Alabama – Downtown Magazine

Singer/songwriter CAT — also known as Catherine Pierce — first turned heads as one-half of the band The Pierces. The Pierces made five full-length releases — starting with 2000’s Sony-released self-titled album — before calling a hiatus in August 2015. In those 15 years, The Pierces notably were labeled a Rolling Stone Breaking Artist, had the theme song to Pretty Little Liars, and toured with the world with Coldplay.

January 2017 brought the debut single from CAT, “You Belong To Me,” which premiered via CLASH. Downtown spoke with Catherine shortly after “You Belong To Me” came out, prior to the release of her second single “Hard To Be A Woman.” Catherine chatted about New York living and what’s coming up for her. CAT can be followed via Twitter, Facebook and Instagram.

When did you first move to New York?

Cat: I moved to New York City the summer of 2001. The attacks on the World Trade Center happened a few months later. My mom called me in a panic the morning of 9/11 and I watched from the window of my apartment as the second plane hit. My parents begged me to come back to Alabama, but I had already fallen in love with the city and wasn’t leaving.

Where was the first gig you ever played in Manhattan? What do you remember about it?

Cat: The first gig I played in NYC was at The Mercury Lounge. Albert Hammond Jr. of The Strokes was in the audience and he had someone send me a rose with his phone number backstage. We went on to date for five years and we were engaged for a bit. It didn’t work out due to us both being young and insane and partying too much, but we are still friends now and both living healthier lifestyles. So yeah, it was a memorable gig!

Do you have a favorite restaurant in New York?

Cat: Lil Frankie’s has a special place in my heart.

A year and a half ago, you and your sister announced that The Pierces were going on a hiatus. Did you immediately know that you would be putting out solo material?

Cat: Yes! As much as we loved being in a band together, we have both been dying to put out solo records for years. We are both excited that it’s finally happening.

Does a professional hiatus like the one you and Allison have at all affect your family relationship? I’d sure hope not!

Cat: We have actually become much closer now that we’re not working together. It’s tough being in a band with your sister no matter how much you like each other. It’s so nice to support each other in our solo endeavors too.

You just released your first single as a solo artist. How did you know your collaborators Jason and Leggy? Were they long-time friends?

Cat: I’ve known Jason Lader for a long time. I met him when he was doing Julian Casablancas’ first solo record. We reconnected in Los Angeles and started making music together. Leggy Langdon is my husband! He’s incredibly-talented and he and Jason work really well together. They both bring an incredible skill set but also have very different aesthetics. Somehow, the combination of the three of us made a little bit of magic.

New single aside, what else is coming up for you?

Cat: I’ve got about 20 songs in various phases of completion. I’m gonna roll out a few more singles and then an album later in the year. I’ve also been working on some cool visuals with Antony Langdon. There are videos on the way, too.

Any chance we’ll see you collaborate again with Steve Schiltz in the future?

Cat: Steve! I haven’t seen Steve in ages, but yes, I’m down!

When not busy with music, how do you like to spend your free time?

Cat: Oh, I like to do lots of things. I’m currently designing a deck of tarot cards, which has been a long but really fun process. I’ve been making homemade lip balms and lotions too. I really enjoy dabbling in psychedelics. I think it’s good for the soul and the collective consciousness. They tap you back in to what’s important and true. I’d like to heavily dose our current president and rip open that sad, little mind.

Finally, Cat, any last words for the kids?

Cat: Turn on, tune in, and drop out.

These days, as a correspondent on The Daily Show With Trevor Noah, comedian Roy Wood Jr. is best known for his work on television. However, Roy had worked extensively within other media before joining The Daily Show last year. Within the radio world, he got his start as a reporter for Hot 105.7 while attending Florida A&M University. Ultimately Roy worked his way up to producer and head writer for the Buckwilde Morning Show in his native Alabama before becoming host of The Roy Wood Jr. Morning Show for WBHJ-FM. While doing radio, Roy did stand-up, eventually getting onto NBC’s Last Comic Standing and making multiple appearances on Conan.

Now living in New York, Roy is juggling careers as an on-air personality, comedy writer, and a touring stand-up. On Nov. 12 and 13, he will performing at Gotham Comedy Club alongside Ophira Eisenberg and Rich Francese. Tickets can be purchased online for all four of those shows at www.gothamcomedyclub.com.

Downtown caught up with Roy for some Q&A about his past, present and future. Roy can be visited online at www.roywoodjr.com and followed on Twitter via @RoyWoodJr.

I first learned about you from Sullivan & Son, which was one of TBS’ first forays into the sit-com world. Was that prompted you to move to Los Angeles?

