Categories
Featured Music Technology

D’Angelico Guitars To Introduce New Line of Products For 2020

Attention all D’Angelico Guitar fans, you’re in for a treat. The 88-year-old Manhattan guitar manufacturer is in the midst of a modern resurgence, offering new designs and a new line of gorgeous products for 2020.

D’Angelico has a storied history since its 1932 inception in Little Italy by master luthier John D’Angelico. The company’s devotees include guitar virtuosos Eric Clapton, Pete Townshend, Chet Atkins, and Bootsy Collins as fans of their instruments. In 2011, guitars by D’Angelico were included in the ‘Guitar Heroes’ exhibition at the Met. These guitars are absolutely gorgeous as well as being vessels for some of the most noteworthy music to come out of the last eight decades. Original D’Angelico guitars are considered prized collector’s items. Relaunched in 2011 by Brenden Cohen, John Ferolito Jr., and Steve Pisani, the brand blossomed into 125 partnerships in the United States with an additional 200 international dealers just three years later.

Here is the official press release from D’Angelico for the exciting new developments:

The Premier Series will see a refresh on all five of its acoustic models, plus the addition of a new “LS” variation – a satin mahogany option priced at $299.

Tammany LS

The popular OM Tammany will be available in all variations for the first time.

The Premier Series also welcomes the all-new Premier Mini DC – an ergonomic double cutaway semi-hollow, featuring a 14″ wide body perfect for players looking for a lightweight, easy-to-wield instrument.

And, coming off its triumphant first year in the Deluxe Series, the Bob Weir Bedford signature model is now available in the Premiere Series. Featuring the unique combination of two stacked P-90s and a middle single-coil controlled by a 5-way blade and blender knob, the Premier Bob Weir Bedford hosts an unbelievable range of tones.

 

Mini DC

In the long-standing Excel Series, 2020 welcomes new archtops for the first time since the re-launching of the brand. The Excel Series Throwback Collection hosts vintage-inspired takes on the flagship EXL-1 and the fan-favorite Style B. Features include the new Throwback scroll-style headstock, ebony headplate and pickguard, Throwback f-holes, ebony fingerboard, Seymour Duncan electronics, and Jazz Age finishes.

Also joining the Excel Series is the Excel Mini DC, an undersized double cutaway semi-hollow featuring Seymour Duncan 59 humbuckers and coil-splitting push/pull tone knobs.

 

 

Premier Bob Weir Bedford

The reimagined Deluxe Series is built to inspire – featuring Limited Edition takes on all four solid body designs, as well as the semi-hollow DC, SS, and 175. Across humbucking models, the Deluxe Series introduces the all-new Seymour Duncan Seth Love A4 – a pickup with remarkable depth, response, and richness in tone.

Meanwhile, the offset Bedford is now available in a stunning new variation. The Deluxe Bedford SH- a semi-hollow solid body featuring a unique modern f-hole window – adds an edge of acoustic warmth to its unique electronics configuration – two STR-52s and a Mini-Humbucker.

 

Limited Edition Deluxe Models are available in Matte Black, Matte Wine, and Matte Rose Gold. Only 50 pieces each.

D’Angelico will also debut the opening of its new USA Custom Shop and debut the shop’s first ten instruments at NAMM 2020. For the first time in brand history, solid bodies and semi-hollows will be built to spec in the USA, run by renowned luthier and longtime D’Angelico collaborator Gene Baker. Media outlets can contact jessica@dangelicoguitars.com to schedule an online interview and demonstration at the 2020 NAMM show.

All models will be officially available to select dealers on 16 January 2020.

See More

Album of the Year: Civilian by Frank Tovey

Clan of Xymox Materializes At Le Poisson Rouge

Blake Charleton Keeps It Fresh

Christine Smith Waits On The Far Side Of A Star

Adrian Sexton Draws The Death Card

Categories
Featured

Count Down To New Year’s Eve With Le Bilboquet

If you’re ever looking to catch a little break from Downtown (why would you?), we highly suggest you use it to have dinner at Le Bilboquet on the UES.

In October 2013, Le Bilboquet reopened in an impressive locale just blocks away from its original location of 27 years. We can certainly attest to the fact that Le Bilboquet is the place “to see and be seen” — each time we’ve dined there, it’s always the who’s who of New York, from former NYPD Commissioner Ray Kelly and his wife, to President Bill Clinton, Jamie Foxx, Hugh Jackman and Sting, to name a few. 

