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Beyond All the Looks & Laughs with Aquaria and Asia O’Hara

Known to be contestants on RuPaul’s Drag Race Season 10, Aquaria and Asia O’Hara have had their careers skyrocketed with success in landing non-stop gigs and tours, creating music, being the face of makeup and fashion campaigns, and even both of them landing on a spot on New York Magazine this past June. The queens may come from different backgrounds and drag upbringings, but been given the same opportunities to share the spotlight and their art with audiences across the world.

Before the queens got onto the stage and revealed their astonishing looks, Aquaria and Asia O’Hara talked with Downtown Magazine about their relationships with drag and the reality of being a performer behind the main stage. 

Downtown Magazine: With this year marking the 50th Anniversary of the Stonewall Uprising and NYC is the host of WorldPride this year, how are you celebrating Pride this year and what does it mean to you specifically?

Aquaria: “I mean, for me, it’s, it’s a lot of work a lot of sharing my creativity, my entertainment, my art with the people that enjoy it and the members of my community that, you know, get inspiration and life from that. So, you know, as a drag queen, I’m very much overbooked right now, but it’s like spreading the love. And I think that’s like my gift that I can give to my community and in trying to entertain and also relay a message of bravery and empowerment. I think that’s kind of what my job is.”

Asia O’Hara: “Yeah. And I think for me, it’s definitely a lot of knowing and making sure I understand my place in the community. I think for a long time, especially for me, pride was just a lot of celebration, and being proud of who you were, and prideful, of course. And now, obviously, being here in New York on the 50th anniversary. It’s like a humbling experience and a reminder to remember my place in the community, and knowing that the things that I do today, or the bricks that I throw today may have a huge impact fifty years from now.”

DT: Being that you’re in NYC and we’re a magazine that focuses primarily on the Downtown scene over here, what is your favorite and least favorite parts of NYC, and what are the fan reactions you get being here than the West Coast?

Asia: “I think for me, I don’t live in New York. I think my favorite part is the fact that you literally can do and be and go anywhere from New York City. I think that that’s one of the things that New York has probably over any other city in the world. I think most cities have their greatness is but the fact that you can be in New York City, and there are an infinite amount of paths that you can take to greatness. I think that’s my favorite thing about the city. My least favorite thing? Of course, today is the traffic like, coming here from Newark. That is my least favorite thing. But I think that’s kind of like the price you pay to be in touch with the iconic place.

Aquaria: “I live here, but I like that if you can make it here, you can make it anywhere. That’s the best part. 

Photo of Asia O’Hara from Project Publicity.

DT: How are you constantly evolving in the face of your drag and elevating what your audiences have seen since being on the show; and how will you continue to do so?

Asia: “For me, it’s not about where I want to see my drag, go, it’s more about the velocity of my drag. I want to make sure that it always has velocity and it is always moving. When I started doing drag, most mainstream entertainers made their mark, by knowing who they were and sticking to it and living that their entire career like the Beatles, Michael Jackson. And then there were other entertainers, like, obviously, Madonna, who made her career off of constantly reinventing herself and her career definitely has never been a destination, it’s just always been about the velocity. She’s always one step ahead of the game and going to her next. That’s kind of what I would hope to have in my drag – always have movement and to not be stagnant and always have a sense of philosophy to the next thing, regardless of what it is.”

Aquaria: “I think I can simply agree with that. My favorite part about drag is being able to change day to day and creating different looks and different characters, and a persona in general. That is very inspiring to me. And I think it keeps me on the edge of my seat and my creativity simulated on it. And I think that’s what people enjoy seeing. To stay true to myself by always being different.”

DT: Recently World of Wonder has been releasing a documentary about the Werq the World Tour that you [Aquaria] were apart. Can you talk about your thoughts and feelings while filming your episode and what did you want fans to take from it?

Aquaria: “I filmed my episode over the time span of three or four days after I was done filming the finale for season 10. But I hadn’t known yet if I’ve won, so I was just really stressed out and – not in my head because I thought about such like a contrived ridiculous phrasing – but I was just very to myself and a little closed off, I guess. So you kind of see like a more timid side of me. But on the flip side, you put me and someone like Sharon Needles in the room, or honestly, really any of these girls nowadays. And it’s just like cackle fast. I think, you know, as with anything, you get to see a more authentic side of all the drag queens. Especially when the real side that most people know about us is guessing what objects are under our butt in a mini challenge on Drag Race. It lets people into our minds and in our lives. And everyone is convinced that RuPaul’s Drag Race shows that drag queens are real people but like it’s still theatrical. And this is [Werq the World Documentary] very documentary style, obviously. You get a real sense of who these people are that, you know, turn into the artists on stage that you gag over.”

Photo of Aquaria taken by Santiago Felipe (FILMMAGIC).

