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Zucchero on his “Black Cat” album, his Mar. 31 show at The Beacon Theatre & what else is coming up

Zucchero / Photo: Giovanni Gastel
Zucchero / Photo: Giovanni Gastel

In his 30-plus years as a singer, songwriter and musician, Adelmo Fornaciari — better known as Zucchero — has sold over 60 million albums. Beyond being widely-recognized as the father of Italian blues music, he is the best-selling Italian artist of all time. Collaborators of Zucchero have included Eric Clapton, Miles Davis, Luciano Pavarotti, Andrea Bocelli, Stevie Ray Vaughn, Ray Charles, Sting, and B.B. King. Collaborations like these have led to Zucchero receiving six IFPI Europe Platinum Awards, six Wind Music Awards, and two World Music Awards.

Zucchero has not stopped created new music, and his latest full-length is 2016’s Black Cat. The Universal Music title includes work with U2’s Bono, Dire Straits’ Mark Knopfler, Elvis Costello, Loney, Dear, and Avicii. In support of Black Cat, Zucchero will be touring the United States next month, including a Mar. 31 stop at The Beacon Theatre.

Downtown had the pleasure of speaking with Zucchero about Black Cat, his history with New York, and what else he has coming up. Zucchero can be visited online at www.zucchero.it and followed via Facebook, Twitter and Instagram.

Where was the first gig you ever played in New York? What do you remember about it?

Zucchero: It was 2007 at Carnegie Hall. It was a great thrill for me to play in New York. We had a great time that night.

Do you ever come to New York besides touring here? Have you recorded an album here?

Z: No, I haven’t for a long time. My new album Black Cat was recorded in New Orleans.

Do you have a favorite restaurant in New York?

Z: There are many restaurants that I love in New York, but I have a good friend Fabio who owns Serafina, and I always to one of his restaurants.

For someone who hasn’t seen you live before, why should they expect from your Beacon Theatre show?

Z: I enjoy performing for the fans and new fans. The show has a lot of energy, tracks from my new album and my hits — the crowds seem to love it!

Do you have a favorite song on your new album?

Z: It would be unfair of me to pick a favorite, but the song “Streets Of Surrender” will always have a special meaning to me. Bono wrote the lyrics and I wrote the music. It is a track inspired by the attacks at The Bataclan in Paris in 2015.

Black Cat was produced by Don Was. When did you first meet Don?

Z: When I recorded my album Fly back in 2005/2006. He is a great guy and fun to work with we have a good connection.

Once you’re doing touring in support of Black Cat, what is ahead for you?

Z: I will take some time out in Italy with my family and friends. Then I will start to think about a new album and tour!

You’ve collaborated with many of pop and rock’s top stars. Is there anyone you’re still hoping to collaborate when?

Z: Bruce Springsteen would be a great guy to work with — who knows…

When not busy with music, how do you like to spend your free time?

Z: I have my farm in Italy, and I enjoy spending time with my friends and family.

Is there something you wish more people knew about Zucchero?

Z: No, I cannot think of anything. I think most people know what I am about!

Did you have a favorite album of 2016?

Z: Leonard Cohen’s You Want It Darker — a very spiritual record. He will be sadly missed.

Finally, Zucchero, any last words for the kids?

Z: I very much hope you carry on enjoying my music and concerts. Love and peace to everybody.

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CRX’s Nick Valensi on his Nov. 18 gig at The Bowery Ballroom, The Strokes and more

CRX / Photo: Amanda de Cadenet
CRX / Photo: Amanda de Cadenet

Nick Valensi first came into prominence as one-fifth of the downtown New York band The Strokes. Formed in 1998, The Strokes became one of the world’s top rock bands in 2002, going on to sell millions of records. While more music is in the works from The Strokes, lead guitarist Nick Valensi is staying further active with the band CRX.

CRX released its debut album, New Skin on Oct. 28 via Columbia Records. Produced by Queens Of The Stone Age leader Josh Homme, lead-off track “Ways To Take It” was the first single released from New Skin. CRX — which also includes drummer Ralph Alexander, guitarists Darian Zahedi and Richie Follin, and bassist Jon Safley — will be playing at The Bowery Ballroom alongside Streets Of Laredo on Nov. 18. Fans of Elvis Costello, The Cars and Cheap Trick ought to appreciate the poppier fare of CRX.

Downtown caught up with Nick for some Q&A who has also notably collaborated with Devendra Banhart, Regina Spektor, Kate Pierson and Sia over the years. CRX can be visited online at www.crxmusic.com.

How would you describe CRX to someone familiar with The Strokes but hasn’t seen your band live before?

Nick Valensi: There are some similarities between CRX and The Strokes, mainly in the guitar arrangements. Since I play guitar in both bands, I guess that’s kind of inevitable. Someone who likes The Strokes will find a lot to enjoy in CRX. There are differences too, though. CRX has some songs that are heavier and more aggressive than The Strokes. And obviously, I’m not the singer in the strokes, so that’s the gonna be the most apparent difference.

Having played some of the world’s largest venues and been part of so many iconic musical moments with The Strokes, is it ever difficult to play more intimates venues like the Bowery Ballroom?

NV: On the contrary, I love it. Bowery Ballroom is one of my favorite venues in the country. And part of the reason I started CRX was to have some balance from the bigger gigs I get to do. The Strokes don’t perform that much anymore and, when we do, it’s generally at one of those huge music festivals, which I love, but I wanna be able to do both. It’s more about balance. Likewise, if I only ever got to play the Bowery Ballrooms of the world, I’d probably get sick of that, and I’d be thinking, “shit, I’d love to get on one of those festival stages.” So it’s cool for me to get to do both.

