or orange outfits, executed flawless choreography. While Solange is the definitely the master of her stage, the whole performance felt more like a shared story between herself, the musicians and the backup singers, rather than just a solo act. At two different points during the show, around 20 or 30 horn players also joined the magic on the stage.  Her set was full of hope and joy, and the Panorama stage and screen offered a sensational scape for her show. She performed older favorites like “Losing You” and “T.O.N.Y” as well as her newer songs like “Cranes in the Sky.”

Tame Impala

Tame Impala are the masterminds behind the 2015 revelation “Currents,”  one of three albums released by the Australian group, all of which were named “Best New Album” on Pitchfork. Few bands can boast such an achievement critically, but Tame Impala can, and without losing ground or losing themselves. Their Saturday night Panorama show was a spectacle, featuring psychedelic projections and acutely synthy beats. Their set, and their songs, were nothing short of musical perfection. They even performed a song from “Currents” for the first time ever live – “Love/Paranoia,” a treat for longtime fans.

Pinegrove

The subject of one of our Panorama previews (read the feature here), rock band Pinegrove gave an impassioned performance early Saturday on the main Panorama stage. Lead singer Evan Stephens Hall humbly and repeatedly thanked the audience for spending time at their set, one that needed no convincing for us to stick around for its entirety. Hall is a spirited lead singer, and Pinegrove lyrics are ardent in their storytelling. They’re a must-see for live shows, and thankfully they just announced another leg of their tour, so you still have many more chances to catch them on the road.

Mitski

Mitski, The Pavilion

While at first her music comes across as angsty, Mitski’s critically acclaimed songs are actually compilations of deep and moving stories. Some are indeed fraught with pain and anxiety, but the songwriter is a heroine of self-discovery and acceptance in the end. Her Saturday performance was passionate and dynamic. At one point during the set, Mitski took center stage to play a few songs alone, which encompassed some of her best moments musically. Her song “Your Best American Girl” is an honest sentiment describing her being torn between her immigrant heritage and wanting to be who others want her to be.

Future Islands

Future Islands, Panorama Stage

Future Islands lead singer Samuel Herring is a raucous romp on stage. He beats his chest, rolls on the floor and growls lyrics into the microphone. And it all makes for one of the most entertaining sets at Panorama this year. They released a new album this year called “The Far Field,” which is a telling name as that’s exactly where they are. Their music definitely swings somewhere stage left, but it’s wonderful in its uniqueness. They stand alone in the synth-pop genre because no one else sounds quite like them.

Tyler, The Creator

It’s only just August, but 2017 has already welcomed many of its best albums into the musical cosmos, one of which is thanks to Tyler, The Creator. “Flower Boy” was released last month and has seen rave reviews from both crisis and listeners. The rapper treated Panorama audiences to a lively performance on Friday evening. A vista of sunflowers served as background to his set. Only one other rapper joined him on stage, but they made use of the whole space. Tyler, The Creator is a performance pro and had the whole room jumping.

Photos courtesy of Panorama NYC

 

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Matisyahu on his “Release The Bound” EP, New York living & more

Matisyahu
Matisyahu

Over 10 years ago, Matisyahu experienced the joy of having his first hit single, “King Without A Crown.” Not only did “King” crack the Top 30, but its accompanying album sold over 500,000 copies within a year of release. Many critics were quick to dismiss Matisyahu as a novelty artist — the lone Hasidic Jew within the reggae world — yet things never slowed down for him. He had the unofficial theme song of the 2010 Olympics. He has toured alongside Sting, 311 and Sublime With Rome. He has collaborated with a wide array of artists, including P.O.D., The Dirty Heads, Wyclef Jean, The Crystal Method, Moon Taxi, and Avicii.

Back in November, Matisyahu released a new EP, Release The Bound. In support of that, he kicked off his annual Festival Of Light tour on Dec. 14, which included three nights at Manhattan’s City Winery. Downtown caught up with Matis for some Q&A to learn more about his past, present and future; the near-future will reportedly include a new full-length album later this year. Matisyahu can be visited online at www.matisyahuworld.com and also followed on Twitter and Facebook.

What do you wish more people knew about you?

Matisyahu: That I am single. (laughs)

In putting out nine releases over the past 11 years, plus some collaborations and one-offs, you have released more music than the majority of major artists. Are you writing frequently?