Roy Wood Jr.: The Daily Show is the main reason I moved, but I was considering a move to New York City if for nothing more than to be able to do comedy in a better market. When TBS cancelled us, my first thought was to if nothing else, get better at comedy. I really wanted to tighten up my stand-up game and hopefully start shopping myself around for a one-hour special.

Nowadays, you’re based in New York City. What do you enjoy most about living in New York?

RWJ: I love the sounds. There was a concrete saw going outside my apartment at 2:00 AM. TWO IN THE MORNING and a man is cutting cement. Sounds so weird, you forget to get mad.

One night I heard a guy scream “YOU KNOW WHAT YOU DID! YOU KNOW WHAT YOU DID!” I couldn’t tell if it came from the street or the apartment upstairs. Either way, a man screaming that at three in the morning, they’re either about to start a fight or have sex. Either way, it’s none of my business.

It’s a city of beautiful randomness. Where one day you can see a man dressed as Elmo fighting a man dressed as a Starbucks cup. And the next day you can see a man slicing concrete with saw.

You’re originally from Birmingham, where I’d argue that most New Yorkers have never traveled to. What does Birmingham have to offer that New York City doesn’t?

RWJ: Birmingham offers politeness from strangers. That term “Southern Hospitality” is indeed a real thing. I don’t get back to Birmingham as often as I’d like to, so even now the politeness of the south throws me off. New York turns you into a type of person that you automatically process a person speaking to you as either a death threat, or a request for money. Both are met with an ice cold grill. Whereas down south, if someone speaks, there’s a legitimate amount of warmth behind it.

Also, the mac & cheese is better there. Every where in New York is determined to ruin mac & cheese with bread crumbs and truffle oil.

Prior to being on television, you were a prolific prank phone caller. Did The Jerky Boys play into your upbringing?

RWJ: The Jerky Boys are the king of prank calls. PERIOD. The funny thing is that I didn’t want to do prank calls when I first got into morning radio because I didn’t feel like I’d be good at them and I wanted to do more sketches and parody songs. Thankfully I was good at them and they helped me in ways I never imagined. Before The Daily Show, there were just as many people who knew me from my prank calls as did from my television appearances.

You also successfully worked in radio before making it onto television. Is there anything you miss from your days in radio?

RWJ: I miss all of my friends from Birmingham and the listeners. There’s something special about radio that makes it become a family. Radio is far more interactive than television. You’re out in the streets constantly meeting the listeners, you’re taking calls, etc. Television by nature requires you to be a little more distant from the people that consume your product so it’s a little less social of a medium.

A lot of people have discovered you as a result of The Daily Show. What is the most challenging part of being on that show?

RWJ: The hardest part of The Daily Show is making sure that my take is original. You can often have a funny thought or perspective on something, only to check it on Twitter and see that other people are saying the exact same thing. It forces you to be a better writer and look at current events from a different perspective. Also, there are more shows out there doing something similar to what we do so it’s important to have a perspective that’s unique.

How does your stand-up compare to what people hear from you on The Daily Show?

RWJ: My comedy is a much more “caffeinated” on stage. But for the most part on The Daily Show, the writers do a great job of capturing my energy and what I feel about certain issues. The biggest difference is that on-stage I’m yapping about a lot of stuff that doesn’t really matter. On TV I take that same energy and try to apply it to issues that actually matter to this world.

It’s been five years since you were on Last Comic Standing, and you’re arguably one of the most successful people to come from the show. Looking back, is there anything that you would have done differently while on the show?

RWJ: I would’ve enjoyed it more. I spent way too much time preparing every week instead of enjoying my friends that I was performing with. One week before rehearsals I spent four hours in the mall trying to find the “perfect” outfit to wear. I’ve probably done way too much of that in my career, to be honest. But I think that’s just the way us comedians are wired. The jokes are the jokes.

The late Mike DeStefano was one of the finalists as well. He spent the days before taping riding a motorcycle in the California hills. I think having a clear mind before doing anything substantial is important and that’s a lesson I’ve never forgotten. The good thing about that show is that I learned how to do comedy in a quick and concise way that would help me for years to come doing numerous sets on Conan.

Altogether, do you have a professional accomplishment that you’re most proud of?

RWJ: The first time I got paid to do comedy was in 1999. I was paid $4. Those four dollars are framed on my wall. It was the first time I felt like I belonged. Like I could actually do this for a living. I’ll never forget that night. Or the seven people who came to the show and made me right. (laughs)

When you’re not busy with your career, how do you like to spend your free time?

RWJ: I have little free time, but what I do have left I spend with my son, or playing video games, or doing puzzles.