Le Bilboquet is owned by Philippe Delgrange, with partners as famous as their guest list, such as billionaire Ronald Perelman, real estate investor Steve Witkoff, and musician Eric Clapton. The bistro seats 110, in an atmosphere that’s intimate and chic, with eye-catching pieces of post-modern artwork that pops on the walls. The wait staff are superb, informative and fun, and you do not have to wait long for your request to be filled. French is the spoken language, although you will hear several others — if you didn’t know you were in America, you would swear you’d been transported to Europe. The food is French bistro, with standards like foie gras, steak, fresh fish and Moules-frites.

 

 

This particular evening, I was craving steak and fries, when the waiter, as well as PR director Karine Bakhoum, insisted that I try the Cajun Poulet. Not what I had in mind for a French bistro, but I’ll give anything a try once. Whenever I’m in Paris, I always go for the Poulet, as certainly the French know how to make chicken taste like a million dollars. I must say, the Cajun Poulet did not disappoint… it was buttery, tender, and full of flavor. For dessert, profiteroles are an all-time favorite of mine, and as we sat there savoring each bite, the mood changed, the music kicked up, and the place went from a bistro to nothing short of merveilleux —  everyone was singing and dancing beside their tables. Now, that’s my kind of place!

 

Although the night was just ramping up, I had the pleasure of asking Philippe a few questions.

What are you personally looking forward to this year during the holidays?

Philippe Delgrange: I’m looking to share special moments with my patrons, friends and family. We have to appreciate the many blessings we have, especially during these dark times. Life is still beautiful at Le Bilboquet, and for that I am grateful.

How do you prepare each year for the holiday menu, and what was the inspiration behind this year’s?

PD: We offer our a la carte menu all year, as there are so many signature dishes our patrons rely on being there, but we offer holiday specials like Dover sole, lobster and risotto with black truffles, to name but a few. We always have something special to offer.

For a new guest, what do you highly recommend as a must-try?

PD: Most definitely the Cajun Chicken, as this is our international bestseller among others like our Steak Tartare, our Tuna Tartare, and our Escalope de Veau au Citron, as well as the Crab Avocado Salad.

How would you describe Le Bilboquet?

PD: It is a home away from home for our customers, as there is always a feeling of joie de vivre and bien être.

We are thrilled about the new cafe, any comments for our readers?

PD: It is a little jewel that pleases all the senses, and filled with beautiful and delicious treats. Our kitchen will be opening soon, and we will offer table service with an expanded menu. Our gourmet mini baguette and brioche sandwiches and salads are made daily, and our bread is baked fresh several times a day.

For New Year’s Eve 2017, one of our top destinations to book is Le Bilboquet.

Le Bilboquet’s New Year’s Eve Dinner will make your mouth water. Here’s what you can expect.

Amuses-Bouche

~Choose One:
Le Tartare de Thon
Maine Lobster Salad, Vegetable Macédoine & Tarragon Mayonnaise
Foie Gras Terrine, Toasted Brioche
1⁄2 dozen Oysters
Creamy Polenta, Porcini Mushroom Fricassée & Black Truffle Shaving
L’Assiette de Saumon Fume
Chestnut Velouté, Braised Chicken Wing

~Choose One:
Filet of Dover Sole and Shrimp, Mushroom Duxelle, Spinach & Lobster Sauce
Striped Bass, Potatoes Leek & Fresh Black Truffle
Le Poulet Cajun
Roasted and Glazed Rack of Veal & Winter Vegetables aux Gratin
Sautéed Beef Tenderloin, Truffle Sauce & Pomme Pont Neuf

~Sweet Selection

Book it soon, as tables will not wait for long!

Categories
Culture Entertainment Events Music Uncategorized

Brooklyn Sports & Entertainment and Bowery Presents now operating Webster Hall

Brooklyn Sports & Entertainment is partnering with The Bowery Presents — AEG Presents’ regional partner — to acquire the operating rights and assets to Webster Hall, the legendary music and entertainment venue located in Manhattan’s East Village. The parties will assume the long-term lease to the building, which will continue to be owned by current owner, Unity Gallega.

Webster Hall — which has operated as a venue since 1886 — includes the Grand Ballroom, The Studio and The Marlin Room live entertainment spaces. The officially-designated New York City landmark has served an integral role in the development of many artists’ careers and was named 2016 Nightclub of the Year at the annual awards of Pollstar Magazine. The magazine currently ranks Webster Hall as the No. 2 club venue worldwide for ticket sales.

