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Art Featured Miami NYC

Power Play 

 

F I N E  A R T  Work by Heath Kane and Walter John Rodriguez 

 

About “Power Play” 

The inaugural exhibition of the new 4 Flavors Art Consultancy. Trailing the political turmoil of the 2020 United States presidential election, this collection focuses on the political and philosophical musings of two international artists, UK-based Australian artist Heath Kane, and Cuban-American Walter John Rodriguez.

 

4 Flavors

Each artist creates portraiture using iconic political figures, for Rodriguez, fathers of the American revolution in wild, expressionist brush strokes. For Kane, updated versions of Queen Elizabeth veiled as Batman or romantic-era portraits adorned by Blue Demon Lucha libre masks.  

When viewed in concert with one another, Kane and Rodriguez create a cross-continental critique on the global rise of right-wing isolationist governments, wealth inequity, social narcissism. A host of other societal ills, all presented through the allure of a subtle, recognizable smile, dripped in bright colors and glitter.

Because Kane and Rodriguez address these underlying issues through characters associated with cultural ideals, rather than repeating the pervasive Trumpian or Boris Johnsonian caricature, their work goes beyond contemporary discourse and into the realm of the philosophical, re-examining the original intent of the political structures for which these figures are known.  

A UK based artist, born in Australia, Heath has always been fascinated by the mix of creativity and art. Now turning his attention back to art, his collections of work draw inspiration from his commercial art background and origins of pop-art – a blend of design and art. His approach follows the practice of poster making and design, with a focus on creating simple, iconic, and memorable pieces. Within the artwork, he tries to distill subtle but often subversive themes.  

 

Heath Kane

 

Work included in this exhibition pull from two series. His large-scale “Portrait of Heroes” paintings are inspired by master Romantic-era portraits that reveal how classical art was often a means for wealthy individuals to portray their ultra-ego. It playfully suggests that the classical portrait artist was the photoshop and Instagram filter of their time, leading the artist to question: “Today we all have the ability to take selfies and live our lives through social media. But how much of what we share is real and how much are we all trying to heroize our lives?”

The original hand-detailed screen prints from his “Rich Enough to Be Batman” collection “raise  questions about wealth and social justice, through the idea that with enough money anyone can be a  superhero.” 

Walter John Rodriguez 

Born in Havana in 1981, Walter John Rodriguez holds a studio in New York City. His love for drawing and painting developed at an early age in Cuba where he made every effort to learn artistic skills despite having limited resources. After immigrating to the U.S. his continued interest in art motivated him to seek formal art training graduating in 2002 with a B.F.A. degree from the University of the Arts in Philadelphia.  

 

Walter John Rodriguez

 

Rodriguez’s “Power Isn’t Love” series dives into the raw nerves of political discussion in the United States today, re-inventing well-known portraits of the American founding fathers through an updated, contemporary lens. Through these portraits, the artist incorporates accents of reassurance in the binding nature of our constitutional roots for a better society, while questioning faith in the inherent permanence these principles hold in today’s political climate.

In that sense, Rodriguez’s work is provoking a movement to understand all sides of the political spectrum. With close observance, viewers may feel empowered that a democracy like America’s has lasted over 200 years, but also encounter anxiety about the future.  

The artist was most recently chosen for collaborations with “Inter Miami CF”; Miami’s professional soccer team owned by David Beckham and by the “Arsht Performing Arts Center” for “Hamilton” the play. He has participated in various art fairs across the United States such as “Art New York”, “Superfine” in L.A., and “Red  Dot” in Miami and also completed the Eileen S. Kaminsky Family Foundation (ESKFF) residency program at  Mana Contemporary in Jersey City.

His work has been included in multiple private collections and group exhibits in Florida, California, New York, and New Jersey. He is co-founder and director of Rexer Gallery in  Hoboken, NJ.

About 4 Flavors Art 

4 Flavors Art is an art consultancy consisting of Kathryn Waggener McGuire, art historian, and owner of  Clerestory Fine Art; Ria Asmaeilzadah, famed for her custom framing expertise with Maxx Frames; interior designer Lana Masor of Maison Masor Interior Design Studio; and art dealer, consultant, and “matchmaker”  Heather Carter of Carter Fine Art Services.

As four women with incredibly different backgrounds and areas of expertise in the art world, together they form a comprehensive services network researching collections,  curating exhibitions, handling framing and restoration, launching up and coming artists into major private and public collections, and training emerging art lovers how to acquire the perfect piece and install it beautifully on their walls.

Their dedicated exhibition space at 204 Bellevue Avenue in Montclair boasts museum-quality lighting, installation, and an outdoor courtyard, aiming to raise the bar for commercial art exhibition venues in  New Jersey.  

 

 

Heath Kane, Rich Enough to be Batman, 2020. 5 Color Screenprint on Somerset Satin 300gsm Paper, Neon  Red and Diamond Dust glitter, edition of 10. 30 x 45”

 

 

 

Heath Kane, Come Speak To Me When It’s Over, 2019. Oil, acrylic on canvas, 49.6 x 62.2”

 

 

 

Walter John Rodriguez, Party Colors, 2020. Mixed media on canvas, 39.75 x 44”

 

Listing Information for the Exhibition
Gallery Director: Kathryn Waggener McGuire
Artists: Heath Kane and Walter John Rodriguez
Exhibition Dates: November 6–December 31, 2020
Gallery: Clerestory at MAXX, 204 Bellevue Avenue, Montclair, NJ 07043, www.clerestoryfineart.com
Gallery Hours: Monday through Saturday, 10 am–6 pm; by appointment 

 

Categories
Events NYC

VOLTA NY Brings A World of Art to Metropolitan West

VOLTA NY brings some of the world’s greatest contemporary art to one of the greatest cities in the world. With new leadership, new ownership, and a new venue, Downtown Magazine caught up with VOLTA’s director Kamiar Maleki to find out about what is new, and what attendees can expect.

