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Beauty Featured NYC

Living Color Take Charge of Your Color

Helping clients take charge of their color.

Kala feels it is key to have a sustainable relationship with the color of your choice and, more importantly, with your colorist. If you choose a more extreme color, you
will require more maintenance to keep it fresh and healthy. A good colorist will ask questions about your lifestyle and make recommendations about how to always look your best.

For example, clients often have concerns about silver or gray hair. To Kala, those natural silver streaks are part of a pattern we are blessed with after a certain age. Today, having silver hair can be a chic fashion statement. Silver, however, is also a commitment, and not just a hot trend. Kala says, “Some people look great with silver hair, and some want to cover it up.” Whatever you decide about your silver locks, it is important to discuss what it takes to maintain your choice and to make sure it fits in with your lifestyle.

 

Living Color Take Charge of Your Color
Model Sydney Sabean with her new, dimensional hair color. Photographer Jason Goodrich, Stylist Laurean Ossoiro, Dress Designer Celestino Coutour

 

Whether you choose to go silver, gold, ash, or even wildly dramatic with fashion colors such as purple, red, or green, the key will be managing your color and not allowing it to manage you. Your colorist can give you important information such as the longevity of certain tones and shades, as well as how it will work with the texture of your hair. Certain shades and treatments need to be refreshed every six to eight weeks, whereas others only require three or four visits a year.

The most successful color, says Kala, should be organic and natural.

Your color choice should allow you to adjust slightly as needed but still be consistent throughout the seasons. When you have a color that you love, and it isn’t stressful to maintain, it makes your salon visits a pleasure.

“It is fine to have that longevity with your style and look,” says Kala, “and you can transition from season to season without affecting the integrity of the hair.” He continues, “It is important that the design, choice of color and the habits of good conditioning, repairing, and protection, match the texture and health of the hair.” Since healthier hair holds color better, it will free you from the commitment of coming to the salon more often.

 

Living Color Take Charge of Your Color
Model Sydney Sabean with her new, dimensional hair color. Photographer Jason Goodrich, Stylist Laurean Ossoiro, Dress Designer Celestino Coutour

 

Lastly, Kala stresses that maintaining your color really comes down to the relationship you have with your hair at home. Hair is made of the same components of skin and nails, which means that your hair needs as much love as you give your skin and nails.

“You should have a day to care for your hair,” says Kala.

“For instance, choose a good conditioning treatment to protect it and return it to its natural state and to prepare it for future services.” Keep some kind of record of your lifestyle and how your hair is affected by your environment. The technology of how color treatments are applied has evolved so much and your colorist can advise you on the latest in glazes and toners that are full of protein and collagen, two things hair needs to survive the rigors of modern life. Kala calls them filters. “Your hair will look healthier. Those filters will maintain the health of your hair as well as give your color long life and beauty.” fabiodotisalon.com 

 

 

Living Color Take Charge of Your Color
HAIR MASTERS Fabio Doti (left), and Yexael Kala of Fabio Doti Salon. Model Sydney Sabean wears Celestino Couture. Makeup by Christianah Watson. with her new, dimensional hair color. Photographer Jason Goodrich, Stylist Laurean Ossoiro, Dress Designer Celestino Coutour

 

ONE OF THE MOST SATISFYING ways to change up your look is to book an appointment with a colorist at your favorite salon. The options are endless—change your color completely, add highlights (or lowlights!), cover gray hair or roots, or embrace your silver locks and give them a boost. But color services can also have a dark side for the health of your hair, your schedule, and your wallet.

Yexael Kala, a master colorist at Fabio Doti Salon in Manhattan’s Financial District, helps his clients choose the best color services from a full menu of techniques such as dimensional or corrective color, baby lights, ombre, balayage, color melting, and so much more. Kala immigrated from Colombia to pursue his dream of becoming a master colorist and began his career at the world-renowned Carsten Aveda Institute of New York. We spoke with him about the best way to have a sustainable and manageable way to maintain a gorgeous head of hair.

“Managing your color properly is about finding balance, and not about having a high-maintenance color that makes you go to the salon once a month, every three weeks, or even every ten days,” says Kala.

“The real concern should be making sure your color matches your lifestyle and your routine.”
Categories
Culture Education Events Music

Eric Bogosian & Michael Dorf on City Winery’s Jan. 4 Church Street School for Music & Art benefit

Photo: Christian Jensen
Photo: Christian Jensen

The Church Street School for Music and Art — as located in Tribeca — is the area’s only non-profit school for the arts. The institution has served the downtown and outer community since 1990. On Jan. 4, City Winery will be hosting a fundraiser for the school with plenty of stars present. Performers are scheduled to include Sugarland vocalist Jennifer Nettles, Sonic Youth guitarist Lee Ranaldo, screenwriter/producer Ed Burns, actor Harvey Keitel, DJ Spooky’s Antartica Symphony, and actor/author Eric Bogosian.

Downtown had the pleasure of conducting Q&A with not only Eric Bogosian in advance of the event, but also City Winery owner Michael Dorf and its marketing director Jillian Santella. Other performers at City Winery include Teddy Thompson (Jan. 1), Buster Poindexter (Jan. 13), Alejandro Escovedo (Jan. 19-21), Bettye Lavette (Jan. 29), and Marc Cohn (Feb. 14-15). Michael will also be presenting his annual benefit at Carnegie Hall on Mar. 6; this year will be a tribute to Aretha Franklin including performances by Todd Rundgren, Taj Mahal, Living Colour, Allen Stone, Kenny Loggins and Melissa Etheridge.

For tickets to the benefit show, click here. The Music Of Aretha Franklin at Carnegie Hall has a home at www.musicof.org. Eric Bogosian can be followed on Twitter via @Eric_Bogosian.