“We are excited to build on the iconic history of Webster Hall,” said Brett Yormark, CEO of Brooklyn Sports & Entertainment. “Webster Hall provides us with an extraordinary opportunity to connect with artists early in their careers and expands BSE’s venue footprint into Manhattan. We appreciate all that the Ballinger family has done to make Webster Hall an industry leading venue and we are looking forward to working with them, The Bowery Presents and AEG Presents to make it an even greater destination for live music.”

“Partnering with The Bowery Presents and Brooklyn Sports & Entertainment to program and operate this iconic live facility will continue to enhance Webster Hall’s worldwide reputation as one of the industry’s most important venues,” said Jay Marciano, Chairman and CEO, AEG Presents.

Webster Hall has undergone several waves of transformation throughout the past century. In the 1920’s, Webster Hall notoriously held masquerade balls and was nicknamed “the Devil’s Playhouse.” RCA Records purchased Webster Hall in 1954 and renovated the venue to include a state-of-the-art acoustically-treated ballroom. Notable artists who recorded in Webster Hall’s studio during this time included Elvis Presley, Frank Sinatra, Bob Dylan (his recording debut), Harry Belafonte, Tony Bennett, and Julie Andrews.

Beginning in the 1980’s, Webster Hall reemerged as a leading rock venue in the City, hosting artists such as Eric Clapton with Keith Richards, U2 (the band’s first-ever U.S. show), Tina Turner, The Beastie Boys, Prince, Sting, Metallica, Aerosmith, KISS, B.B. King and Guns N’ Roses. The Ballinger family began running the venue in 1989.

Categories
Culture Entertainment Music

Bobby Whitlock & Ricky Byrd to play B.B. King’s on Jun. 13

Bobby Whitlock & CoCo Carmel / Photo: Todd V Wolfson

If you are a fan of rock & roll, you have heard Bobby Whitlock play music. Beyond his long-standing solo career alongside wife CoCo Carmel — who herself has performed with Jon Bon Jovi, Dr. John and Phoebe Snow — Bobby also played and wrote on three of rock’s most iconic albums: George Harrison’s All Things Must Pass, Derek & The Dominos’ Layla And Other Assorted Love Songs and The Rolling Stones’ Exile On Main Street. He is also notably a co-founder of Derek & The Dominos, and was the first “friend” in Delaney and Bonnie. While Bobby has a new album in the works, he and CoCo have opted to travel the road for The Sparkly Shoes Tour, which hits B.B. King’s on Jun. 13.

One thing that makes the Sparkly Shoes Tour even more interesting is that each date of the tour features a special guest guitarist. The Jun. 13 show includes Rock and Roll Hall of Famer Ricky Byrd, who played in Joan Jett & The Blackhearts for many years; he has also performed alongside Southside Johnny, The Who’s Roger Daltrey, and Mott The Hoople’s Ian Hunter, among others.

Downtown had the pleasure of speaking with both Bobby and Ricky via e-mail. Interestingly, the two have never met in-person, so day of the B.B. King’s show will likely be their first meeting. Bobby and Coco can be visited online at www.bobbywhitlockandcococarmel.com, while Ricky keeps an online home at www.cleangetaway.nyc.

How did you two first meet?

Bobby Whitlock: We have yet to meet face to face, but have talked over the telephone…

Ricky Byrd: I haven’t actually met Bobby or Coco yet. My wife Carol Kaye is their publicist, so that’s my connection. I had seen a post on Facebook from Bobby that they were playing BB’s in June and I remember my pal Godfrey Townsend — who played with them last year — said he wasn’t available this year, so I asked Carol to reach out to them and offer my services. No doubt I’m honored to play with them. I have also agreed to do a short opening acoustic set of songs from my solo CD Lifer and some tunes I wish I had written. (laughs)

Ricky, you’re considered a sideman yet have also put out solo albums. Do you like being thought of as a sideman, though?

RB: Honestly, I have more of a frontman personality. I have been up front singing lead and driving the bus for so long, it’s a natural place for me to be. With that said, the fact that I’m a professional, I understand the concept of playing a supporting role and I have been that guy many, many times as well. At this point I have quite a list of people I have played alongside…everyone from Roger Daltrey to Smokey Robinson, and now Bobby Whitlock and CoCo Carmel
Sometimes I’m lead dog …sometimes you are there to help pull the sled. I just bring my tools and do whatever job is at hand!

What should be expected from your gig at B.B. King’s? Will you be playing any covers?