Downtown Magazine: What excites you about being the fair director for VOLTA 2020?

Kamiar Maleki: 2020 is a great new chapter for VOLTA and it’s very exciting to lead this year’s fair. VOLTA has showcased in New York for 15 years and this year we are returning with new ownership by Ramsay Fairs and a new venue at Metropolitan West. It’s exhilarating to be back in New York City for 2020 and to experience the energy and art community of New York. VOLTA has always been about discovering art and emerging galleries and that’s one of the main reasons I love being part of this fair as fair director. 

DM: What does Ramsay Fairs bring to the table for VOLTA 2020?

KM: The beauty of Ramsay Fairs is that it is such a large family. Ramsay Fair operates over 15 art fairs and has a huge team across the world. Having such a strong group allows everyone to really concentrate and invest in the fairs we are creating. It’s an exciting time to be part of Ramsay Fairs and VOLTA and to share Ramsay Fair’s passion for art with the world. 

Courtesy of VOLTA

DM: What is a big change which you are excited for returning attendees to see?

KM: The biggest change that we are seeing this year is the change we’ve made to our solo project mandate. This new change will allow galleries to showcase multiple artists and have the freedom to create and prepare presentations similar to what they would stage at their home galleries without the solo project restriction, resulting in a more balanced fair. 

DM: What is something which you are excited for newcomers to discover?

KM: VOLTA is a very engaging fair and we want each new gallery to have a personalized experience. As a director, my job is to create a platform for artists to showcase their art in the best possible way. We want them to fully experience the staff and incredible team we have here. They have worked hard to create this platform in an exciting new venue. We have worked to focus the entire fair on the artists and their works and are looking forward to welcoming several new galleries this year. 

DM: How will debuting VOLTA 2020 at the Metropolitan West affect the atmosphere of the event?

KM: Metropolitan West is a very intimate venue and we are confident that this new location will promote an immersive fair experience and encourage fairgoers to interact with the galleries and spend time learning about the artworks. Fairs can become overwhelming quite easily. Debuting the fair at Metropolitan West this year creates a peaceful atmosphere that allows attendees to appreciate the art at their leisure. 

DM: What makes VOLTA culturally important? 

KM: The root of VOLTA is discovery and in any industry, discovery is what makes something culturally important. This year, we are excited to welcome a dynamic group of galleries from five continents that are showcasing artists from 22 nations. It’s incredible to give these international emerging artists a space to showcase their work in one of the world’s largest cities. 

DM: What should attendees know before arriving?

KM: Come in and enjoy! We encourage attendees to take their time and observe what artwork they connect with and speak to the artists and galleries. The fair is built on artistic discovery and we hope that guests are able to learn something and enjoy their time at VOLTA. 

If you are interested, check out more information at the link here.

 

Categories
Culture Entertainment Featured

NYU Grey Art Gallery Exhibition – The Beautiful Brain

The Beautiful Brain: The Drawings of Santiago Ramón y Cajal exhibit is now on display at the New York University Grey Art Gallery through March 31, 2018. The exhibit which originated from the University of Minnesota showcases a cross-discipline show for art and science admirers alike.

Cajal, who is known as the father of modern neuroscience, was also a gifted artist. The gallery, which showcases 80 of his 300 drawings, draws a connection between his two great talents. An intern at the Grey Art Gallery, Kelly Ryser, described Cajal’s process of drawing as different than the usual observationist. She said Cajal would spend hours in the morning observing through the lens of a microscope, and for the second half of the day draw and idealized version from memory. “He never lost that passion for drawing and he carried that with him in his neuroscience exploits”, said Ryser.

His many ink drawings on display illustrate processes of the brain, cells, and neurons. Some of the drawings even include some type of white-out, “we can see what he wanted to omit” said Ryser, which is not typically visible in the drawings used in textbooks. Cajal was the winner of The Nobel Prize in 1906 for his Neuron Doctrine that discovered neurons are separated by small gaps. “We see that a lot in his life, Cajal will make big discoveries and not be confirmed until 50 years later.” said Ryser.

In the final room of the gallery, Cajal’s illustrations are displayed next to more modern images of the cells he once observed and hand drew. The juxtaposition shows how technology has advanced since Cajal’s time and what we can see now, that he could not see then. On display is a drawing Cajal made of a Purkinje Neuron, which has a strong allusion to nature, something that is evident in many of his illustrations. This section also includes an image that illustrates organization of the brain through water molecules called Forest Walk, by Steve Baote. “Modern scientific images still have artistry to them.” said Ryser.

The Beautiful Brain exhibit has drawn an array of visitors from scientists to fine art scholars and since it’s opening received a review in The New York Times from Roberta Smith.

Photos courtesy of The Grey Art Gallery