DT: Going off that, now that we’ve seen Drag Race has lurked into the mainstream, do you see any challenges or assumptions that you face with audiences engaging with drag culture as a whole?

Aquaria: “I think people have a conception that drag always needs to be female presenting, I think people are under the impression that drag needs to be performed by people who are cis-gender men or male presenting. I think people misunderstand the work that goes into it and the heart that goes into creating what we do. You know not many people’s canvas is their self, even if it’s their makeup. Okay, if you don’t like their makeup, that’s one thing. But like, if you’re a drag queen, or a drag entertainer or artist, you know, it’s your heads and toes inside and outside that people are judging. I think people don’t realize that we are giving it our all in every aspect of our being.”

DT: One thing that fans get from viewing you [Asia O’Hara] as a drag artist and an overall person is that you’re very genuine and empathetic in your interactions. How important is it for you to make space and care for others so deeply?

Asia: “I think the space is there. I think everybody has a space. It’s just people, I think it’s a great space that everybody has and everyone’s kind of constantly trying to figure out how to fill that space. I think it’s something that everybody does. And I think that it’s it’s super important. I definitely believe in the exchange of energy and karma. And I believe that the most important thing that you could ever do is second rich the life of someone else. No matter how small or big that is, I think that’s kind of the basis of human interaction. So it’s a space that I think everybody has and I think it’s a large amount of space in everyone. I think a lot of people are wandering through life trying to figure out how to fill this space that they have and that’s how I found that it works for me. And it’s like once you’ve done it once, it’s very habit forming.”

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Downtown Magazine wrote up a review on the Looks & Laugh event.

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Events Fashion Featured

LOOKS & LAUGHS Event: What A Drag

The audience was laughing and the queens were serving them looks, but one missing element from the show was the structure for all the drag queens to have equal stage presence.

On Friday, RuPaul’s Drag Race icons Trixie Mattel and Katya Zamoldochikova hopped off the subway, bustled through the nightmare that is Times Square, and hosted an outlandish drag queen event aptly named “Looks and Laughs” at the PlayStation Theater. The queens were joined by their friends Aquaria, Asia O’Hara, Kim Chi, Naomi Smalls, and Violet Chachki as they walked the runway and revealed their looks outfitted by Klarna. The show also featured the newly-crowned winner of RuPaul’s Drag Race Season 11, Yvie Oddly, alongside special live performances by Icona Pop and Kameron Michaels premiering her brand-new single, “Freedom.”

The show coincided with all the festivities that occurred for World Pride 2019 in New York City, but it was also the final installment of the “Shop Like a Queen” campaign launched by Klarna, an alternative payments provider for online shopping. The campaign partnered up with the five queens aforementioned to advertise the benefits of shopping using the Klarna App, provide insightful tips exclusively on the app, and help the queens curate their ideal NYC Pride look.

The campaign was created to highlight their newly redesigned app that lets users shop from any online retailer and pay for their purchases through installment plans, with as little to zero interest and fees. 

The two-hour event began with solo performances from Trixie and Katya, with each of them switching off to let the other prepare for their next number. Trixie’s numbers consisted of a standup routine of poking fun at the audience, a satirical song about rich people problems, and even a rendition of Nicki Minaj’s “Anaconda.” Katya, on the other hand, told a hysterical narrative about her journey from Russia to making it in the United States and lip-syncing to American pop songs in Russian. The first hour ended with the duo lip-syncing an ABBA-inspired number with songs like “Waterloo” and “Dancing Queen” seeping into the crowd’s ears and an improved rhythmic gymnastics routine with twirling ribbons engraved in their memory. 

In hour two, the show started off strong with the crowd witnessing Yvie Oddly perform a few oddball numbers, with one having her rap to her song “Dolla Store,” which talks about her obsession with the dollar store. Kameron Michaels came out as a surprise guest and got to perform her song “Freedom,” a Pride anthem that promotes the message for listeners to find the freedom within themselves and embrace who they are. Swedish duo Icona Pop ended up being the last few performances of the night, singing some of their hit songs before ending off on their well-known single ‘I Love It.”

Photo of Icona Pop taken by Chunwoo Kae.

As Icona Pop performed “I Love It,” Aquaria, Asia O’Hara, Kim Chi, Naomi Smalls, and Violet Chachki all strolled onto the stage one-by-one and walked the runway, premiering their Klarna-curated outfits. Aquaria wore a beautiful, Marie Antoinette-inspired outfit, Kim Chi fluffed out in an obnoxiously cute cherry-print dress, and Asia O’Hara stacked with chains upon chains along her body. The presentation of all five runway looks was phenomenal and the crowd was in an uproar while each queen walked the stage, but the timing and structure of their presence felt rushed. 