BW: We will be playing the Dominos songs that I wrote on the Layla record and some new originals that CoCo and I have written, along with a couple from my upcoming solo record.

On each date of the tour you’re playing with a guest guitarist. Did you have the cities picked out first? Or the guitarist?

BW: We have the dates and cities picked out before we get the guitarist.

How have you and CoCo been able to keep long-standing relationships as both collaborators and a married couple? I mean, few other musical couples have lasted decades…

Whitlock: CoCo and I are friends, lovers, husband and wife, and also musical partners…And we are together 24/7. We are equals in everything that we do. There is no “mine and yours.” It’s all ours. I never tell her what to play or sing. She knows what to do. We have great respect for each other and each other’s abilities. We are both free to be.

Ricky, where was the first gig you ever played in New York City?

RB: Hmm, probably a church dance in Queens. We were too young to play clubs. Eventually I made my way playing upstairs at Max’s Kansas City and other 70’s rock joints in New York City.

Do you still get out to Long Beach often?

RB: Back in the early 80s, I was out there often because Jett lived there. Over the past few years, I’ve played a few gigs in Long Beach, and you could find me at a restaurant or two there occasionally.

Gig at B.B. King’s aside, what’s coming up for you?

BW: Aside from the B.B. King date. which is in the middle of our Sparkly Shoes Tour, I am working on finishing my first solo recording in years. It has some new songs, some of which we are performing on this tour, and the band is great! Darryl Jones on bass, Colin Linden and Nick Tremulis on guitars, Charley Drayton on drums, with Stephen Barber on keyboards along with myself and of course my darling CoCo Carmel singing and playing sax. She also has about six songs that were co-written with me, and her song “Nobody Knows” is on my new solo record. I could not resist doing her song.

RB: I’m currently working on a CD filled with original songs I play at treatment facilities around the U.S. I have been in recovery since 1987 and a huge part of my world is trying to help those fighting addiction just as I was helped. The songs are about addiction, recovery, hope and inspiration. There will be some very special guests, including Bobby, but in the end the message of recovery is the special guest! I’ll be handing the CD out to patients at my groups. Knowing music is a healer, hopefully it will help save a life.

When not busy with music, how do you like to spend your free time?

BW: When I am not singing and playing or writing a new song or working on my poetry book, I enjoy whatever comes my way by the way of the creative process. I love walking in our woods with our dogs, and simply strolling down the street in our neighborhood with CoCo. I have a passion for working with wood, namely tree stumps. I call it root art. As a matter of fact, some people came from Japan to our home several years ago and they all were captivated with my artwork. I told them that I call it “root art” and they said that it is a very spiritual art in Japan, as it gives eternal life to the root of the tree.

RB: Watching baseball. Trying to navigate around a 15-year-old daughter. And napping. (laughs)

Do you have a favorite restaurant in New York?

BW: I don’t really have a favorite restaurant anywhere, as I prefer CoCo’s cooking at home.

RB: Wo Hop on Mott Street. I’ve been going there since 1974.

Finally, any last words for the kids?

BW: Final word for the children…Listen…Just be still and listen for that still small voice.

RB: If you want to be a music lifer, go out and play the joints to zero people on a Tuesday night. Learn the craft, play every day, make your bones the old-fashioned way, and let rejection roll off your back or you’ll go nuts.

Categories
Culture Entertainment Music

Nathan East on his new album “Reverence,” playing with top artists, New York City & more

Nathan East / Photo: Alysse Gafkjen
Nathan East / Photo: Alysse Gafkjen

Screen Shot 2016-11-21 at 2.48.51 PM

Whether or not you know Nathan East by name, you have heard plenty of his music. That was him playing bass on “Get Lucky” by Daft Punk. That was him playing bass on “Easy Lover” by Phil Collins, a song that he also co-wrote. That was also him on Eric Clapton’s Grammy-winning MTV Unplugged album. And that is without discussing his collaborations with Michael Jackson, Elton John, Barry White, Toto, Lionel Richie, Randy Newman and hundreds of other notable artists.

While world tours and session work would be enough for many artists, Nathan East has also stepped out as a solo artist in recent years. A follow-up to 2015’s The New Cool, the forthcoming Reverence features an all-star line-up of collaborators. A cover of Earth, Wind & Fire’s “Serpentire Fire,” for example, features Eric Clapton on guitar, Phil Collins on drums and members of EW&F on bass, vocals and percussion. First single “Feels Like Home” includes Yolanda Adams on vocals. Philip Bailey from Earth, Wind & Fire also appears on a cover of Stevie Wonder’s “Higher Ground.” Nathan’s son Noah can be heard on “Somewhere Over The Rainbow.” Reverence will hit stores via the Yamaha Entertainment Group on Jan. 20.

