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Music

Meet The Band: Clone

In the summer of 2019, a new supergroup emerged from the streets of Brooklyn, comprised of LG Galleon (Dead Leaf Echo) on vocals and guitar, Gregg Giuffré (drums) Max Idas on Bass (Lulls), Dominic Turi (Squad Car) on guitar, and Lyla Vander (Ice Balloons, Habibi) on keys. Although they are a relatively new outfit, they have already shared the stage with bands like Honduras, Big Bliss, Slowness, and The Prids.
Clone was all set to embark upon their first tour across the US before the COVID-19 outbreak, including a couple of performances slated for SXSW, but at the eleventh hour, the band was unfortunately forced to cancel all travel plans. It was a massive disappointment for the group, but they remain optimistic.
“Clone are evocative, in ethos and ambition alone, of a time when bands still could change lives,” says Galleon. “They also believe in the galvanizing, redemptive power of music, the kind which used to be written for the lonely and the scarred and the diffident, before something truly was lost, something deeply enmeshed within the human psyche that could be shared. Clone are fitfully reclaiming this, which at its crux, is the imagination of youth. It’s captured vividly here, and their private universe of sonic exploration is now open to all.”
The band is releasing a new track called New Romance, and, according to Galleon, “it’s a damn auspicious opening volley.” The single’s sound captures the nascent verve of Warsaw, (precursor to Joy Division), especially in the icy timbre of the slashing guitar figures.
Idas’s eminently melodic, racing basslines, reminiscent of Peter Hook’s, also recall the daydream haze of The Cure circa Pornography, and lock in effortlessly with Vander’s metronomic, economical drumming. Galleon’s vocals round out the sound, as he urges with an unrepentant rage, “Tell me a story about how you’ll bore me.”
In this song, the protagonist is assuming a woman’s perspective, but his mind is androgynous, for these feelings are universal. Confusion and anger are at the fore, but they’re a device used to convey the difficulties of finding any true human connectedness, which is appropriate, given the deterioration of communication in our increasingly anomic culture.
The b-side to the single, Boris the Cobbler, treads similar ground covered on New Romance. The band has an EP in the works for 2020, which they’re recording with Arjun Argerwala (James Iha, Adam Franklin).
They’re complete, in their purpose and in bond, and believe in themselves. Drift in with them, as the ride has only just begun.
Clone is offering wonderful merch on their home page, including vinyl and shirts (DM them for your size). All money goes directly toward supporting the band.
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Culture Featured Music

Interview With Niabi Aquena of Searmanas

Niabi Aquena of Searmanas in an interview with Downtown

Listening to the opening strains of a Searmanas song is like falling into a murky pool of lucid dreams. The ethereal vocals of Niabi Aquena gently sprinkle cinematic fairy dust over her lush soundscapes. Her work has been described as “etheric darkwave,” with nods to Sigur Rós, Fever Ray, and composer Jóhann Jóhannsson

Searmanas (pronounced SHA-mah-nas) is the Irish word for “ceremony.” Much of her poetry explores nature and ritual through unusual sonic channels; for instance, she used the radiotelephony spelling alphabet in her song Opening With Phonetics. Aquena’s live performances transform her into a priestess solemnly creating altars of noodly wires and sound waves.

“I love the exploration of the role of ceremony within both urban and rural experience,” says Aquena.  “I like showing, not telling. I’m inspired by intensity and poetry. I’m a romantic.”

Although she has called NYC home for two decades, Aquena originally hails from the Shenandoah Valley of Virginia, where the oldest mountain ranges found on earth surround the region with rolling hills and green pastures. Many of her atmospheric progressions sonically mimic that landscape. 

“I grew up in this beautiful place feeling as an outsider and a weirdo,” Aquena explains. “My mom named me from a New Age baby name book she found. I was 5’9” at age twelve; I had flaming red hair. I was different, and in rural Virginia, that was not accepted. This led way to a vulnerability founded in mettle.”

Aquena has since struck an intriguing balance with her place as a metropolitan artist, and the acknowledgment of the pastoral beauty that shaped her youth, through her mystical lyrics and transcendent electronic experiments. She is a unique fixture in the New York music scene, having shared the stage with other electronic visionaries like John Bender and Hieroglyphic Being. 

“The city certainly has taken my heart, and the rhythm of this place motivates me to my core.”

Seamanas
“The only solution I could come up with after hot compresses failed me, was an eyepatch! The pics from that show turned out cool though, so now I’m asked when I’m bringing the eyepatch back…”

Since debuting Searmanas in 2016, Niabi Aquena has been signed to Cleopatra Records and taken her project on tour all over the Midwest and East Coast. Aquena describes tour life as “grueling, but very rewarding.” On the last leg of a major tour, however, a minor crisis struck.

“I got bitten on my eyelid at someone’s place and my eye swelled up. I looked terrible but was playing a show that night. The only solution I could come up with after hot compresses failed me, was an eyepatch! The pics from that show turned out cool though, so now I’m asked when I’m bringing the eyepatch back…although it most certainly wasn’t a fashion statement!”

Aquena has lent her considerable talents to other bands such as Dead Leaf Echo and Textbeak, but she has many more plans for her solo project. 

“I’m waiting on getting a pedal. It takes the firmware from one of my favorite modular synths, but in a stompbox. Earlier this year I taught myself guitar, so I’m thinking of incorporating these two loves, modular synthesis, and guitar, together for the next iteration of Searmanas.”

Searmanas performs the Hart Bar on 7 November.

Check out Undo by Searmanas here:

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