What is coming up for you professionally after this CRX show in New York?

NV: Once we wrap up the North American tour, we’ll head to the UK and Europe. I want CRX to be a band that tours a lot and puts on a really good show, so we’ll be doing a lot of that, and working on getting better at what we do. In between all the CRX stuff, I’m also finding time to work on material for The Strokes. We’re writing together and slowly stockpiling material for our next album, so it’s been a pretty busy time for me lately.

CRX / Photo: Magdalena Wosinska
CRX / Photo: Magdalena Wosinska

Do you have any goals for CRX? Or is it just about playing out and staying active as a musician?

NV: I wanna be able to make different sounding music and not be confined by anything. I wanna keep learning about music, and work on become a better singer, frontman, and songwriter. And above all, I want CRX to be something fun and simple that I can do whenever I feel like it.

I heard rumors of you soundchecking with “Hot For Teacher” by Van Halen years ago on a tour with Longwave. Do you have a secret hard rock past?

NV: It’s no secret. I have a “hard rock” past, present, and future.

CRX aside, do you have a favorite album of 2016?

NV: Iggy Pop’s Post Pop Depression and 2 Chainz’s Collegrove.

Finally, what is your favorite restaurant in New York?

NV: My mom’s restaurant Mon Petit Cafe.

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Culture Music

Larkin Poe’s Rebecca Lovell on opening for Elvis Costello on Oct. 1, Conan, Joe’s Pub, and more

Larkin Poe
Larkin Poe

Larkin Poe may have started in 2010, but its members — sisters Rebecca and Megan Lowell — have been at it for much longer than that. Alongside older sister Jessica, Rebecca and Megan were two-thirds of The Lovell Sisters, which released two independent albums, performed at Bonnaroo and appeared on Garrison Keillor’s A Prairie Home Companion. Since regrouping as Larkin Poe, the Lovells have released two studio albums, five EPs, one DVD and a mix of collaborations; work with Steven Tyler on his #1 country album We’re All Somebody From Somewhere is among those collaborations.

Someone that Larkin Poe has often collaborated with is the legendary Elvis Costello. The sisters — currently on the road in support of 2016’s Reskinned — will be coming through town with Elvis for an intimate Oct. 1 show at The Town Hall. Both acts will be performing acoustically for this Saturday night outing in Midtown.

For more info on the Georgia natives, click on over to www.larkinpoe.com. The Lovells are also known to be very active on Facebook, Twitter and Instagram.

There are a lot of notable Larkins out there. Baseball player Barry Larkin, Joan Jett is Joan Marie Larkin, British actor Chris Larkin…Do you have a favorite?

Rebecca Lovell: Joan Jett definitely wins the blue ribbon. She’s been a huge source of inspiration for us as we’ve continued to delve deeper into our own rock sensibilities. No one sings rock ‘n’ roll like Joan.

Where was the first gig you ever played live in New York City? What do you remember about it?

RL: The first gig we ever played in New York City was at Joe’s Pub, years and years ago. We were touring as an Americana string band called The Lovell Sisters and, if memory serves, we had a lovely crowd and a lovely reception.

What should be expected from your upcoming show at Town Hall? Full band in tow? Songs from both albums and all of your EPs?

RL: At Town Hall, we’ll be opening up the show as a duo. For Elvis Costello’s Detour, we’ve been enjoying the intimacy of stripping back our performance and highlighting the sister connection we share on-stage. Folks can expect to hear a smattering of existing songs off our album Reskinned, and of course — because we are classically-impatient artists — a bunch of new, unrecorded songs.

Do you have a favorite song to perform live?

RL: “Blunt,” off our album Reskinned, is an especially fun song to perform as a duo. The lyrics are edgy and singing them into a silent, listening room is a spine-tingling experience.

How did your collaboration with Elvis Costello first come about?

RL: We met Elvis many years ago at an Americana music festival in North Carolina called Merlefest. Serendipitously, we all wound up on-stage together singing a gospel song during an “all-star jam” and an immediate kinship was struck. In the intervening years, he’s graciously asked us back again and again to sing and musically support him on a variety of tours. We’ve learned so much and loved every single moment.

You two have performed as backing musicians for a great variety of artists. Was it ever the plan to be career backing musicians?

RL: We wouldn’t consider ourselves “career backing musicians.” Yes, we have had the honor of stepping onstage with many great artists and supporting them on their own artistic journeys for a few shows or tours, but ultimately, we our artists in our own right. As artists, we want to learn as much as we can from the experience of other performers whom we respect. To that end, we’ve been able to glean a lot of tips and tricks from people who have been writing, recording, and touring for longer than we have been alive.

Is there a professional accomplishment that you’re most proud of?

RL: Performing on Conan O’Brien was a cool milestone. Knowing that all our family and friends were tuning in to watch us play was deeply moving — as was the onslaught of loving texts we received after the broadcast.

What’s coming up for you after this tour with Mr. Costello wraps?

RL: We’re heading back to the U.K. for a Larkin Poe headline tour in November/December, but our main focus is continuing to write and evolve for our next project. We’re looking forward to releasing more music for our fans next year.

When not busy with your career, how do you like to spend your free time?

RL: Family, books, hiking, cooking…Songwriting. Songwriting. Songwriting.

Do you have a favorite restaurant in New York?

RL: Macbar — it’s a mecca for mac ‘n’ cheese. Need we say more?

What’s your favorite album so far of 2016?

RL: Sturgill Simpson’s self-produced album A Sailor’s Guide To Earth is magnificent.

Finally, Rebecca, any last words for the kids?

RL: Always give the opening band a chance.