M: I take opportunities to write and record in collaborations with other artists or musicians pretty much constantly. Most of my time in music though, is spent playing shows. Every two years or so I go into an intensive process of writing. For example, we came off the road in September and went immediately into writing mode. Then I spent three months writing and recording my new record to be released this spring. In a sense though, we write as a group every night when we play because If the improvisational nature of my live show. So even though we only spent three months writing and recording, we spent the better last of two years as a unit on the road creating a sound and experimenting with what the next record will feel like.

How would you describe Release The Bound to a longtime fan of yours that hasn’t heard it yet?

M: It’s a collaborative piece. Three different producers, so there are a few different vibes. It’s a typical Matisyahu melding of sounds and styles blending of genres, but it definitely leans towards a more danceable upbeat up lifting modern sound.

Do you have a favorite song on Release The Bound?

M: Don’t really have a fav. The songs are kind of like kids. Kind of love them the same for different reasons. I guess I was gonna to point to one tune it would be “Shade From The Sun.” It has a more organic sound, kind of African vibe, dancehall reggae flow.

I remember watching Jimmy Kimmel Live the night you made your TV debut. Looking back, was that an enjoyable experience?

M: YES! That was such an exciting time for me. Coming out Yeshiva and the books and the basement in Crown Heights to realizing my dreams in such a surreal way. It was also a lot of travel, and being tired, and waiting around. So it was fun and awesome and at the same time a bit of a reality check on what having a music career is made of.

For your December shows in New York, did the disco dreidel make an appearance?

M: Yes, the disco dreidel made a comeback and was in full effect at this year’s Festival Of Light tour. I love that thing. It lives in my house.

A video of you dueting with a performer in Hawaii that didn’t know it was you went viral recently. Has anything similar happened to you before?

M: Not really. I’ve heard people listening to my music before. I do love the element of surprise, though. That’s always been fun for me.

When not busy with music, how do you like to spend your free time?

M: Well, I manage myself and have four kids under 12, so I don’t really have much free time. If the weather is good and I have a few hours free, I will most likely call up my dad and we’ll go ride motorcycles up state for a bit. Other then that, I like watching my kids play sports and expanding my consciousness.

What is your favorite restaurant in your neighborhood?

M: There is a cool Israeli cafe type place where I live. They have good coffee and it’s a nice environment. It’s called Art Cafe. But my main spot is called Gypsy Donut. Great coffee and mainly just a nice destination when I need to take a walk. Actually all the dudes that work there are in a band, and I’ve even recorded vocals for “Storm Tossed,” a song I released this summer at their studio in town.

What about a favorite restaurant in downtown Manhattan?

M: Downtown, nothing comes to mind. Guess I haven’t been out for a while. Damn.

Other than your EP, what is your favorite music release of 2016?

M: That’s a tough one. Probably the new Bon Iver and then Frank Ocean in a close second. Ooohhh, Flume Flume Flume and my favorite, probably Vince Staples and Popcaan and Jon Belion, Tycho…Lots of great music out there now.

Finally, Matis, any last words for the kids?

M: For the kids: “Stay calm, breathe deep, listen to music that makes you feel better, trust your instincts, pray for a teacher, find a friend. If you have a passion spend your time in it, if you don’t, then just enjoy the ride and emphasize with your fellow humans and the environment you live in. Put down your phone when something really awesome is happening and just breathe it all the way into your soul. It will make a greater impact than capturing it for social media. Peel off the shell and love with all your heart.”

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Panorama returning to New York from Jul. 28 through Jul. 30, headliners announced

Panorama 2017

Music festival Panorama returns to New York City’s Randall’s Island Park for its second installment this summer. As announced earlier this, some of the top-tier talent performing will be Nine Inch Nails, Frank Ocean, Tame Impala, A Tribe Called Quest, alt-J, Solange, Justice, Nick Murphy, and MGMT. The critically-acclaimed festival sits at the intersection of New York’s unique creative community, bringing together music, immersive art and innovative technology as never before.

3-day, single-day General Admission and VIP passes go on-sale Friday, Jan. 13 at 10:00 AM EST on Panorama.NYC, where the festival’s full lineup can also be viewed.

American Express card members can purchase passes before the general public beginning Thursday, Jan. 12 at 10:00 AM EST through Friday, January 13 at 9:00 AM EST.