You have written and starred in plays, produced plays, written multiple published novels, appeared in a lot of film and television projects, and have even produced dance-related events. Do you have an easy way of describing how you earn a living?

Eric Bogosian: I describe myself as an author and actor.

Is there a particular project of yours that you are most proud of?

EB: The website 100monologues.com — currently featuring over 60 videotaped monologues by New York’s best actors — is a huge project we’ve been working on for over three years. I’ve very proud of it. We will keep building the site through 2018 when all 100 monologues will have been posted. The site is free and like I say, features many of the most popular and exciting actors who live and work in New York City. Take a look!

Do you remember the first show you ever attended at City Winery?

EB: I have never been to a show at City Winery. Michael and I go back to The Knitting Factory days. Because I don’t drink alcohol, City Winery has been off my beaten path.

What will you be doing at the Church Street School benefit? Any idea yet?

EB: I will perform a couple of monologues from the 100 Monologues.

City Winery is known for hosting a lot of benefits. Do you have specific criteria for when it comes to getting involved with a cause?

Michael Dorf: No criteria, there are so many issues in the world today. It is balancing out how we can spend our resources helping out. We have a platform to both raise money and awareness — I feel it is our responsibility to try and make the world a better place.

A lot of huge artists have played at City Winery in New York. I remember reading about Billie Joe from Green Day performing on-stage there. Gregg Allman had his recent residency…Is there anyone you’re still hoping will perform at City Winery?

MD: So many. We have a long list. I want Bonnie Raitt. We did a private show with Neil Young, would want that every night if we could. [Bob] Dylan, Bruce [Springsteen], oh yeah, Ryan Adams, how amazing would that be. How about a special night of Rihanna?

Before City Winery, you had The Knitting Factory. Do you see City Winery as a continuation of The Knitting Factory? Or are they entirely different venues in your eyes?

MD: Well, people have said, City Winery is a Knitting Factory for grown-ups. Yeah, there is some overlap. We had all standing shows mostly with a beer in-hand…That worked great then. Now being more calorie-conscious and having achey knees, I’d rather sit. It will be 30 years since I started The Knitting Factory and I guess both have worked in the lifecycle of myself downtown, serving many friends.

City Winery has locations in multiple cities. How involved are you in other cities’ locations?

MD: I run them all. And of course, when I say run, it is a great team running currently 750 employees growing to 1,000 employees in a year — take that Trump, that’s real job creation! I picked the name “City” so we could grow to many markets. Our business is very scalable and I am planning on aggressive growth over the next few years to more than 10 locations.

What is your favorite item on the City Winery food menu?

MD: A great burger goes with Bordeaux. But somedays I’m more in the mood for a white wine, so I go for a piece of fish. Our menu was really designed to complement your wine, not wine to go with your food. We inverted the typical process of ordering.

Do you have a go-to wine from the City Winery menu?

MD: No. There are so many different styles and favors, so much terroir. I’m a Pinot fan if forced to go to a deserted island thing.

Church Street School benefit aside, what’s coming up for you?

EB: My non-fiction book on Armenian assassins, Operation Nemesis, will come out in trade paperback in February via Little, Brown. Also I am guest starring in numerous episodes of The Get Down and Billions this coming season.

Jillian Santella: As always, we have music almost every night of the week! Some musical highlights in early 2017 include Art Garfunkel, Shawn Colvin’s January residency featuring Graham Nash, Richard Thompson and Patty Griffin, Josh Ritter and more. We’ve got a fantastic New Year’s Eve Party in our Barrel Room, featuring entertainment from Wasabassco Burlesque, open bar and light bites. In addition, we are open in the Barrel Room restaurant for dinner and drinks every day, lunch on weekdays and Sunday brunch — including a bottomless brunch drink option. We also have some exciting wine classes coming up, such as “Wine 101: Brunch & Wine Pairing” on Sunday, Jan. 8.

Will you be hosting another March benefit concert at Carnegie Hall in 2017?

MD: Yes, March 6 is the music of Aretha Franklin. It will be my 14th year raising money for music education programs, there are nine different organizations this year getting funds.

When not busy with work, how do you like to spend your free time?

EB: Gardening, jigsaw puzzles and model airplanes. But I don’t think of my time as free or not free. It’s all one to me.

MD: I love giving interviews. I spend time with my family, kids. Two are now in college and one still in school downtown. She still likes me… I will admit that I like to golf when I can early mornings, hiking and being upstate when possible.

Do you have a favorite restaurant in New York?

EB: The Odeon.

Finally, any last words for the kids?

EB: I have lived in Tribeca for over 30 years. Our neighborhood was built on music, dance and art. It is our lifeblood. For me, children playing music is a symbol of peace and love between neighbors.

MD: Shit, does that mean I’m suppose to be an adult? I don’t feel like one. Nah. I think what Lisa [Ecklund-Flores] is doing at Church Street School is critical for the community. It is more than an after-school music program and also more than just serving a rich Tribeca community. In fact, I think being in Tribeca hurts the perception of them needing funding. They offer many scholarships and the teaching staff give much more time and effort than they are paid for. They are teaching kids to practice, giving them self-confidence, unleashing an inner creative streak that they might not have developed at home or regular school. They serve a very important role in our community, especially as more music programs get stripped away from public school budgets. Add to that the very challenging Tribeca real estate issues, which really don’t allow a non-profit — or many creative for-profits — to exist. Rent and getting enough space is a huge challenge for the arts, especially downtown. Right now, they are seriously-challenged and I hope this benefit helps them through part of it. I encourage all to come.

https://www.youtube.com/watch?v=JE781dM7kzE