Nathan spoke to Downtown about his past, present and future, all of which very interesting. He can be visited online at www.nathaneast.com and also followed on Facebook, Twitter and Instagram.

Who was the first prominent artist you had toured with? Was it Barry White?

Nathan East: Yes, Barry White was my first employer on a major U.S. tour. He heard a band that I was in called Power and hired our entire group on the spot to tour with him and the Love Unlimited Orchestra. I was 16 years old performing at Madison Square Garden, The Apollo Theater and The Kennedy Center. Needless to say, it was a thrill!

You have notably played on over 2,000 releases. Is there one that you view most proudly? Or one that you look back at as being your first big break?

NE: From the beginning of 1980, I found myself practically living in the studios of Los Angeles recording as many as 25 to 30 sessions per week, everything from commercials and jingles to albums and motion picture soundtracks. I played bass on many of the Barry White albums and hits, but he didn’t credit the musicians on his recordings for fear that someone might try to steal his sound. The Hubert Laws Family album was one of my early recordings that I was very proud of. The Philip Bailey Chinese Wall album gave birth to the song “Easy Lover” that I was very proud to have co-written with Philip and Phil Collins. There are so many that I view proudly including all the Anita Baker recordings and Fourplay albums, but one of the most significant recordings may have been the Eric Clapton Unplugged album, which sold almost 30 million copies worldwide. It contained the classic song “Tears in Heaven,” written for his son Conor.

Are there any sessions that you did a ghost musician? Andy Timmons, for example, told me in an interview that he played on a song by the purple dinosaur Barney…

NE: I was called in to play on a Judas Priest album but was not credited. Their bass player was in recovery at the time.

https://www.youtube.com/watch?v=GJrkhSmXXi8

Most people know you primarily as a bassist, but you’ve written hit songs for artists. When did you start writing music versus playing bass?

NE: In the mid-70s I wrote my first recorded song called “With All My Love,” which became the title track of trumpeter Bruce Cameron’s album. That song was my entry into ASCAP and I pretty much started writing music at about the same time I started playing bass.

I know you played cello before bass. Did you ever take piano lessons? Or try to expand to learn other instruments?

NE: I did take piano lessons as a child, and I have limited skills on the rhythm instruments such as guitar and drums.

Yamaha makes your basses and releases your albums. How did you first encounter Yamaha?

NE: In the early 80s I remember visiting Abraham Laboriel at A&M Studios, and of course he can make any bass sound amazing, but that day he was playing his Yamaha bass and I was very impressed with the sound! He put me in touch with Yamaha and that was the beginning of our long relationship.

Do you have a favorite song on your new album?

NE: That’s sort of like asking if you have a favorite child. They are all favorites, but I must say I am partial to the version of “Over The Rainbow” that I recorded featuring my son Noah on piano. Also, a new version of the Earth Wind & Fire classic “Serpentine Fire” is one that I’m very happy with the way it turned out.

How does the new album compare to your solo debut?

NE: I don’t like to compare albums as they are musical expressions and reflections of different times in your life, but I must say I love this album equally as much as I love the first!

Why did you wait until 2014 to put out your first solo album?

NE: To be honest, it was my desire for the past couple decades to release my own solo album. However, I found myself too busy working and touring all over the world and making music with such an enjoyable variety of artists.

Is there anything you haven’t yet accomplished but still hope to?

NE: I’ve recently been doing some voiceover work, which is a lot of fun. I would also like to start a foundation for education to give underprivileged kids opportunities to attend college.

Will you be playing any U.S. shows in support of the new album?

NE: Absolutely!

Where was the first gig you ever played in New York City?

NE: Madison Square Garden with Barry White. We also played the Apollo Theater.

Do you have a favorite restaurant in New York?

NE: Oh, there are so many, like Nobu, which I really enjoy. But one of my recent favorites is Pepolino’s in SoHo.

When you’re not busy with music, how do you like to spend your free time?

NE: I love spending time with my family more than anything else! I also enjoy photography, I’m a private pilot and I enjoy performing magic.

Finally, Nathan, any last words for the kids?

NE: Be passionate about whatever it is you want to do, and try to live life to the fullest — it goes by quickly!