This impression stems after all five queens walked the runway, they were presumably confused as to what purpose they had to be on stage. They stared at one another and talked amongst each other for a minute before deciding to walk off stage before any host announced the show was over. Five drag queens, who are known for their exceptional abilities as entertainers, spent hours backstage putting together their makeup and outfits for the night only to share the stage in tune to a song that lasted roughly three minutes sounds bizarre. 

The atmosphere of the room suddenly shifted after an announcement was made that the show came to an end seconds after the queens left the stage. The music in the crowded venue toned down and the stage was wiped clean. Attendees met each other with puzzled looks on their faces, as to question the absurdity of the abrupt ending. 

Photo of Violet Chachki taken by Chunwoo Kae.

An issue on the prompt ending is met with critique, not on the drag queens, but the sponsors of the event – Klarna. This speaks on a broader issue of having artists exert an immense amount of time and energy into their artistry, but only to be met with little appreciation and space to promote their work. These drag queens are talented professionals, entertainers, artists and it should be acknowledged as such. 

The queens could’ve been given the dignity to have their own, solo segments where they performed a number in their dazzling outfits and engage with their audience. The crowd could have interacted with the queens by choosing their favorite look determined by the loudest amount of cheers and chants. The opportunities for growth and acknowledgment for each of the queens times are endless. 

It may be a drag to put down an event uplifting drag queens, but an artist’s worth deserves more appreciation. 

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Downtown Magazine also had the opportunity to interview a few of the queens prior to the show.

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Culture Entertainment

It Was Whiskey Sours and Holiday Cheer at “The Doris Dear Christmas Special”

Ray DeForest was back at The Triad Theater with his now annual Christmas Party, “The Doris Dear Christmas Special.” This year, Doris performed to three nights of packed houses. Mr. DeForest is first and foremost an actor. He created the character of Doris Dear when his mother was slowly declining from Alzheimer’s and Ray wanted to salute the powerful woman he called mom. This year the show was also a fund raiser for The Alzheimer’s Association, New York Chapter. Mr. DeForest collected money after the shows and is donating a portion of the proceeds from the show. As Doris Dear said, “There comes a time in your life when giving back is more important than anything”.

dear doris 2018

This year’s show was all new. Starting with a rousing full cast number “Christmas Isn’t Christmas Till You Get Here”, we all knew we were going on a fun filled sleigh ride complete with sleigh bells! Doris of course sat down with a whiskey sour, lifted her glass with a funny toast and dished out holiday advice from her “bible of the American housewife,” Better Homes and Gardens, 1950’s style. From homemade aprons to gay decorations and parties, Doris Dear knows Christmas. We all look forward to Doris and her recollections of her parents Taffy and Duke, and this year was no exception. Doris gave us a heartfelt “I’ll Be Home for Christmas” which made us all happy to be in the rumpus room with Taffy, Duke and Doris.

Doris welcomed her usual mix of amazing singers and musicians to the Rumpus Room. Rick Jensen, Steve Doyle and Sean Harkness are all multi-talented musicians who are themselves successful solo performers that seem so in synch with Doris Dear, it’s hard to imagine them all not being together. Sean Harkness and his guitar playing is that glorious star on top of this delightful Christmas Tree. Lisa Yaeger joined Doris in a powerful duet, “Happy Days/Forget Your Troubles”. Their voices blend beautifully, and the audience cheered as their vocals both soared with the music. Lina Koutrakos, also Doris Dear’s director, joined Doris on stage to share some Greek Christmas with us and sang a heart wrenching “After the Holidays”. Lina has a voice that reaches inside you and grabs your heart and doesn’t let go. Of course, it wouldn’t be a Doris Dear Christmas show if Lina and Doris didn’t do their hilarious duet “I Wouldn’t Trade Christmas”, a Sinatra family favorite! One of the new additions to the Rumpus Room this year was the all-girl group “Those Girls”. Their “Jing-a-Ling” was so fun, and their tight harmonies so well executed, I felt like I didn’t want to ever leave this Rumpus Room.

dear doris cast 2018

Doris came out dramatically in an all-black rhinestoned gown to do her comedic take on the Rosemary Clooney song from the movie White Christmas, “Love You Didn’t Do Right By Me”. You never know where Doris will take us, and this number was no exception. Doris “brought the house down” with this old standard. Doris finished with an audience sing a long and then wrapped us in her holiday warmth with “Merry Christmas Darling”.

Ray DeForest is more than just another drag queen performer. There is no lip synching or cheap music tracks in these shows. His amazing vocals, extraordinary comedic talent, and subtle expressions consistently show us that there is more to drag than what we think. Mr. DeForest also writes the script and produces the entire show. This is family friendly fair full of advice, songs and laughs. After an evening in the rumpus room, you feel like Taffy and Duke are your friends and Doris Dear is your ultimate den mother. As I walked into the sparkling holiday lights of New York City, I knew that the world was going to be ok as long as Doris Dear had a say!

By Nick Appice